Category Archives: Television

Elmo and Lupita Nyong’o Talk Beautiful Skin

Elmo has skin! A relatively obvious fact that still manages to blow my mind. But even more revolutionary is the rest of Elmo and Lupita Nyong’o’s conversation where she educate the eternal two year old monster on skin, what it does, and how it comes in many “beautiful shades and colours.”

The repetition of the world “beautiful” as Elmo describes both Lupita’s brown skin and his own red skin (under the red fur, of course) is a wonderful and simple way to introduce Sesame’s young audience to the idea that every ticklish skin tone they might possess is gorgeous no matter what.

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White Guy’s Burden: The Racialicious Review of 24: Redemption [The Throwback]

In honor — or disbelief — of the fact that apparently people still watched “24″ this year, let’s remember Arturo’s struggle to grasp how this show can still have any fans after the turgid intercalary chapter in 2008 that saw Jack Bauer go to Africa.

By Special Correspondent Arturo R. García

… No, really, people watch this show every week? No wonder the Bush presidency lasted two terms.

24: Redemption is both set-up and appetizer for the show’s incomprehensible fanbase, setting the table three years after the surely cataclysmic sixth season, which left Super Agent Jack Bauer (Kiefer Sutherland) on the lam and out of a job, what with his beloved Counter Terrorism Unit being disbanded.

As we begin this two-hour slice of Jack’s traumatic life, the former Republican role model is moonlighting in the fictional African country of Singala, helping out an old special ops buddy (Robert Carlyle) building a school/living shelter somewhere near the country’s border. Where these kids’ parents are, why this school is not co-ed, or staffed by anybody who’s not white, is never explained. The only other person at the camp is a slimy, United Nations worker. Of course the UN guy is French, and verbally fahrts in Jack’s general direction.

But never mind the kids or their harsh socio-political realities, Jack is emotional, man!
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Dropping Anchor: The Racialicious Review of The Fresh off the Boat Pilot

By Guest Contributor Kevin Wong

Hudson Yang (center) and the cast of ABC’s “Fresh Off The Boat.”

The plot for Fresh off the Boat is a classic “fish out of water” scenario. Eddie (Hudson Yang) is a 12-year-old Taiwanese-American, who moves from a diverse, city neighborhood in Washington, D.C. to a mostly white, suburban neighborhood in Orlando, Florida. His family consists of two younger brothers, a grandmother, stressed out mother Jessica (Constance Wu), and flustered father Louis (Randall Park), who wants to open a successful, Western-themed barbecue restaurant. Primarily, everyone’s just trying to fit in.

Jessica, for instance, takes up rollerblading with the neighborhood Stepford wives. This has great comedic potential- how does an Asian American woman clash with the expectations of privileged, suburban society? The Stepfords, to their credit, do not view Jessica as an intruder or an undesirable in their neighborhood – more so, they view her as a curiosity to be poked and prodded. It’s a nod to a more subtle type of racism that exists in the modern world. The term “racist” does not only encompass name calling and hate crimes — it encompasses passive discrimination, positive stereotypes, and microaggressions that, accumulated over time, can be comparably damaging.

The most interesting aspect of Fresh off the Boat is how it deals with Asian American masculinity. Each Asian male character has his own way of exploring it, and they each tend to do so through the lens of another ethnic identity, rather than their own. Louis, pursues the “cowboy” archetype, in an effort to bring more white folks into his restaurant. Eddie co-opts hip hop, black culture — he’s listening to Dre’s beats, quoting Biggie’s rhymes, and repping Nas’ Illmatic on his clothes. It’s illuminating.
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How the “Whoop Whoop” Can Come Back: Why Arsenio Hall Should Go to the Internet

By Guest Contributor Monique Jones

Late night’s only black guy is gone once again. The Arsenio Hall Show, the recent iteration of the groundbreaking late night talk show hosted by Arsenio Hall between 1989 through 1994, has been cancelled. The cancellation of the show is bad enough, but even worse was the underhanded way in which Arsenio was let go.

CBS initially renewed the show for a second season. But then CBS decided to reverse their decision, cancelling it quite out of the blue. It’s undoubtedly a sad day for late night television, a virtual landscape which has not been kind to hosts of color.

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ABC’s “Fresh off the Boat” could be a disaster for Asian Americans

By Kevin Wong, cross-posted from Salon

I can’t speak for all Asian Americans, but personally, whenever I see a new Asian face on television, I panic. My blood pressure goes through the roof. There’s a vague unease and anxiety, even before the character opens his or her mouth. Because I’m ready to see yet another shticky Asian stereotype.

Some of the questions running through my mind: Is this Asian a main character? Does this Asian character have an arc? If the Asian character is a woman, does she have an Asian significant other? If the Asian character is a man, does he even have a significant other? Does this Asian man have sex, in a non-comedic fashion?

Or I worry that the Asian character is “too good” – an overcorrection for political correctness. There’s an ironic flaw to perfection – it doesn’t allow for the quirks that make a character compelling. Every American minority group has this stock, “perfect” caricature: for Asian Americans, it’s the Model Minority – the hardworking, emasculated genius. He’s the support for the protagonist, but never the protagonist himself.
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Walk Like Some Egyptians: Breaking down Fox’s Hieroglyph

By Guest Contributor Monique Jones

The cast of Fox’s “Hieroglyph.” All images courtesy of Fox.

Fox’s latest high-concept sci-fi drama, Hieroglyph, is as fascinating as it is potentially problematic.

The show begins airing early 2015 with a doozy of a storyline: Master thief Ambrose is taken from prison by Pharaoh Shai Kanakht to find the dangerous and magical Book of Thresholds. The story also incorporates sexual and political scandals thanks to the machinations of Pharaoh Shai’s half-sister Nefertari Kanakht; his advisor, Magister Bek; Ambrose’s lost love and second-rate priestess, Peshet; Vocifer, a peddler and old friend of Ambrose’s; the Pharaoh’s captain of the guard, Rawser and Lotus Tenry, a palace concubine and spy for the enemy kingdom.

Oh, and there are also vampires, for some reason.

Everything (except for the vampires) sounds great, but there are some pros and cons with this show. Let’s go down the list.
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Recap: The 2014-2015 Network Upfronts

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by Kendra James

There was one clear winner at the network Upfronts this year: DC Comics.

Yes, DC Comics a company that hasn’t managed to do much this year except piss off their fans, came from behind, hurdled over the teen barrier that is the CW network, and dominated the fall 2014 pilot season. Thanks to pickups on NBC, FOX, and the CW, DC (in part with Marvel’s presence on ABC) has managed to leave CBS as the only network without a show centered around superheroes.

Of course, with a demographic needle pointed exclusively at the 45 and older column and two more NCIS and CSI spinoffs headed our way, it’s possible CBS just doesn’t care. Not that CBS was the only network with a line of uninspired pickups for the fall season– there’s plenty more of that (and the full details of DC’s television takeover) under the cut.

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