Category Archives: diversity

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The Racialicious Preview for San Diego Comic-Con, Part II: Saturday & Sunday

By Arturo R. García

Thanks to Kendra, as ever, for covering Part I of the weekend. As usual, you can find our panel coverage on Twitter through her account, the R official feed and my own personal account.

Just like last year, we’ll be compiling our individual panels on Storify and posting them next week. For now, though, let’s look at the second half of the con!

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Flapping In The Breeze: The New Captain America Faces Challenges From Within

By Arturo R. García

The Falcon is going to be the new Captain America! Great! But then what?

Oh, you expected this to stick? History says otherwise. But there’s a potential problem ahead.

SPOILERS under the cut

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Racialicious Is Looking For POC Creators At San Diego Comic-Con

We’re just over a week away from the pop-culture experience that is San Diego Comic-Con, and while Arturo and Kendra pore over the event schedule to prepare their preview, we’d like to ask your help in finding some people who might be flying under the radar.

If you or somebody you know is a POC creator at the show, drop us a line at team@racialicious.com — use the subject line Racialicious SDCC — or in the comment thread here and let people know about your project. We’ll give you a signal boost in not only our two-part SDCC preview next week, but on social media, as well.

Just like last year, both Kendra and Arturo will be live-tweeting panels and posting during the event, on their respective Twitter accounts and the official Racialicious feed. Do let us know, Racializens, if you’ll be around as well. We’d love to see you there!

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Quoted: White Teenagers Offended, World Stops

Lawrenceville School Student Body President Maya Peterson’s “Lawrenceville boi” picture. Image via Buzzfeed.

One of Peterson’s first acts as president was to institute a “diversity representative” on the student council board to eliminate tension on campus when talking about race and gender issues. But her diversity initiatives were not widely welcomed; a push for gender neutral bathrooms was particularly controversial. And Peterson herself was viewed with suspicion by a significant number of students, mostly white and male, who opposed her candidacy from the start.

Some even thought the school had rigged the election so that a woman would win; only two women served as student body president before Peterson. “There was outcry for Lawrenceville to release the voting data for her presidency, because popular opinion was that she was not actually elected,” said David, a 2014 graduate. “I’d still like to see those numbers, is all I’m saying.” (The numbers were, in fact, released.)

The backlash to her election led to personal attacks. Shortly after Peterson was elected, an anonymous student sent the dean of students photos of Peterson using marijuana. Soon after, the school received more anonymous information that alleged Peterson had posted racist tweets about a Sikh student. In a school-wide meeting, Peterson apologized for the photos and the dean of students clarified that the racist tweets were fabricated. Still, many students believed she wasn’t right for the position.

“There was too much controversy around Maya,” said Rob, a rising senior. “We didn’t really want a president who breaks school rules. It isn’t a representation of who we are.”
— “What Happens When A Prep School’s Black Student President Mocks Her White Male Classmates” by Katie JM Baker, 6-30-14

Recap: The 2014 Tony Awards

June 8, 2014: The night that this happened. via TonyAwards.com

To the credit of Sunday night’s Tony Awards,  I wasn’t tempted once during the broadcast to check in on the inmates at Litchfield or those who’ve taken the black at the Wall. That’s the magic of a well paced, mostly inoffensive, and relatively diverse major televised awards show.

Hosted by Hugh Jackman (returning to Broadway in The River this fall), the show began with a great (if slightly obscure to those not obsessed with the MGM Studios of the 1953) homage to Bobby Van with a performance from the cast of After Midnight following, featured Audra MacDonald’s 6th Tony win, that one time when Hugh Jackman, TI, and LL Cool J rapped lyrics from The Music Man , Neil Patrick Harris licking Samuel L. Jackson’s glasses during a performance of ‘Sugar Daddy’ from Hedwig and the Angry Inch, a montage of nominated playwrights that reminded us just how white and male Broadway has chosen to let that world become, and a performance of ‘One Day More’ from Les Miserables that was just the opposite.

Kenny Leon’s third iteration of A Raisin in the Sun took home 3 awards including Best Revival of a Play, Best Performance By An Actress in A Featured Role In A Play for Sophie Okonedo, and Best Director of a Play for Leon himself. Audra McDonald won Best Performance By An Actress For A Leading Role In A Play for Lady Day At Emerson’s Bar And Grill, James Monroe Iglehart of Aladdin won for Best Performance By An Actor For A Featured Role In A Musical, and Linda Cho won for Best Costume Design of a Musical for A Gentleman’s Guide to Love And Murder. The send up to 1920s Harlem After Midnight which has, at different times, starred Fantasia Barrino, Toni Braxton, Baby Face, Dule Hill, and Vanessa Williams, with Patti LaBelle starting this week, also took home a win for best choreography.

