Elmo has skin! A relatively obvious fact that still manages to blow my mind. But even more revolutionary is the rest of Elmo and Lupita Nyong’o’s conversation where she educate the eternal two year old monster on skin, what it does, and how it comes in many “beautiful shades and colours.”
The repetition of the world “beautiful” as Elmo describes both Lupita’s brown skin and his own red skin (under the red fur, of course) is a wonderful and simple way to introduce Sesame’s young audience to the idea that every ticklish skin tone they might possess is gorgeous no matter what.
Rocket Raccoon– who was actually a real live five year old Latino boy underneath the mask.
by Kendra James
As I wrote for the The Daily Beast the best part of Comic-Con is always the ridiculously talented cosplayers wandering the halls. As a cosplayer myself, I know how challenging (and fun) designing, finding, and creating costumes for cons can be. With that in mind I wanted to showcase some of the costumed heroes, heroines and other beloved characters of colour Art and I spotted during this year’s con.
Earlier this week, Lucasfilm announced the addition of two more actors to the cast of Star Wars Episode VII. We do not yet know who the two relatively unknown actors — Pip Anderson, who’s British, and Crystal Clarke, who’s African American — will play in the movie, but I’m guessing their roles must be substantial enough to warrant a press release about their casting. If their characters are indeed prominent, Clarke will join John Boyega and Lupita Nyong’o in making this “the blackest Star Wars ever.”
Still, every time breaking Star Wars casting news comes across my feed, there’s always one name that I hope to see in the headlines:Ming-Na Wen.
In honor — or disbelief — of the fact that apparently people still watched “24″ this year, let’s remember Arturo’s struggle to grasp how this show can still have any fans after the turgid intercalary chapter in 2008 that saw Jack Bauer go to Africa.
… No, really, people watch this show every week? No wonder the Bush presidency lasted two terms.
24: Redemption is both set-up and appetizer for the show’s incomprehensible fanbase, setting the table three years after the surely cataclysmic sixth season, which left Super Agent Jack Bauer (Kiefer Sutherland) on the lam and out of a job, what with his beloved Counter Terrorism Unit being disbanded.
As we begin this two-hour slice of Jack’s traumatic life, the former Republican role model is moonlighting in the fictional African country of Singala, helping out an old special ops buddy (Robert Carlyle) building a school/living shelter somewhere near the country’s border. Where these kids’ parents are, why this school is not co-ed, or staffed by anybody who’s not white, is never explained. The only other person at the camp is a slimy, United Nations worker. Of course the UN guy is French, and verbally fahrts in Jack’s general direction.
But never mind the kids or their harsh socio-political realities, Jack is emotional, man! Continue reading →
With Kanye West in seemingly another controversy this week following a mid-concert rant, it’s a good time to revisit Latoya’s look at the furor surrounding his 2011 single, “Monster.”
By Latoya Peterson
Kanye has officially overdosed on artistic symbolism.
After his 35 minute debut of "Runaway" in back in October 2010, it difficult to figure out how Kanye would top a video that incorporated references to modern performance art, ballet, couture, mythology, and Fellini.
And yet, I don't think anyone counted on Kanye deciding to deck the halls with dead white women in "Monster". Continue reading →
Race, Culture, and Identity in a Colorstruck World