Category Archives: Entertainment

[Thursday Throwback] Craigslist Personals: Desperately Seeking Diversity Training

by Racialicious special correspondent Wendi Muse (originally posted 5-17-07)

I’ve always liked reading personal ads. Even when I was a little girl, I would check out the back of the paper in hopes of finding a boyfriend for my widowed mom, and in the meantime, made an attempt to figure out what was going on in the minds of grown-ups as they searched for someone with whom to live “happily ever after.” There were certain acronyms and terms used in the ads that I didn’t quite understand at a young age (i.e. NSA: no strings attached or BBW: big beautiful woman), but for the most part, I thought I had a handle on what I was taking in at my elementary school reading level. It wasn’t until I became a bit older that I began to notice an interesting trend: personal ads are riddled with messages, some more subtle than others, on how people feel about race, ethnicity, and nationality.

With the emergence of the internet, I abandoned the paper and began perusing online ads, some of which read more like military code than personal descriptions: “SWF BBW in NYC seeks 30 – 35 y.o. D&D free S or D H/W/B/A/M for NSA BSDM ASAP in area codes 10003, 100019, and 10011. You must host. Pics? STR.” While these types of ads make virtual bulletin boards appear cluttered, others are well-written, funny, romantic, and/or so outlandish that they are hard to ignore. Sites like Craigslist became popular resources for finding any and every thing, from apartments and pets to jobs and vacation rentals. The personal ads were no different. Considering the privacy feature of anonymous posting in order to protect one’s identity, the personal ads serve as e-snapshots of candid thought—inside peaks into what the people I encounter on a daily basis may think of themselves, but, more importantly, how they view the world around them.

I checked the CL personals about as often as I checked for apartments, or, in other words, every five seconds, even though I wasn’t really looking for anything heavy duty in the love department and happened to be quite satisfied with my Brooklyn 2-bedroom and its 14 month lease. Reading the personals was a perfect way to find a little piece of reality TV-esque drama without all the heavy editing, good lighting, and stage makeup. The ads were frank, the boards were frequently updated, and the content never failed to amuse me, but behind all the fun, there was an underbelly of racism. This came as a bit of a surprise considering that so many of the CL posters were young, educated, and lived in diverse and densely populated urban environments—all oft-cited demographic factors in the commonly held belief that racism is on its way out. Though politicians, institutions of higher learning, and Ward Connerly would like for us to believe that the United States is on its way to becoming a colorblind utopia, a simple examination of Craigslist personal ads proves quite the opposite.

In the world of online dating, where a user name, masked email address, and optional photo sharing means freedom to speak ones mind in complete anonymity, users frequently abandon political correctness and resort to exotification, stereotypes, and blatant racism when referring to racial/ethnic “others” in their attempts to choose a mate. While some ads include the user’s thoughts on race in more subtle ways, for example, simply stating a racial “preference” (still, arguably, a sign of prejudice), others are more obvious in their descriptions—ranging from the utilization of explicitly racist phrases or terms to describe his/her own background and/or the background of the person being sought to downright exclusion a la Jim Crow style (“No -insert race here- need apply”).

I examined New York Craigslist personals for a week straight, mainly focusing on the basic m4m, f4m, m4m, and f4f ads as the prevalence of racist epithets/hate speech was so common in the “casual encounters” and “rants and raves” sections that I’d have to write an entirely separate article to cover them. In order to find data, I simply typed in a group (i.e. “Asian,” “white,” “black”) in the search box and let the magic happen. Here were some of my favorites (organized by search term) from my early set of results (please ignore the typos…I have left them in their original form):

  • WHITE: “I’m looking for a nice all American woman…Tell me about yourself and what you do, etc. I’m not picky about age, older is fine with me. White Irish or Italian is my preference, not into Latin women. . .”

Hmmm . . . an “All-American” woman who is of Irish or Italian background. . . Can anyone say “contradiction”? Is he not just saying that “All-American” equates to white, and that “Latin women” are nowhere close? Continue reading

Recap: The 2014 Tony Awards

June 8, 2014: The night that this happened. via TonyAwards.com

To the credit of Sunday night’s Tony Awards,  I wasn’t tempted once during the broadcast to check in on the inmates at Litchfield or those who’ve taken the black at the Wall. That’s the magic of a well paced, mostly inoffensive, and relatively diverse major televised awards show.

