Category Archives: Entertainment

WNYC Presents: Funny Or Racist?

by Kendra James

There was a lot of good discussion on racial comedy at last night’s panel featuring Arun Venugopal, Desus NiceCrissle West, Jeff Yang and Guy Branum and we’ve summed a good deal of that up in our Livetweet Storify below. The panel was broken up into sections with each new topic introduced by a different video or comedic soundbite, and everything was going along swimmingly with very thought provoking (and hilarious) banter tossed back and forth between the participants.

It was during the Q&A that things got, as one might say, quite real after a discussion about Sarah Silverman’s use of blackface on her Comedy Central show.  A realness which made for the highlight of the evening as West was forced to keep it all the way 100 with an audience member who really did try it. The exchange can be found around 1hr 19min in in the livestream link, but also transcribed in part below:

Audience Member: My name is Alan Rich, I’m a discrimination lawyer … Crissle, one thing that you said about Sarah Silverman– I get the impression that you take her work at face value.  And I think that so many comedians who are really funny — I don’t think that she’s making fun of black people in any way shape or form about black people when she does blackface. Because those of us who know the history of blackface is that not only white people did blackface, black entertainers had to do black face to get jobs.

Crissle: Wow, so you have to be really white to make that statement. That is just the whitest thing–

Audience Member: It’s a comment about how ridiculous we as a society can be.

Crissle: Can we not? I’m really not about to do this.

Audience Member: I’ve never walked out on Paul Mooney, so you have to give me a pass.

Crissle: And you’re a discrimination lawyer? Holy God. Sooo… I’m  gonna go ahead and address that by saying first of all that I can absolutely say that you’re racist for being a white woman in 2014 or whenever it was that she did this to put in blackface and go on television. Yes I can absolutely call you racist for that. you know the history behind it and you did it anyway. That is racist. I can say that. I’m a black woman, I’m gonna just go ahead and take my word over yours on that. That’s racist. And I don’t like her for it.

Audience Member: [Sic] Tell her! But you don’t know her. You don’t know what’s in her mind.

Crissle: Where is my access to Sarah Silverman? I don’t have to know her– I don’t have to know what’s inside Sarah Silverman’s head. I’m looking at her actions because her actions are what she’s presented to me. She didn’t put put a book called Sarah Silverman’s Diary here read my innermost thoughts and see how I came to these fuck ass conclusions that I have here today. She got on TV in blackface and decided that that was funny and it was not. And you as a white man trying to tell me that my feelings are invalid because I don’t know her is a crock of shit … and that’s why I get on my show every week and say what I need to say because white people like you feel like you have a goddamn point.

Panel Q&A sessions can be difficult for anyone with Acute Second Hand Embarrassment Syndrome (ASHES, in my opinion the worst kind of ashiness a Black person can get), so I really appreciated how the situation was handled. Plus, having only just started listening to West’s podcast The Read (which she records alongside Kid Fury) about a week ago, I felt particularly privileged to be able to hear her give a Read live and in public.

It is a nonnegotiable fact in  my life that white people in blackface constitutes a racist act.  Context, intent, the word ‘subversive’, and the names Tina Fey and Sarah Silverman do nothing to change my mind in that regard. Context and intent don’t change the fact that there comes a time in every Black parent’s life where, for instance, they have to do something like sit down and explain to their children why there are radically different pictures of Black celebrities such as this,why one image is better and more appropriate to imitate and aspire to, and why such a beautiful woman was forced to allow herself to be treated as such.

Josephine Baker

Hi.Lar.I.Ous. (Images of Josephine Baker)

I suppose things are funnier when you have the luxury of skipping conversations like that altogether.

Colour commentary aside, WNYC and The Greene Space hosted a great night for us and all in attendance for their continuing Micropolis series. Readers of The R can look forward to another livetweet from the space next week when we head back to cover a live recording of Tracy Clayton and Heben Nigatu’s podcast “Another Round,” which will also feature The Butter editor Roxane Gay.

