By Guest Contributor Dr. Brittney Cooper, cross-posted from Crunk Feminist Collective Welp. I watched the premiere…
By Arturo R. García
Calling this past season of Doctor Who uneven might be doing it a favor. Presented as two separate seasons marked by a change in companions for the Eleventh Doctor and capped by the prelude to the show’s 50th anniversary special in November, critiques of the show under Steven Moffat’s watch got louder than ever. That discussion, we hope, will only get louder when Doctor Who and Race is released in August.
Edited by Dr. Lindy Orthia — who has published several academic works dealing with the shows including one on Who’s “inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination” — the anthology will feature more than 20 essays explicitly tackling several aspects of the show’s presentation (and, one presumes, lack thereof) regarding issues regarding racial issues.
Naturally, some people are out to silence her efforts before the book’s even released. Warning: Misogynist language just under the cut.
Read the Post Some Doctor Who Fans Like Their Racism Bigger On The Outside
By Arturo R. García
Like a lot of people this holiday weekend, I powered through all 15 episodes of the fourth season of Arrested Development. (Apparently I’m one of just 10 percent of viewers who finished the whole run by sundown. I don’t know if this is an honorific or a red flag.)
And as it turns out, there’s quite a bit to go through as regards the series’ treatment of people who aren’t the Bluths. But I want to try something a little different from our open threads — I’d like to crowd-source some reactions to some of the various depictions we saw this year. Spoilers and general guidelines under the cut.
Read the Post Open Table Call: On Race and Arrested Development
Publisher Pro Se Productions, dedicated to the “classic fiction of pulp magazines and adventure tales”…
By Margaret Redlich
When I studied The Great Gatsby in college, we spent an entire class period on the character of Meyer Wolsheim–. From the multiple descriptions of his oversize nose and atrocious dialect (“gonnegtions”), it only took five minutes for the class to determine he was supposed to be Jewish, and someone involved was terribly racist. The question then became, was the racism from the author, Fitzgerald, or the narrator, Nick Carroway? An added complication, if Gatsby was conceived by the author as Jewish, but not known to be Jewish by Carroway, does that mean that Fitzgerald was not racist? Or at least less racist? With five minutes left in the class period, one of my classmates said that she had an uncle named “Gatz” (Gatsby’s birth name) and he was Jewish, so the class voted for Gatsby as Jewish and thus the narrator as the racist.
In the recent film, director Baz Lurhmann leaves Gatsby’s origins open to interpretation. The character of Meyer Wolfsheim is still presented as Jewish, but only in name. The dialect is softened and Carroway’s voice over narration is not included in this scene. Luhrman also makes an effort to soften elements of the character’s appearance and personality; instead of two molars used as cufflinks and discussed in detail, Wolfsheim has one used as a tie pin, which is only mentioned in passing. As to the reaction of other characters to Wolfsheim: in the novel Gatsby is happy to see him leave; In the film, he is happy to see him arrive. These are easily understandable alterations, necessary to make the scene palatable to a modern audience. Less easy to understand? Luhrmann’s decision to cast a Desi actor to play the role. Even stranger, Amitabh Bachchan, after 40 years of Indian superstardom, decided to make The Great Gatsby his American debut.
::Puts on black-lady-of-a-certain-age hat:: You kids today don’t even know. Those of us who were…
By Guest Contributor Sikivu Hutchinson The two young men of color walk through the gallery…
By Kendra James
Upfronts are done, premiere schedules are set; Stefon and Seth ran off into the sunset; and, even though it’s only May, it feels like we’re already halfway through the summer blockbuster set list…so what’s a pop culture junkie to do? I humbly suggest using this hiatus season to catch up on a few British shows you may have missed while our gladiators were white-hatting.
At no more than six episodes per season, I promise you’ll be done before Olivia Pope’s return. Just give us a moment to close our eyes and turn around, so we don’t have to witness whatever it is you have to do to get your hands on the four shows underneath the cut.