Hosted by Hugh Jackman (returning to Broadway in The River this fall), the show began with a great (if slightly obscure to those not obsessed with the MGM Studios of the 1953) homage to Bobby Van with a performance from the cast of After Midnight following, featured Audra MacDonald’s 6th Tony win, that one time when Hugh Jackman, TI, and LL Cool J rapped lyrics from The Music Man , Neil Patrick Harris licking Samuel L. Jackson’s glasses during a performance of ‘Sugar Daddy’ from Hedwig and the Angry Inch, a montage of nominated playwrights that reminded us just how white and male Broadway has chosen to let that world become, and a performance of ‘One Day More’ from Les Miserables that was just the opposite.

Kenny Leon’s third iteration of A Raisin in the Sun took home 3 awards including Best Revival of a Play, Best Performance By An Actress in A Featured Role In A Play for Sophie Okonedo, and Best Director of a Play for Leon himself. Audra McDonald won Best Performance By An Actress For A Leading Role In A Play for Lady Day At Emerson’s Bar And Grill, James Monroe Iglehart of Aladdin won for Best Performance By An Actor For A Featured Role In A Musical, and Linda Cho won for Best Costume Design of a Musical for A Gentleman’s Guide to Love And Murder. The send up to 1920s Harlem After Midnight which has, at different times, starred Fantasia Barrino, Toni Braxton, Baby Face, Dule Hill, and Vanessa Williams, with Patti LaBelle starting this week, also took home a win for best choreography.

Even if The Great White Way is still pretty white the Tonys seem to at least make more of an effort to showcase the diversity that does exist on New York stages. Six winners of colour make for two more than we saw last year, and certainly more than we’re going to see at, say, this year’s Oscars. With shows like Holler If Ya Hear Me (aka, ‘The Tupac Musical’), You Can’t Take It With You (starring James Earl Jones) opening this summer and The King and I, and Oprah produced ‘night, Mother eyeing 2015 runs the future shows that theatre will at least stay the course.

For more highlights highlights, tweets, and performances jump under the cut!

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Courageous Liaisons: The Racialicious Review of Belle

By Arturo R. García

Dido (Gugu Mbatha-Raw) begins to question her place, to the chagrin of Lord Mansfield (Tom Wilkinson).

It’s only fitting that director Amma Assante’s Belle, a movie that culminates in a court, makes its own case crisply, and clearly. There’s a sense of some romanticizing, mind, but even that is based on hard evidence: the real Dido Elizabeth Belle did have a happy life.

So, admirably, Assante and writer Misan Sagay don’t try to inject pathos where it’s not necessary. Nor do they overplay their somewhat stacked cast, instead keeping Gugu Mbatha-Raw at the center, which she ably holds up. Because her story — at least, this story — positions her at the intersection of her own nascent questioning of her place in the world and her mentor’s role in shaping its future.
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Walk Like Some Egyptians: Breaking down Fox’s Hieroglyph

By Guest Contributor Monique Jones

The cast of Fox’s “Hieroglyph.” All images courtesy of Fox.

Fox’s latest high-concept sci-fi drama, Hieroglyph, is as fascinating as it is potentially problematic.

The show begins airing early 2015 with a doozy of a storyline: Master thief Ambrose is taken from prison by Pharaoh Shai Kanakht to find the dangerous and magical Book of Thresholds. The story also incorporates sexual and political scandals thanks to the machinations of Pharaoh Shai’s half-sister Nefertari Kanakht; his advisor, Magister Bek; Ambrose’s lost love and second-rate priestess, Peshet; Vocifer, a peddler and old friend of Ambrose’s; the Pharaoh’s captain of the guard, Rawser and Lotus Tenry, a palace concubine and spy for the enemy kingdom.

Oh, and there are also vampires, for some reason.

