But while Zamata’s presence has failed to revolutionize the show (duh), it was nice to see that Black female characters could be played by an actual woman. Alas, we got something far more offensive to Black women than Keenan Thompson in a dress when Jones made her on-camera debut on the long-running “Weekend Update” sketch, reporting on Lupita Nyong’o’s “Most Beautiful” honor.
I missed the sketch, but was urged by writer/comedian Mary Pryor to check it out early Sunday morning. I was, of course, horrified. My anger changed shape over the course of the day. At first, I was disgusted that Jones dared make light of slave rape AND dismiss the significance of The Lupita Moment all in one fell swoop—and that she jumped and hollered like some sort of banshee while doing it. While I am typically disinterested by the concept of putting on a “good” face for White folks, it was appalling to see this sister gleefully acting like she was auditioning for Birth of a Nation 2: We’s Really Like Dis!
Leslie Jones is not a slave. She chose to both develop and perform this skit and for that reason, she should be ashamed of herself, but put her to the side for a moment. What about the producers, directors, cast members who watched this play out? No one said, “You know this is going to upset a lot of people, right?” SNL now has at least five Black actors and writers…one would hope that that would have been enough to stop this train. That is why we wanted Black women in the writers’ room in the first place, to prevent exactly this. Because I am willing to bet that had a Jewish writer conceived an ‘Anne Frank meets Justin Bieber’ skit after the singer made his regrettable comments about the young Holocaust victim, someone would have had the good sense to shut it DOWN.
– Once Again, No One Is Laughing At SNL, by Jamilah Lemieux via Ebony.com, May 5, 2014
By Tope Fadiran Charlton, Arturo R. García and Kendra James
After threatening to go out by blowing the president up, Scandal ended its third season by making him whimper, in an oddly melancholy episode that actually did seem to change everything for Olivia Pope and her associates — if not end them altogether.
Remember, the series has not been confirmed for renewal, even if signs suggest we’ll see a new season announced soon.
But do we even want to see the show return after a third season that was inconsistent at best? For this special edition, Arturo and Kendra were joined by friend of the blog Tope Fadiran Charlton, whose work can also be found at Are Women Human?
SPOILERS under the cut
By Arturo R. García
Finally, the chickens came home to roost on Scandal‘s penultimate episode of the season.
Unfortunately, they came for the writers.
By Arturo R. García
For being a place-holder episode, “The Fluffer” did manage to pull on at least one intriguing plot thread before hurtling us headlong into the season’s Big Finish.
By Arturo R. García
One of the arguments surrounding the #CancelColbert campaign has been that it has effectively given some white people “passes,” among them the target of the Stephen Colbert “Foundation” bit that inspired the tag in the first place, NFL owner Dan Snyder.
And that’s a fair point. But it’s also inaccurate to suggest that the campaign did not deal with “real racism.” Because, as we’ve seen over the past few days, a quite verifiable strain of hatred — at times veering into racism and misogyny toward activist Suey Park, as well as others discussing the issue — on the part of people who claim they’re not just defending Colbert, but comedy itself.
(Note: This post is image-heavy, with coarse and NSFW language under the cut.)
By Kendra James (subbing in this week for Arturo Garcia)
Content Warning: Mentions of sexual assault.
Why is the volume on this show constantly turned up to 11? Use of dramatic tension becomes less effective if its the only thing used to advance the story along. Unless it’s desired outcome was thoroughly succeeding in turning Scandal into a show that I have less emotional attachment to than the adolescent canines over on MTV. In that, it’s succeeded.
This week we were introduced to the older Grant children who’ve been away at boarding school for three seasons of television (we’ll ignore the fact that the calibre of boarding school those kids would likely be at are in session for far less time and have far more and longer vacations than their absence would indicate), as Scandal attempted to refocus some of the parent/child drama way from Olivia and Eli over to the Grants and their brood.
That was all less exciting than the D&G maternity cloak Lynn Paolo had Kerry Washington swishing around the White House in, but here are a few stray observations:
By Guest Contributor refresh_daemon, cross-posted from Init_
While writing my piece on the damaging effect of the #CancelColbert campaign, I have to admit that, like hashtag originator Suey Park, Jenn at Reappropriate andAngryAsianMan, I too felt that something was wrong with the actual satire made by The Colbert Report in the segment, especially when you consider, like Jenn and AngryAsianMan noted, that the Stephen Colbert persona has a history of going to anti-Asian racist satire. Then I realized that while the structure of the satire is mechanically correct, the satire from The Colbert Report in the piece doesn’t work because it doesn’t realize that the audience won’t find it wrong or offensive. (Trigger warning: Ethnic slurs quoted or used demonstratively below)
Hosted by Jeannie Chan
It’s been a slow-going during the second half of the season. Even with this one episode before the season finale, things don’t get revved up too much. Boundaries get tested, priorities get shifted, and the various groups of survivors continue towards Terminus. Read on for our reactions to this week’s episode.