Category Archives: fandom

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The ‘N’ Word Through The Ages: The ‘Madness’ Of HP Lovecraft

By Guest Contributor Phenderson Djeli Clark, cross-posted from Media Diversified UK

When, long ago, the gods created Earth
In Jove’s fair image Man was shaped at birth.
The beasts for lesser parts were next designed;
Yet were they too remote from humankind.
To fill the gap, and join the rest to Man,
Th’Olympian host conceiv’d a clever plan.
A beast they wrought, in semi-human figure,
Filled it with vice, and called the thing a N*gger.

– H.P. Lovecraft, On the Creation of N*ggers (1912)

Author H.P. Lovecraft

I had come to believe that by now the racism of H.P. Lovecraft, the celebrated author of horror and fantasy, was a settled matter — like declaring Wrath of Khan the best film in the Star Trek franchise. Arguing against such a thing should be absurd. I certainly thought so after the matter was thrust into the spotlight in December 2011, when author Nnedi Okorafor won the esteemed World Fantasy Award — whose statuette is none other than H.P. Lovecraft’s disembodied head. Okorafor had been unaware of the depths of Lovecraft’s “issues,” until a friend sent her his 1912 poem,On the Creation of N*ggers, where blacks are fashioned by the gods as “a beast … in semi-human figure.”

This was no one-off, some “misspeak” by the author. Lovecraft’s racial biases ran deep and strong, as evidenced by his stories–from exotic locales with tropic natives lacerating themselves before mad gods in acts of “negro fetishism” (Call of Cthulhu), to descriptions of a black man as “gorilla-like” and one of the world’s “many ugly things” (Herbert West — Re-animator). This was no abstract part of Lovecraft’s creative process, where he was trying to imbue his work with some hint of realism. Rather, these were expressions of his foremost thoughts, a key part of his personal beliefs, most notably his virulent xenophobia towards an increasingly diverse American society emerging outside of his Anglo-Saxon New England.
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Race + Spider-Man: Sony Confirms A Glass Ceiling For Miles Morales

By Arturo R. García

(L-R) Peter Parker and Miles Morales, as shown on the cover of “Spider-Men” #1.

Sony Entertainment might be pleased right now about the opening-weekend performance from Amazing Spider-Man 2. A $94 million domestic take isn’t a Marvel-level success, and the film has gotten middling reviews, but it’s been a decent start.

But the company should be concerned about the arrogance exhibited by executive producers Avi Arad and Matt Tolmach late last week, as they effectively rejecting the possibility of seeing a Spider-Man who is not cis-white het male Peter Parker inhabit Sony’s Spider-film realm. As The Mary Sue reported, Arad and Tolmach put the kibosh on that talk in an interview with IndieWire:

IndieWire: Are Miles Morales (“Ultimate Spider-Man”), Ben Reilly (clone Spider-Man) or Miguel O’Hara (“Spider-Man 2099″) on the table? If you want a Spider-Man movie every year why not bring in some of the other variations?
Tolmach: No.
Arad: No. The one thing you cannot do, when you have a phenomena that has stood the test of time, you have to be true to the real character inside – who is Peter Parker? What are the biggest effects on his life? Then you can draw in time, and you can consider today’s world in many ways. But to have multiple ones… I don’t know if you remember, but Marvel tried it. And it was almost the end of Spider-Man.
IW: So Spider-Man in the cinematic realm will always be Peter Parker?
Arad: Absolutely
Tolmach: As far as we’re concerned. The guys who take it over after us … Who knows …

It’s true that Sony runs the ASM brand independently of Marvel’s operation, but if movie!Spidey were truly independent from his comics counterpart, Otto Octavius’ stint assuming Peter Parker’s identity in Superior Spider-Man might not have wrapped up just in time for the new movie.

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In support of The #IAmComics Campaign

By Arturo R. García

The author’s submission to #IAmComics

If you’ll allow for a moment of first-person writing today, I’m happy and proud to announce that, in addition to being part of the team here at The R, I was asked to be part of We Are Comics, a new campaign created by longtime comics pro editor Rachel Edidin over the weekend to spotlight the fact that comics fandom extends far, far beyond the cis-het white male realm often attached to it.