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In His Own Words: B.B. King (1925-2015)

Compiled by Arturo R. García

I would sit on the corners, and people would walk up to me and ask me to play a gospel song, and they’d pat me on the head and say, that’s nice, son – but they didn’t tip at all. But people who ask me to play the blues would always tip me. I’d make $40-50. Even as off in the head as I am, I could see it made better sense to be a blues singer.
The Telegraph, 2009

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Why History Supports The #DiversifyAgentCarter Campaign

By Arturo R. García

It’s telling that, within minutes of ABC quelling weeks of suspense and announcing that Marvel’s Agent Carter was getting a second season, many of the well-wishes were mixed with a call for the show to introduce more characters who weren’t cis-white hetero, a campaign that quickly gained traction under the tag #DiversifyAgentCarter.

It’s also telling that “fans” of Marvel Entertainment and/or the show quickly rolled out the same tired, insidious arguments against it becoming more diverse: that it would be “diversity for diversity’s sake;” or even worse, that it would be “historically inaccurate.”

We say “fans” because, even if you don’t question their enthusiasm for the show or for star Hayley Atwell, you have to wonder what kind of fandom they inhabit when they insist that people of color would be “unrealistic” in what Anna Cabe rightfully described last week as a show that was originated by the fight between a chemically-enhanced US serviceman and a German antagonist with his own altered skull exposed to the world.

You also have to wonder about their particular worldview when they argue that seeing of people of color would be “unrealistic” in New York City at any point in recorded history — let alone the period following post-World War II.
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JAMES AUSTIN KERR, HAYLEY ATWELL, NEAL MCDONOUGH, EDDIE SHIN

Unburied but Forgotten: Asian Bodies in Agent Carter

By Guest Contributor Anna Cabe

Like many feminist-cum-superhero fanatics, I eagerly awaited the Marvel Cinematic Universe mini-series, Agent Carter, the company’s first real attempt at a female hero-driven property. In many ways, it delivers. The show makes good use of its 1940’s setting with strong costume and set design and snappy period music. The cast are mostly wonderful and show great chemistry—with the standout, of course, being Hayley Atwell, the titular Strategic Scientific Reserve (S.S.R.) Agent Peggy Carter.

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Agent Carter Premiere Poster, via Marvel Cinematic Universe Wikia.

As Agent Carter, Atwell kicks multiple men’s (and one equally badass woman’s) asses, wrings tears from viewers’ eyes, makes us laugh with an archly delivered quip, and looks smashing in an evening gown and red lipstick. She flips the script of the superhero’s girlfriend—She doesn’t die! She isn’t always being rescued!—and has her own adventures after her boyfriend, Captain America, “dies.” When I finally finished the season (I live overseas with sketchy Internet so I’m slow to catch up to broadcast shows), I sang its praises all over Twitter and Facebook.

That said, Agent Carter has not escaped criticism for limitations when it comes to both race and gender, namely a painfully white and very male cast. Defenders of the casting have deflected this criticism in the name of “historical accuracy,” as though American history is exclusively white unless the subject is slavery, immigration, and the Civil Rights Movement. And of course, this is a show set in an alternate timeline in which superhuman Captain America is the United States’ first line of defense against a Nazi supervillain named Red Skull. A few substantial brown characters hardly seems a stretch of credibility or a distortion of history by comparison. Continue reading

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R-oundtable: Avengers – Age of Ultron

Much like one of its action set-pieces, the discussion around the latest Avengers film has blown up in multiple directions: In the week since its US release, the discussion surrounding Age of Ultron has veered from its massive box-office haul to cast members slut-shaming Black Widow off-screen to Black Widow’s portrayal on it to, finally, writer/director Joss Whedon leaving Twitter because of comments that have been attributed to overzealous “feminists.” (SPOILERS: No, it wasn’t because of that.)

Thinkpieces abound on each of these topics, no doubt, and our own trio of Kendra, Tope and Arturo will touch on some of these issues, while also looking at how the movie’s few — and seemingly far-between — POC fared in Marvel’s latest mega-ensemble story.

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New Netflix Documentary Could Have Nina Simone Fans Feelin’ Good

By Arturo R. García

Nina Simone fans who are leery of the Zoe Saldana biopic Nina take heart: Netflix quietly posted the trailer for What Happened, Miss Simone?, a documentary that has the support of the singer’s estate and features her daughter, Lisa Simone Kelly.

