Category Archives: exoticisation

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Dear Christina Fallin

By Guest Contributor Adrienne Keene, cross-posted from Native Appropriations

Dear Christina Fallin,

Last night, someone tagged me in the comments of your post on Instagram, a picture of you wearing dark red lipstick and a coordinating warbonnet. Initially, I just rolled my eyes and closed the window, because since I’ve somehow become an “expert” on white girls in headdresses, I get sent pictures like yours pretty much every. single. day. Don’t believe me? Just glance at the “#indianheaddress” tag. But then I got an email, then another, and another, and another, and then realized that this one was different–because you, Christina, are daughter of Oklahoma’s Governor.
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A Storm Brews Around Lupita Nyong’o

By Arturo R. García

Academy Award winner Lupita Nyong’o. Image via her official Facebook page.

As Oscar winner Lupita Nyong’o’s career prospects seemingly expand by the day, so, too, do the discussions surrounding her, with some fans imagining the sight of her stepping into some iconic franchises, and others side-eyeing the increased attention she’s been getting.
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Friday morning comedy videos: Akilah Hughes and Hari Kondabolu

As Colorlines reported earlier this week, Akilah Hughes’ “Meet Your First Black Girlfriend” has amassed more than a million views on YouTube since being released just over two months ago. It’s a pretty sharp set of takes crunched into less than two minutes. Our favorite? “You can tell me you like Scandal because of the ensemble cast, but I know it’s because you have Olitz fantasies.”

It’s been interesting watching Hari Kondabolu’s visibility increase since we last checked in with him, particularly through his work on the dearly-departed Totally Biased with W. Kamau Bell. This clip, from his upcoming album Waiting For 2042, explains the album’s title.

“For those of you who don’t know, 2042 — according to census figures — is the year that white people will be the minority in this country,” he says, adding, “I don’t know if there are people in the audience who are upset by this. But don’t worry, white people: you were the minority when you came to this country. Things seem to have worked out for you.”

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Chinese like You: White Adoptive Mothers and the Reality of Racial Privilege

By Guest Contributor Sara Erdmann

Cover to “Forever Lily: An Unexpected Mother’s Journey to Adoption in China.”

Despite the fact that international adoption has become commonplace — most recent studies show that over 70,000 Chinese girls were adopted into the United States between 1991 and 2010 — Beth Nonte Russell’s path to motherhood was a nontraditional one. In her 2007 memoir, Forever Lily: an Unexpected Mother’s Journey to Adoption, Russell describes accompanying a friend who intends to adopt on a trip to China.

This book, while almost 7 years old, is continuously recommended across the web for adoptive mothers — it’s pinned on Pinterest and a regular on the book club circuit. In an era obsessed with memoir, it seems only natural that Russell would choose to chronicle her journey as such, particularly considering the major surprise (read: book sales) that characterizes her trip: Russell’s friend changes her mind. Quickly becoming the heroine of her own story, Russell looks down at the little girl she has only just met and begins conceiving a history in which the two of them were meant to be together. Eager to substantiate her sudden role as Lily’s mother, Russell proclaims that “there was a past life connection between [her] and Lily,” and that her “longing brought [Lily] into being.” To suggest that this child living in an orphanage in China exists because Russell willed her into being is problematic to say the least, but Russell goes one step further in her desire to feel permanently and unalterably connected despite her and Lily’s cultural and racial differences.

White adoptive families are regularly challenged by the idea of incorporating their child’s birth culture into their family. Researchers have long questioned whether an adopted child’s birth culture should be ignored, as in cases when families essentially raise their child of color as white, or whether it should be embraced, even to the point of trying to mimic a Chinese upbringing in the United States (think Chinese New Year parties and Mandarin lessons). In Racial Formation in the United States: From the 1960s to the 1990s, sociologists Michael Omi and Howard Winant observe that “there is a continuous temptation to think of race as an essence, as something fixed, concrete, and objective. And there is also an opposite temptation: to imagine race as a mere illusion, a purely ideological construct which some ideal non-racist social order would eliminate.” Because Russell sees Lily’s race as an essence, something unalterable, and she needs to feel she was meant to be Lily’s mother, she relies on personal epiphanies and memories that confirm that, in some way, she is also Chinese.
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An Open Letter to Mike Babchik: I Am Not For Sale

By Guest Contributor Diana Pho, cross-posted from Hyphen Magazine

TRIGGER WARNING FOR THIS POST

Photo of Mike Babchik and ‘Man Banter’ crew at NY Comic Con. Credit: Bethany Maddock

Dear Mr. Mike Babchik of Man Banter,

You thought you were having fun last month at New York Comic Con when you and your film crew gained access to the convention using your job credentials at SiriusXM Radio. You thought this would be a great opportunity to provide footage for your YouTube show (now defunct, thankfully). You thought it would make great television to pull me aside, to put your mic in my face, to drive your camera’s light in my eyes and to ask if you could buy me.