Everything (except for the vampires) sounds great, but there are some pros and cons with this show. Let’s go down the list.
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Return Of The King: The Racialicious Review Of Godzilla

By Arturo R. García

It could have been a lot worse.

Gareth Edwards’ bid to not just revive, but redeem the Godzilla brand — at least, on non-Japanese shores — didn’t steer clear of every pitfall we discussed late last year. But Edwards and writers Max Borenstein, Dave Callaham and Frank Darabont should be credited for at least getting the adaptation part of their duties right.

Finally, the 1998 American abomination can rest in ignominy. The creative team for this installment eschewed the usual wink-nudge “blockbuster” tricks and managed to combine the best bits of some of the character’s past incarnations together into a monster that’s a little familiar, a little scary, and truly in command of the screen once he appears. That there’s already a sequel coming isn’t surprising, but that this preamble makes you look forward to it is, and pleasantly so.

SPOILERS under the cut
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Recap: The 2014-2015 Network Upfronts

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by Kendra James

There was one clear winner at the network Upfronts this year: DC Comics.

Yes, DC Comics a company that hasn’t managed to do much this year except piss off their fans, came from behind, hurdled over the teen barrier that is the CW network, and dominated the fall 2014 pilot season. Thanks to pickups on NBC, FOX, and the CW, DC (in part with Marvel’s presence on ABC) has managed to leave CBS as the only network without a show centered around superheroes.

Of course, with a demographic needle pointed exclusively at the 45 and older column and two more NCIS and CSI spinoffs headed our way, it’s possible CBS just doesn’t care. Not that CBS was the only network with a line of uninspired pickups for the fall season– there’s plenty more of that (and the full details of DC’s television takeover) under the cut.

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Open Thread: The Wilmore Report Greenlit for 2015

By Arturo R. García

The Daily Show
Get More: Daily Show Full Episodes,The Daily Show on Facebook,Daily Show Video Archive

Friday brought some surprising news, as Comedy Central announced that Daily Show longtime “Senior Black Correspondent” Larry Wilmore had been picked to take over the valuable post-Daily slot starting next year from Stephen Colbert, with the show being retitled The Minority Report With Larry Wilmore.

Besides hosting the show, Wilmore will also serve as executive producer, with the Report maintaining its production link to its predecessor through Jon Stewart’s Busboy Productions.

The network’s release did not shy away from the significance of Wilmore getting this spot, either:

“The Minority Report with Larry Wilmore” will provide viewers with a distinct point of view and comedic take on the day’s news from a perspective largely missing in the current late night landscape. Hosted by Larry Wilmore, the series will feature a diverse panel of voices currently underrepresented in comedy and television.

But, the concern’s already rung out on Twitter: Does the title already point toward self-limitation on Wilmore’s part? What do you think of Wilmore’s hiring and the show’s prospects?

Who Will Be Scandal’s Next Harrison? Eight Actors and Actresses Who Could Don the Suspenders

By Guest Contributor Monique Jones

Image via ABC.com

Columbus Short confirmed that he had been fired from ABC’s hit show Scandal late April. His departure is a result being charged with misdemeanor spousal battery against his wife, Tuere Short. “At this time I must confirm my exit from a show I’ve called home for three years, with what is the most talented ensemble in television today,” Short said in a statement.

After thanking the show’s creator, Shonda Rhimes and the cast, Short said, “Everything must come to an end and unfortunately the time has come for Harrison Wright to exit the canvas.”

With the confirmation of his departure, it puts the show and fans at a crossroads—who will pick up where Harrison left off and become the next right hand to Olivia Pope?

It would seem that certain qualities are necessary in order to be a great second-in-command at Pope & Associates. Those qualities–an infinite amount of charm, cunning and the ability to play a little dirty–seemed to be what kept Harrison employed. So, with that in mind, I have list of eight actors and actresses (yes, actresses!) that could become the new Harrison. All of the actors meet the criteria of:

  1. Being either glamorous or alluring in some capacity, which the character could use as an assist to their charm technique
  2. Playing roles with a certain amount of intensity, and
  3. Are either available for new television roles or are on shows that could allow for a dual role on a different show (like if a show is shooting in the off-season or something). Let’s jump into it.

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