“People think that when she went out on stage, she became Nina Simone,” Kelly says. “My mother was Nina Simone 24-7. And that’s where it became a problem.”

Directed by Oscar nominee Liz Garbus, the film — which is coming off an appearance at this year’s Sundance Film Festival — promises to feature rare and never-before-seen footage and tapes as part of a comprehensive look at not only Simone’s professional life, but her activism.

“I choose to reflect the times and the situations in which I find myself,” Simone says, amid chillingly-timely footage of police brutality and Black activists marching. “How can you be an artist and not reflect the times?”

The trailer, as posted late last week, can be seen below.

[h/t Paper]

Nerd Roundup: Brief Dispatches From C2E2

C2E2 earns the honour of being the only con I have ever attended where I’ve not felt that personal space and air to breathe were an inevitable sacrifice in a battle to the top of Nerd Mordor. Arriving late on Saturday, about two hours after the convention had already begun, I marveled at the amount of space between aisles and booths. Most of the big cons are ADA accessible at this point, but this is the only con I’ve attended where someone with, say, a wheelchair looked to be able to navigate somewhat freely throughout a show floor also accommodating a fair amount of service animals, helicarrier sized strollers, and the drunkenly zig-zagging paths of  the toddlers who had escaped them.

Despite Chicago being a massive and sprawling city, C2E2 seemed smaller than its sister-con in New York (both produced by ReedPop Entertainment). So in addition to the extra breathing room in aisles for multiple tentacled Doc Ock cosplays, the con had had something of a personal touch. Casual conversation with creators was much more readily available than at NYCC or SDCC (for instance, multiple people were lucky enough to simply bump into Sex Criminals artist Chip Zdarsky who was wandering around the Image booth), and I personally found that responses to issues like harassment, offensive costumes, and abuse were nearly instantaneous compared to NYCC.

So while C2E2 is the only con where I’ve seen someone cosplaying as not a Death Eater, a member of Hydra, or some other fictional Nazi allegory, but an actual Nazi (a cross-dressing Nazi, but a Nazi never the less), I can at least say that representatives from C2E2 responded to my tweets seconds after I made the complaint public. There was a concerted effort to try and locate the man and remove him from the convention. That was bolstering as safety is always an issue at these events whether one is in cosplay or not.

It’s unfortunate that incidents like that can completely mar a con experience, and equally unfortunate that panels like The Fangirl’s Guide To: Surviving Online have to exist. With the era of Gamergate and Doxxing upon us, panelists Sam Maggs, Amy Chu, Jen Aprahamian, Stephanie Cook, Cara McGee, and Gita Jackson gathered together to discuss how something as simple as having your email posted for professional inquiries can lead to a downward spiral of online harassment that can spill into the real world.

Racialicious did not attend as press this year and since I was there ‘on business’ I didn’t get to attend as many panels as I would have liked,  thus there is less the wrap! But even though I was only in attendance for Saturday and Sunday, I still managed to grab a few pics of the best (and youngest) cosplayers at the con.  After all, it’s always best to end on a cute note.

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‘Hey Adam … Let’s Talk’: The #NotYourHollywoodIndian Q&A

By Arturo R. García

Earlier this week we covered the burgeoning campaign against Adam Sandler, Netflix, and their Ridiculous 6 project.

During our coverage, we caught up to Megan Red-Shirt Shaw, who devised the #NotYourHollywoodIndian tag in the wake of the mass walkout by a group of Native American performers, and talked about how the tag came together, how she feels about the defense of the film as “satire,” and where the campaign goes from here.

Let’s start at the beginning: describe, if you would, the moments when you first heard about the actors walking off the Sandler set. How did you go from there to getting the tag together?

Megan Red-Shirt Shaw: I was definitely upset, but also empowered by their decision to take a stand. It’s really difficult to hear that people within our communities are being dishonored – especially in ways that seem like “vintage” issues — the old Western and “Cowboys and Indians” films we’ve come to know really well. I went on Twitter to see what different voices were talking about and realized there wasn’t a hashtag consolidating the ideas. I looked through the original article by Vince Schilling and saw the quotation by Allie Young about being a “Hollywood Indian.” I knew that was what we had to get trending.
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