By Arturo R. García
Doug Glanville during his playing days with the Philadelphia Phillies. Image via Section215.com
An ESPN analyst is involved in what could be one of the most interesting stories of the year — depending, in part, on whether the network decides to cover it.
Doug Glanville is among the many former pro baseball players who contributes to the network’s Major League Baseball coverage. But he’s also penned columns for The New York Times and Time, on top of writing his own biography. But it’s his work this week for The Atlantic that has garnered attention.
Instead of covering his life on the baseball field, though, his column this week discussed his experience with a more commonplace aspect of life in America: racial profiling. Outside his own home.
By Arturo R. García
University of Massachusetts guard Derrick Gordon announced to the public on Wednesday — after telling his parents and teammates — that he is a gay man, becoming the first gay male NCAA basketball player.
“I know what it’s like to cry yourself to sleep or ‘have a girlfriend’ when that’s not your girlfriend, just to try and impress your friends,” Gordon said in video published by Outsports on the day of his announcement. “Nobody should have to try to live like that.”
Though his opening up to his teammates was by all accounts positive, the road there appears to have been rough for Gordon.
By Arturo R. García
The campaign against derogatory team names “honoring” Native American communities saw another flashpoint over the weekend, as a group of protesters in Cleveland encountered one local baseball fan who saw fit to paint his face red and wear a “headdress” before the hometown team’s 2014 home opener.
As Indian Country Today Media Network reported, the protest was led by Robert Roche, a member of the Cleveland Native American Movement. At one point, he was approached by the other man, who identified himself as “Rodriguez” and insisted his attire was not racist.
Instead, he reportedly claimed it was “Cleveland pride.”
“My children are not mascots,” Roche told WEWS-TV. “Why is it okay to be racist, derogatory or stereotyping us as a race of people here?”
However, CleveScene reported that fans attending the game took the low road:
It’s actually a shame for the civil Wahoo supporters that their comrades put on such an embarrassing and primitive display this afternoon. Only twice in three hours did Pro-Wahoo folks talk politely with the protesters about the root of their opposition and try to explain their own difficulties with the dehumanizing logo. (One man turned his Wahoo hat around as a little peace offering).
For the most part, though, passers-by hurled insults. A handful of boozy risk-takers sporting “Keep the Chief” tees walked directly in front of those holding signs, to taunt. Others distributed individual middle-fingers to each protester while inviting them to fuck themselves. Others launched the familiar hate speech — “Go back to the reservation,” etc.
By Guest Contributor Brooke Binkowski, cross-posted from BrookeBinkowski.com
Border Patrol, with protesters behind them on US soil.
A rally at the U.S.-Mexico’s Otay border crossing Monday morning aimed to reunite families pulled apart by deportations.
Immigration activist Elvira Arellano was a former resident at a Chicago sanctuary before being deported to Mexico.
By Guest Contributor Rama Musa, cross-posted from Global Griot
The city of Houston is buzzing with conversations about the social role of art in neighborhood revitalization.
On Dec. 3, 2013, the Texan-French Alliance for the Arts (TFAA) co-organized “Think Thank: Arts, Identity and Urban Revitalization” at the Rothko Chapel. On Jan. 24 – 25, Project Row Houses organized “Social Practice, Social Justice,” a two-day symposium on art as an agent of social justice.
These discussions prompted John Guess Jr., CEO of the Houston Museum of African American Culture (HMAAC), to ask, “[In the onslaught of gentrification], how do community-based arts organizations transform the behavioral change of the people, provide a space for transcendence, and offer scholarship for the spirit?” Houston’s Project Row Houses and Rebuild Foundation in Chicago are two nonprofits whose radical social art projects have benefited from, and served as the last frontier against, rapid gentrification in African American neighborhoods.