We first noticed science-fiction author MD Marie and her steampunk style when she discussed “The Saints of Winter Valley,” her multi-cultural steampunk story featuring four women of color, during Friday’s Black Panel. Naturally, we hopped over to her booth and got more details.
Where You Can Find Her: Booth 1623
Where You Can Find Her Online: Saints Of Winter Valley Twitter feed and Facebook page.
What’s The Story?: “It is steampunk, even though it’s futuristic,” Marie says about Saints, which is set in the year 2118. “The story is post-global warming, so people have reverted back to a simpler, but extravagant time, because resources are scant. Most of the planet is underwater because of global warming. The United States is actually divided into two separate countries.”
On the future of multicultural steampunk: “I see it going very far. It’s kind of touch-and-go with the general audience, but in the steampunk genre, it’s very popular. My characters, my story, are very popular. I see it getting stronger, and going very far. I just need everybody to catch up with us.”
As part of our plan to boost peoples’ signals during San Diego Comic-Con, we plan to run at least one or two mini-profiles a day, starting with a look at two popular cartoonists.
Where You Can Find Him: Booth K-15 in the Small Press section.
Where You Can Find Him Online: His personal site; his Patreon site.
What’s The Story?: Knight, a longtime SDCC exhibitor — his first con was in 1993 — who has hosted panels at the event in past years, is here promoting Knight Takes Queen, the second collection of stories from his daily Knight Life strip.
“This was a long time coming,” Knight said of the collection. “I’ve got probably 1,000 strips that I can put into books. I’m psyched to get it out, because people have been asking for it. It basically takes it through the time when my wife was pregnant with my first child until just after his birth.”
How has the convention landscape changed during the years he’s taken part in the con?: “It’s certainly is a big change from when I started coming in ’93. In ’93 it was just all 53-year-old white men. But it really started to diversify thoughout the 2000s, and hit this kind of crazy crescendo. Instead of it becoming sort of a weird side thing, and now it’s really mainstream. Honestly, the crowd can be more diverse than the comics itself, which is kind of interesting. But attempts are being made; Captain America’s black again, and Thor’s gonna be a woman. What’s interesting to me is, this is the first time I’ve seen a lot of discussion of sexual harassment of women in cosplay outfits or just being here at Comic-Con was brought up. I’m glad that kind of stuff is on the table, because it’s all been simmering under the surface.”
C. Spike Trotman
Where You Can Find Her: Booth 1330 with Black Label Comics
Where You Can Find Her Online: Iron Circus Comics website.
What’s The Story?: Trotman is promoting The Sleep Of Reason, a 26-story horror anthology featuring 34 different creators she says will have “no predictable endings” and none of the usual kinds of “scary” antagonists.
“I kind of got tired of things that feature supernatural creatures masquerading as horror,” she explains. “I personally don’t find things featuring zombies, werewolves, and vampires scary anymore because everybody already knows the rules. If a zombie shows up in a story, you know what you have to do to get rid of it. If a werewolf shows up, you know the rules it’s operating under. To me, the essence of fear is not understanding and being helpless in a situation. That’s why I don’t have things like zombies and vampires in The Sleep of Reason, because if I did have them, you would know how to take care of them.”
On the expanding audience for anthologies: “I think there has kind of been a mushrooms after the rain effect when it comes to anthologies. A lot of young creators, I’ve found, are putting together anthologies amongst themselves to kind of get their work out there, because the strength of the anthology, in my opinion, is [that] people will buy it for a creator they know is in there and they already like. But as a result, they’re exposed to maybe 10 or 15 other creators that they had no idea existed, and have great potential of becoming a fan of those creators. And I think people understand that, especially on the creators’ side, they understand that. So when they put together these projects, they’re kind of drawing from one another’s audiences and readerships with the hope that there can be kind of a swapping of fans — or at least growing their own fanbase by tapping into another person’s fanbase.”
By Arturo R. García
As a supplement to our two-part San Diego Comic-Con preview, enjoy this look at some of the creators of color who’ll be at the convention — some in panels, some on the floor, but all should be on your radar after the weekend.
By Arturo R. García
Just like last year, we’ll be compiling our individual panels on Storify and posting them next week. For now, though, let’s look at the second half of the con!
By Arturo R. García
The Falcon is going to be the new Captain America! Great! But then what?
Oh, you expected this to stick? History says otherwise. But there’s a potential problem ahead.
SPOILERS under the cut
We’re just over a week away from the pop-culture experience that is San Diego Comic-Con, and while Arturo and Kendra pore over the event schedule to prepare their preview, we’d like to ask your help in finding some people who might be flying under the radar.
If you or somebody you know is a POC creator at the show, drop us a line at firstname.lastname@example.org — use the subject line Racialicious SDCC — or in the comment thread here and let people know about your project. We’ll give you a signal boost in not only our two-part SDCC preview next week, but on social media, as well.
Just like last year, both Kendra and Arturo will be live-tweeting panels and posting during the event, on their respective Twitter accounts and the official Racialicious feed. Do let us know, Racializens, if you’ll be around as well. We’d love to see you there!
One of Peterson’s first acts as president was to institute a “diversity representative” on the student council board to eliminate tension on campus when talking about race and gender issues. But her diversity initiatives were not widely welcomed; a push for gender neutral bathrooms was particularly controversial. And Peterson herself was viewed with suspicion by a significant number of students, mostly white and male, who opposed her candidacy from the start.
Some even thought the school had rigged the election so that a woman would win; only two women served as student body president before Peterson. “There was outcry for Lawrenceville to release the voting data for her presidency, because popular opinion was that she was not actually elected,” said David, a 2014 graduate. “I’d still like to see those numbers, is all I’m saying.” (The numbers were, in fact, released.)
The backlash to her election led to personal attacks. Shortly after Peterson was elected, an anonymous student sent the dean of students photos of Peterson using marijuana. Soon after, the school received more anonymous information that alleged Peterson had posted racist tweets about a Sikh student. In a school-wide meeting, Peterson apologized for the photos and the dean of students clarified that the racist tweets were fabricated. Still, many students believed she wasn’t right for the position.
“There was too much controversy around Maya,” said Rob, a rising senior. “We didn’t really want a president who breaks school rules. It isn’t a representation of who we are.”
— “What Happens When A Prep School’s Black Student President Mocks Her White Male Classmates” by Katie JM Baker, 6-30-14