Category: crime

May 13, 2014 / / community

By Guest Contributor Alton Pitre, cross posted from Juvenile Justice Information Exchange

Exhilaration jolted through my body when I stepped back onto the grounds of Central Juvenile Hall for the first time since my release. I finally knew what it felt like to come back as a free man and not as a detained juvenile. I cherished how different it felt. Now, I was wearing my own clothes and not the dull gray uniform of the hall. My arms dangled freely as I walked without anyone telling me to walk in a line with my hands behind my back. I even had a chance to chat with some of the juvenile hall’s probation officers, who were surprised to see me. The last time they had I was sitting in my cell.

My first day of freedom after 18 long months of captivity was Oct. 8, 2010. That was when reality quickly settled in. I was sitting at a table with my father and a few friends at a Denny’s restaurant, eating some bacon. My chest was poked out and my shoulders were buffed up. Noticing this, one of my friends jokingly said “Al, you out. You can relax and quit acting hard now.” I found that really funny because I was not trying to look tough. After being in jail for so long I had picked up the habit of trying to look like a thug while sitting at the dinner table. I was institutionalized. I did not even remember the proper way to use a knife and fork to cut my pancakes.
Read the Post The Uneasy Transition from Juvenile Hall to Life on the Outside

April 16, 2014 / / appearances

By Arturo R. García

Doug Glanville during his playing days with the Philadelphia Phillies. Image via Section215.com
An ESPN analyst is involved in what could be one of the most interesting stories of the year — depending, in part, on whether the network decides to cover it.

Doug Glanville is among the many former pro baseball players who contributes to the network’s Major League Baseball coverage. But he’s also penned columns for The New York Times and Time, on top of writing his own biography. But it’s his work this week for The Atlantic that has garnered attention.

Instead of covering his life on the baseball field, though, his column this week discussed his experience with a more commonplace aspect of life in America: racial profiling. Outside his own home.
Read the Post Will ESPN Tell Doug Glanville’s Story?

March 12, 2014 / / crime

By Guest Contributor Lisa Chiu, cross-posted from Juvenile Justice Information Exchange

Image by Michael Coghlan via Flickr Creative Commons.

For more than 25 years, the U.S. Department of Justice has given hundreds of millions in grants to states to reduce the overrepresentation of minority youth in the juvenile justice system, yet youth of color still appear in disproportionate numbers in many areas of the system.

According to data from the Office of Juvenile Justice and Delinquency Prevention analyzed by JJIE, black youth between the ages of 10 and 17 made up 17 percent of all children in that age group in 2010, but comprised 31 percent of all juvenile arrests, 40 percent of detentions, 34 percent of adjudications (guilty determinations), and 45 percent of cases transferred to adult criminal court.

The percentage of black arrests and adjudications has actually increased in the last 20 years. In 1990, black youth were 15 percent of the entire youth population, but they made up 27 percent of juvenile arrests, 33 percent of adjudications and 40 percent of detentions. The only area that saw improvement by 2010 was in transfers to adult court, where black youth comprised 49 percent of transfers in 1990.

Read the Post After Decades of Spending, Minority Youth Still Overrepresented in Justice System

February 19, 2014 / / black
February 18, 2014 / / Open Thread
February 17, 2014 / / Voices
Jordan Davis (1995-2012). Image via The Root.

Michael Dunn got away with murder.Oh, he’ll likely spend the rest of his life in prison on the three counts of attempted second-degree murder. Those are the charges of which a Jacksonville, Fla., jury took four days to find him guilty, for the 10 bullets he fired at 17-year-old Jordan Davis and his three friends that fateful November more than a year ago because they wouldn’t turn down the “thug music” that he despised.

Dunn’s conviction has given Jordan’s parents, Lucia McBath and Ron Davis, a bit of closure to know that their son’s killer won’t walk away free, that while he robbed Jordan of the chance to reach middle age, he also robbed himself of the chance to reach old age in a retirement village instead of a cell block.

But the jury couldn’t decide whether Dunn, 47, was justified in killing Jordan, who argued with him and cursed him when he asked them to turn down the music. Not only could they not decide whether Dunn’s slaying of the unarmed teenager amounted to first-degree murder, but they also couldn’t decide whether it amounted to second-degree murder or manslaughter.

Which leads me to ask: What if Jordan had been the only one in that Dodge Durango?
— Tonyaa Weathersbee, The Root

I walk around in this young Black male body and I understand that it causes fear. It causes a reaction. It causes police to look at me more carefully. It could kill me. This is the burden that I bear just by being born Black and living in America is the fact that I have been born into a racist system, a racist society that has placed on my Black male body a set of ideas that invoke fear in people. That’s what Jordan Davis was dealing with. That’s what Trayvon Martin was dealing with, and it killed them.

— Mychal Denzel Smith, as said on MSNBC, Feb. 16.

Read the Post Voices: Jordan Davis’ Killer Won’t Do Time For His Death

December 3, 2013 / / crime
November 26, 2013 / / Entertainment

By Guest Contributor Kimberly Bernita Ross

The prison comedy-drama, Orange is The New Black (OITNB), is projected to trump House of Cards in viewership by the end of the year, giving it the distinction of being Netflix’s most-watched original series. The show is an adaptation of Piper Kerman’s memoir by the same name, which recounts her time in prison after being convicted for drug smuggling and money laundering a decade after the offense. Actress Taylor Schilling plays Piper in the series, depicting the sometimes-comical angst that the White upper-middle class, 30-something feels, upon entering what in real life was Danbury Federal Prison in Connecticut.

OITNB joins the ranks of other popular women in prison TV and film productions like Bad Girls, Stranger Inside and Prisoner: Cell Block H. All of these shows and films touch upon relevant issues facing real women in prison, such as a lack of physical and mental healthcare, sexual assault and separation from children; yet they also draw on some of the more sensationalized themes of an earlier generation of women-in-prison (WIP) exploitation films first popularized in the late 1960s and 70s. While OITNB is a significant departure from the B- Movie, WIP film subgenre, the show still relies on subjects of female subjugation, violence, and lesbian sex, themes heavily prevalent in WIP films. And just as WIP movies often cross into revolutionary plots and sometimes Blaxploitation motifs, OITNB delves into the stories of Black and Afro-Latina women in prison. Comparing the women-in-prison film genre with OITNB is a ripe opportunity to analyze changing representations of sexual orientation, gender and race on screen.

There is a dearth of critical examination within portrayals of race and the criminal justice system. Black and Latina women’s plot lines predictably include criminal women from the “menacing urban underclass” without much nuance or context. Writers rarely, if ever, analyze the racialized society that has created the prison industrial complex in which these women find themselves entangled. Jenji Kohen, creator of the show, has been quoted as saying she used the WASP character, fashioned after Piper Kerman, as a ploy to pitch the series to different networks—a sort of subterfuge to tell other stories that the industry is reluctant to touch. The White woman lens as a means of telling the stories of women of color has been a scheme in Hollywood for a long time, and is an oft-criticized element of OITNB. At the same time, much of the show’s appeal rests on this juxtaposition of race and class and the laughable observations of an ignorant Piper. While the stories of real women of color are still held hostage by Hollywood stratagem, OITNB has developed Black and Latino characters that differ from the static, underdeveloped roles of the WIP film subgenre. But how much has really changed?

Read the Post Why Orange is Not The New Black