By Kendra James & Arturo R. García
Mike Peterson (J. August Richards) is under the gun(n) in the premiere of “Agents Of S.H.I.E.L.D.”
So after what felt like two years’ worth of hype, Marvel’s Agents Of S.H.I.E.L.D finally debuted Tuesday night, offering up a potentially interesting new platform through which to explore the Marvel Movieverse, as well as a show featuring women of color in both the primary ensemble (Chloe Bennet and Ming-Na Wen) and the creative team (executive producer Maurissa Tancharoen). And that’s without counting the welcome return of Firefly‘s Ron Glass and Angel‘s J. August Richards to Whedonville.
As promised, the show doesn’t skimp on digging deep for its connections to the Marvel movie universe, referencing not just Avengers, but Iron Man 3 and Captain America in major ways. But how did our roving reviewers feel about it? They traded some thoughts after the premiere.
By Arturo R. García
Lost in the morass of morons who decided to pop up after Nina Davuluri was crowned Miss America on Sunday was … well, just about everything else about her.
But as Lakshmi Gandhi pointed out at The Aerogram, Davuluri is a nerd in both the academic and pop-cultural sense: she’s holds a degree in Brain Behavior and Cognitive Science and plans to apply to medical school. She is also a self-identified Star Wars and Star Trek fan.
The New York Times‘ Jeff Yang added to this on Sett, both citing Gandhi’s post and posting a shot of Davuluri
in full cosplay:
By Arturo R. García
Peter Capaldi addresses his casting as the Twelfth Doctor in “Doctor Who.” Image via Mashable.
As jarring as it was to see Doctor Who get the kind of drawn-out prime-time infomercial special reserved for reality show winners, the confirmation that Peter Capaldi got the nod to play the Twelfth Doctor is also striking, for a number of reasons — many of which, it should be mentioned, have less to do with Capaldi than with the program itself.
Make no mistake: Capaldi will emerge as a capable, perhaps superlative, lead for the show. But it’s fair to worry whether he was the right person for the job, or just the one best tailored for showrunner Steven Moffat.
Promo shot for The Originals. Via the CW.
Last week The Vampire Diaries (TVD) aired Episode 20, ”The Originals,” a “backdoor pilot“ for a spin-off series coming this Fall of the same name, which will (finally) remove the Original Family of Klaus, Rebekkah, and Elijah from Mystic Falls, VA, and send them even further south to New Orleans. I know, I know–at this point we need more Southern vampires on television like we need another summer superhero movie. But here’s the surprising thing: If TVD showrunner Julie Plec weren’t also in charge of this show? It could be very, very good.
There hasn’t been much to be excited about this season, so this was a game-changer and it was more than just a change of scenery (TVD has had a lot of that this year). Admittedly, you can’t go wrong in erasing the ridiculous part of the plot where the 1000+-year-old vampires have to pretend to be teenagers, fitting in with small-town Virginia life. The new chosen city for the show isn’t overly inspired; New Orleans is hardly original when it comes to vampire storytelling, but with it comes an instant change to the mood and tone of the show.
“The Originals” steps back from the teenage shenanigans of TVD, and thank goodness for that. This is show about family–the family you’re born into vs. the family you make for yourself. With that, plus the introduced cast members, there’s some serious potential here.
The problem is it is Plec’s show–and a lot of the potential it has won’t ever see the light of day.
By Arturo R. García
Aqualad stands at the ready in “Young Justice.”
With just a few days until the series end, we come not only to prepare to bury Young Justice, but to praise this series and its creative team for not just engineering one of the best seasons by an animated series–perhaps one of the top five ever–but for doing so while making full, honest use of a cast of characters that got only more diverse as the series went on.
Spoilers under the cut
By Guest Contributor Chaka Cumberbatch; originally published at XOJane
Sailor Venus cosplay. Via XOJane
Once upon a time, I inadvertently started a cosplay race war on Tumblr. Whoops.
So, here’s the deal: I’m a cosplayer. If you don’t already know one of us in person, (and you probably do–we’re everywhere) you’ve probably seen people like me on the news–all dolled up in a rainbow of face paint and eye-popping wigs, 50 shades of spandex, and skyscraper shoes, for the sake of expressing love for and bringing our favorite characters to life at sci-fi, comic book, video game, and anime conventions.
Since I started cosplaying in 2008, I’ve traveled the country, hitting up as many cons as financially possible, all the while making incredible friends, unforgettable memories, and lugging hard-to-get-through-airport-security props along the way. (Have you ever tried to fly with a dress made out of plastic bubbles? Fun fact: you can’t. But you can ship it to your hotel!)
Here’s the second deal: I’m also black. Which is fine by most everyone…until I have the audacity to cosplay a character who isn’t.
After my pictures started making the rounds on deviantArt, Tumblr, and 4chan, it became pretty clear that my cosplay brings all the racists to the yard, and they’re, like, white cosplay is better than yours.
By Andrea Plaid
Stumbling back from the back-end blue field called Tumblr, I can say that a whole lot of you Racializens seriously enjoyed what we posted this week–like hundreds of you! So let me say for the record that, to borrow from our current president, we love y’all right back, and we hope to keep posting people and things you love…
…like this bit of magnificence that has the late Eartha Kitt reclaiming her signature role as Catwoman! Comic Book Sources reports:
Eartha Kitt, Femme Fatale #1. Cover art: Felipe Montecinos. Via Comic Book Sources
Eartha Kitt is on holiday, searching for the purrfect wave. When suddenly??? Well we won’t spoil the surprise. But in the tradition of DC Nation and all good things for all ages comes Eartha Meets The Gorgon, the first in a series of advemtires done with the blessing of the legendary actress/singer’s estate.
The comic book dropped yesterday!
Image Credit: Zyllan Fotografia.
By Guest Contributor Jha; originally published as part of the series “Racist Things Steampunks Are Not Immune To” at Silver Goggles
So, this morning I woke up to two emails about the exact same thing: Some nonsense-filled thread talking about “how to not offend people” when it comes to multicultural steampunk. And a cursory glance through the emails proved to me once more how impossible it is to talk to white people who don’t want to change their minds about what offensiveness is and what not to do.
While I am certainly pleased that there are people who are aware of the racial implications of what they do–even in some fuzzy way that they can’t articulate–I am also aware that there are a ton of people, shall I say, “looking for offense,” or rather, the chance to be aghast by some perceived limitation of their actions and options. There are white fans of steampunk who will set up strawman arguments about how fans of color actively look for offense (e.g. racism and appropriation), so much so that other poor folks are walking on eggshells every time they move.
“I can’t wear a pith helmet,” they will whine, “because then it would be colonialist and thus offensive!”
“I can’t wear a kimono,” another set will whine, “because then it would offend Asian people!”
“I can’t incorporate gypsy styles,” some more will whine, “because then I’d be accused of appropriation!”
Can we even consider the absurdity of these statements?