You thought it was just a joke when you said you wanted to buy an umbrella with an Asian girl — because I was holding a parasol.

You thought you were being clever by mistaking me for a geisha girl, like the many submissive, diminutive women you’ve seen on TV or on the Internet or in movies.

You thought that because I was small and female and Asian, it gave you the right to ridicule my existence.

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Quoted: Six Tips for Discussing Muslim Women during Ramadan

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Good post today over at Muslimah Media Watch:

Ramadan Mubarak everyone!

For many years now, Muslimah Media Watch has worked hard to problematize, counter, question and critique depictions of Muslim women in a variety of media outlets, as a way to provide new perspectives to looking at the “Muslim woman problem” (starting by questioning this statement).

Since Ramadan 2013 has arrived, I would like to first wish you all a wonderful and blessed month. During this month, I am hoping my fellow MMW writers will have a break from horrid portrayals of Muslim women both in many mainstream media sources and in some Muslim communities. With Muslims immersed in the spiritual and cultural practices of Ramadan and everything else that is happening in the world (from sexual attacks on female protestors in Egypt to halal nail polish and Iranian officials refusing to recognize Elham Ashgari’s swimming record), I think it is important to reconsider the ways in which we speak about Muslim women.

So, I have come up with some suggestions, along the lines of Ramadan resolutions – that I would like other people to follow.

Tip #3: Acknowledge race, culture and privilege.

It may come as a surprise, but Muslim women are not a monolithic group that can be easily lumped into one category. The mainstream media is well-known for extrapolating their assumptions on Muslim women based on countries with “bad” reputations like Iran or Saudi Arabia. Yet, we do the same within Muslim communities. We preach equality but point at other Muslim groups when there is something we do not like (female circumcision anyone?)I belong to a predominantly Arab Muslim community where black abayas and hijabs are expected, the Arabic language is praised and pushed on everyone else, and Arab standards of beauty apply. There is little acknowledgement of South Asian and African communities, and racism prevails.  [light]-skinned Arab women rank first in beauty lists, followed by white converts.

We talk about racial equality in the mosque, but the reality is completely different, as explored by Amina in a recent post. So, this Ramadan we should be looking at our own biases and privileges.

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Image Credit: diloz on Flickr

Open Thread: Dark Girls

By Arturo R. García

D. Channsin Berry and Bill Duke’s much-anticipated documentary Dark Girls premiered on the Oprah Winfrey Network Sunday night, so let’s open the floor up for your opinions.

Following the discussion on Twitter, there seemed to be concern over the documentary touching on white men who entered relationships with black women, yet refusing to touch on issues related to white privilege very heavily.

White Men Discuss Their Attraction to African-American Women

In Dark Girls, hip-hop author and journalist Soren Baker, a white man who's married to an African-American woman, describes his early attraction to women of all races—and shares his father's reaction. Plus, another man in an interracial relationship discusses his wife's skin tone.

Also, a note via Shadow & Act: The film will be available on DVD on Sept. 24.

The Evolution Of Hula: Traditional, Contemporary, And Hotel

By Guest Contributor Sarah Neal, cross-posted from Sociological Images

Earlier on SocImages, Lisa Wade drew attention to the tourism industry’s commodification of Polynesian women and their dancing. She mentioned, briefly, how the hula was made more tourist-friendly (what most tourists see when they attend one of the many hotel-based luaus throughout the islands is not traditional hula).  In this post, I want to offer more details on the history and the differences between the tourist and the traditional hula.

First, Wade states that, while female dancers take center stage for tourists, the traditional hula was “mostly” a men’s dance.  While it has not been determined for certain if women were ever proscribed from performing the hula during the time of the Ali’i (chiefs), it seems unlikely that women would have been prevented from performing the hula when the deity associated with the hula is Pele, a goddess. Furthermore, there is evidence that women were performing the dance at the time of Captain James Cook’s arrival in Hawai’i.

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