Even if The Great White Way is still pretty white the Tonys seem to at least make more of an effort to showcase the diversity that does exist on New York stages. Six winners of colour make for two more than we saw last year, and certainly more than we’re going to see at, say, this year’s Oscars. With shows like Holler If Ya Hear Me (aka, ‘The Tupac Musical’), You Can’t Take It With You (starring James Earl Jones) opening this summer and The King and I, and Oprah produced ‘night, Mother eyeing 2015 runs the future shows that theatre will at least stay the course.

For more highlights highlights, tweets, and performances jump under the cut!

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Quoted: Brittney Cooper on Diversity In College Debate

Towson University debate team members Ameena Ruffin and Korey Johnson. Image via Salon.

The increasing racial diversity of college debate is directly attributable to the work of these leagues, but of course the presence of more Black folks in any space also fundamentally challenges the ground upon which business proceeds. Black students have not only excelled at traditional debate, but they have invented new modes of competitive forensics, including a more performative style of debate that incorporates rap music, poetry and personal anecdotes.

Pioneered in college debate programs like that at the University of Louisville, this more performative style of debate has productively disrupted the traditionalist forms of debate centered on spouting, at the highest rates of speed, copious amounts of academic literature in order to prove a point. When I spoke with Korey by phone about this piece, she was hesitant to characterize her and Ameena’s style in a singular way, since they tend to incorporate both traditional elements like the reading of arguments published in academic journals and books with newer elements like poetry. Korey told me, “The word ‘traditional,’ the word ‘performative,’ the word ‘k-debater’ (which refers to “critique” or “kritik” debaters, who argue more philosophical rather than policy positions) will never actually capture what we are trying to do here.” That resistance to labels, and ambivalence about “the violence labels perform,” are hallmarks of the speech of young thinkers, searching to find their way in the world.

However, as my own scholarly research about Black female public intellectuals in the 19th and 20th centuries indicates, we live in a world that still struggles to see Black women as serious thinkers and intellectuals who have something to contribute to our national grappling with social problems. Frequently for young Black women thinkers, particularly those who invoke a clear Black feminist perspective, there is a resistance to donning a stance of detached objectivity. Korey asked me rhetorically, “How can we talk about policy if we don’t know [the] social location of the people?”

— From “‘I was hurt': How white elite racism invaded a college debate championship,” in Salon

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Open Thread: The Wilmore Report Greenlit for 2015

By Arturo R. García

The Daily Show
Get More: Daily Show Full Episodes,The Daily Show on Facebook,Daily Show Video Archive

Friday brought some surprising news, as Comedy Central announced that Daily Show longtime “Senior Black Correspondent” Larry Wilmore had been picked to take over the valuable post-Daily slot starting next year from Stephen Colbert, with the show being retitled The Minority Report With Larry Wilmore.

Besides hosting the show, Wilmore will also serve as executive producer, with the Report maintaining its production link to its predecessor through Jon Stewart’s Busboy Productions.

The network’s release did not shy away from the significance of Wilmore getting this spot, either:

“The Minority Report with Larry Wilmore” will provide viewers with a distinct point of view and comedic take on the day’s news from a perspective largely missing in the current late night landscape. Hosted by Larry Wilmore, the series will feature a diverse panel of voices currently underrepresented in comedy and television.

But, the concern’s already rung out on Twitter: Does the title already point toward self-limitation on Wilmore’s part? What do you think of Wilmore’s hiring and the show’s prospects?

Who Will Be Scandal’s Next Harrison? Eight Actors and Actresses Who Could Don the Suspenders

By Guest Contributor Monique Jones

Image via ABC.com

Columbus Short confirmed that he had been fired from ABC’s hit show Scandal late April. His departure is a result being charged with misdemeanor spousal battery against his wife, Tuere Short. “At this time I must confirm my exit from a show I’ve called home for three years, with what is the most talented ensemble in television today,” Short said in a statement.

After thanking the show’s creator, Shonda Rhimes and the cast, Short said, “Everything must come to an end and unfortunately the time has come for Harrison Wright to exit the canvas.”

With the confirmation of his departure, it puts the show and fans at a crossroads—who will pick up where Harrison left off and become the next right hand to Olivia Pope?

It would seem that certain qualities are necessary in order to be a great second-in-command at Pope & Associates. Those qualities–an infinite amount of charm, cunning and the ability to play a little dirty–seemed to be what kept Harrison employed. So, with that in mind, I have list of eight actors and actresses (yes, actresses!) that could become the new Harrison. All of the actors meet the criteria of:

  1. Being either glamorous or alluring in some capacity, which the character could use as an assist to their charm technique
  2. Playing roles with a certain amount of intensity, and
  3. Are either available for new television roles or are on shows that could allow for a dual role on a different show (like if a show is shooting in the off-season or something). Let’s jump into it.

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