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The Heroes We’d Like To See Most In Heroes: Reborn

By Arturo R. García

Just as we’re getting used to having a show about zombies around again, NBC went one step further and dug up a show that is a zombie.

Yes, Heroes is apparently returning from the grave, with original showrunner Tim Kring in tow, sometime next year. As sensible longtime readers might have bleached out of their brain, the series’ first iteration ended, mercifully, with a pre-Nashville Claire-Bear outing the metahuman population to the world after Team Benetrelli saved the world from a group of angry carnival workers. Which gives just a little more heft to this bit of spin from NBC Entertainment President Jennifer Salke:

Until we get closer to air in 2015, the show will be appropriately shrouded in secrecy, but we won’t rule out the possibility of some of the show’s original cast members popping back in.

Sure, on one level that can be interpreted as a polite way for Salke to say, “PLEEEEEEEASE HAYDEN COME BACK,” but if the show really is a continuation and not just a “reimagining,” it puts Heroes in a very interesting position.

The genre television renaissance it helped define is mostly floundering; sure, Arrow gets its fair share of good reviews, but Agents of SHIELD has struggled to gain its footing and the British cult favorite Misfits has concluded. With Smallville long gone, Supernatural nearing the end of its run, Doctor Who surviving on a spread-out schedule and the CW’s Gotham and Flash projects looking unsteady, Heroes can reasonably expect to attract fans hoping for a return to its Series One risk-taking prime.

But for Reborn to truly thrive will take not just new blood, but picking the right (affordable) old faces to bring back. And more than anything, it is going to require Kring to learn from some of his costliest mistakes in the first go-round.
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One More Voice: On My Conversations With Dwayne McDuffie [The Throwback]

Friday marks the third anniversary of the passing of comics giant Dwayne McDuffie. At the time, we ran a Voices tribute post, but you might be surprised to find out that he also read Racialicious.

That, it turned out, was the ice-breaker between himself and Arturo, which led Art to pen his own show of remembrance for the man who was the cornerstone of Milestone Entertainment.

By Arturo R. García

Please forgive this indulgence in advance. As an unabashed fan of Dwayne McDuffie’s … well, as you might imagine, the news of his passing Tuesday has been tough to really wrap my head around.

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Future On!: Michael B. Jordan And The New Human Torch’s World

By Arturo R. García

The Human Torch (left) and Michael B. Jordan. Image via ScreenCrave.

After months of speculation, Thursday night brought confirmation: Michael B. Jordan will play Johnny Storm/The Human Torch in 20th Century Fox’s newest attempt to build a Fantastic Four film franchise. And while some geeks reacted as badly as you might expect, this iteration of Marvel’s First Family is worth keeping an eye on for far more interesting reasons.
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10 Baadasss Graphic Novel Super Sistas

By Guest Contributor Sky Obercam, cross-posted from Clutch Magazine

Comic book enthusiasts, here’s an eye-catching list inspired in part by creative comic trailblazer Jackie Ormes. It’s time these stunning, ass whoopin’ superheroines got some shine.
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Is Agents Of SHIELD really an interracial family show?

By Arturo R. García

Skye (Chloe Bennet) meets her mentor, Agent Coulson (Clark Gregg) in “Agents of SHIELD.”

THIS POST CONTAINS SPOILERS

Not to get all Morpheus on you, but: what if some of us Whedonistas have been approaching Agents of SHIELD off focus, just a bit?

Sure, I’ve been among the fans who have been critical of the show during most of its’ freshman season, with a good deal of that dissatisfaction aimed at the ostensible audience POV character, Skye (Chloe Bennet) — and this was before we found out she might be an extraterrestrial sort-of object of considerable power, on top of being a super-hacker.

But, over the weekend a colleague of mine at The Raw Story, Scott Eric Kaufman brought me up to speed on at least one more way to approach the series. It might not excuse some of the story choices in Agents thus far, but it sheds new light on how we might consider Skye and her cohorts.
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