Category Archives: community

Doug Glanville [Facebook]

Will ESPN Tell Doug Glanville’s Story?

By Arturo R. García

Doug Glanville during his playing days with the Philadelphia Phillies. Image via Section215.com

An ESPN analyst is involved in what could be one of the most interesting stories of the year — depending, in part, on whether the network decides to cover it.

Doug Glanville is among the many former pro baseball players who contributes to the network’s Major League Baseball coverage. But he’s also penned columns for The New York Times and Time, on top of writing his own biography. But it’s his work this week for The Atlantic that has garnered attention.

Instead of covering his life on the baseball field, though, his column this week discussed his experience with a more commonplace aspect of life in America: racial profiling. Outside his own home.
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Derrick Gordon Becomes First Out Gay Male NCAA Basketball Player

By Arturo R. García

University of Massachusetts guard Derrick Gordon announced to the public on Wednesday — after telling his parents and teammates — that he is a gay man, becoming the first gay male NCAA basketball player.

“I know what it’s like to cry yourself to sleep or ‘have a girlfriend’ when that’s not your girlfriend, just to try and impress your friends,” Gordon said in video published by Outsports on the day of his announcement. “Nobody should have to try to live like that.”

Though his opening up to his teammates was by all accounts positive, the road there appears to have been rough for Gordon.
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‘My Children Are Not Mascots’: Cleveland Stares The #ChangeTheName Debate In The Face

By Arturo R. García

The campaign against derogatory team names “honoring” Native American communities saw another flashpoint over the weekend, as a group of protesters in Cleveland encountered one local baseball fan who saw fit to paint his face red and wear a “headdress” before the hometown team’s 2014 home opener.

As Indian Country Today Media Network reported, the protest was led by Robert Roche, a member of the Cleveland Native American Movement. At one point, he was approached by the other man, who identified himself as “Rodriguez” and insisted his attire was not racist.

Instead, he reportedly claimed it was “Cleveland pride.”

“My children are not mascots,” Roche told WEWS-TV. “Why is it okay to be racist, derogatory or stereotyping us as a race of people here?”

However, CleveScene reported that fans attending the game took the low road:

It’s actually a shame for the civil Wahoo supporters that their comrades put on such an embarrassing and primitive display this afternoon. Only twice in three hours did Pro-Wahoo folks talk politely with the protesters about the root of their opposition and try to explain their own difficulties with the dehumanizing logo. (One man turned his Wahoo hat around as a little peace offering).

For the most part, though, passers-by hurled insults. A handful of boozy risk-takers sporting “Keep the Chief” tees walked directly in front of those holding signs, to taunt. Others distributed individual middle-fingers to each protester while inviting them to fuck themselves. Others launched the familiar hate speech — “Go back to the reservation,” etc.

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Quoted: The Nation On The César Chávez Hollywood Didn’t Show Us

America Ferrera (right) and Michael Peña as Helen and Cesar Chavez. Image via Philly.com

Cesar could be a brilliant strategist, a skill observable in agile, imaginative interaction with determined opponents, turning apparent weakness into sources of strength. But the film depicts him largely as a creature of impulse, committed to be sure, but not the brainy strategist who took special joy, as he put it, in “killing two birds with one stone…and keeping the stone.” He was a learner, a deeply curious autodidact who thrived on constantly probing diverse sources of information: books, people and experiences. When I met him in 1965, he was reading Churchill’s The Gathering Storm because, as a student of Gandhi, he wanted to learn how his opponent thought. The commitment to nonviolence was based both on his appreciation of Gandhi’s methods and the way in which the civil rights movement, and reaction to it, had been unfolding every day. But oddly, although a commitment to nonviolence was a condition for undertaking the strike in the first place, shaping the way it unfolded, the film portrays nonviolence as a reaction to events in the strike.

Events depicted as spontaneous in the film, such at the 1966 “perigrinación” from Delano to Sacramento, were, to the contrary, a result of sustained, careful planning. The “kick-off” was timed to take advantage of national media in town to cover Senator Robert Kennedy’s participation in hearings held in Delano, orchestrated by the labor movement. This “march” strategically linked efforts to promote the UFW’s first boycott, to deter farm workers from returning to Delano in the spring, to pressure then Governor “Pat” Brown to intervene on the UFW”s behalf and to rekindle the faith, hopes and solidarity of the 100 to 200 people at the core of the movement and their supporters. Cesar did not hear of RFK’s death while driving somewhere in his car—we had been in LA doing the “get out the vote” that won him the primary, and some of us were with him in the ballroom when he was shot, on his way to thank the farm workers for their help. Similarly, the “fast” was not a reaction to a few unruly farm workers, but a strategic tactic, backed with a team of organizers, of which I was one, undertaken at a key time in response to court actions alleging violent tactics, renewing commitment several years into the fight and drawing attention to the grape boycott in time for the new season. The creativity, organizational discipline and courage that produced the events depicted in the film is lost entirely in the incoherent jumble of what the film makers must have judged to be “dramatic moments,” which presented out of time, place or sequence are robbed of their real drama.

– From “Not the Cesar Chavez I Knew,” by Marshall Ganz

Quoted: Ebony‘s Jamilah Lemieux On The Conservative Attacks Against Her

There have been nearly 20,000 tweets with the #StandwithJamilah hashtag following the events of last week. I do not have words to express the gratitude I have for the individuals who have raised their voices publicly and privately to ‘stand’ with me after I was attacked, or in Internet parlance, trolled following my exchange with RNC Deputy Press Secretary Raffi Williams—an exchange that was largely reported with gross factual inaccuracies by news outlets both large and small. After thousands of negative Tweets, emails and phone calls to and about both my employer and I—in which I was repeatedly called names ranging from the strange (“socialist,” “Marxist,” “plantation mistress,”) to the downright sexist and racist (“c-nt,” “b-tch,” “n-gger”) and even calls for me to be raped, robbed and beaten—I am sustained by the kind, supportive words I have received from so many people, women and men of all races.

I want to affirm, for any who may doubt, that I have very strong feelings about how my words were twisted to fit the agenda of others. (This is not new territory—ask Shirley SherrodMelissa Harris Perry, Anthea Butler…I suppose I should take some pride in now being counted among this principled group.) But, right now, this isn’t about my feelings. Even though so much of this seems like it is about me, Jamilah Lemieux, it most certainly isn’t. This debacle is largely a commentary on the evolving concept of being an employed individual on social media—and the ever-shifting line between public and private. It highlights the importance of employees being mindful of such at all times, whether that feels “fair” or not. This is not about the First Amendment, this is about corporate ethics and the challenges that face those of us who represent major media brands.

In theory, I should be able to say whatever I want on my personal social media accounts and everyone should understand and respect that my words are not the words of Johnson Publishing Company, nor EBONY. That is not the world we live in. That is not reality. And while a quip about a TV show or anecdote about a date may go by without much controversy, “snarking” those who don’t share my political views left me open to attack. And in an era during which there are people who live for nothing more than the opportunity to tear down a brand or an individual who is, perhaps, more confident or more accomplished than themselves, we all have a responsibility to protect ourselves and our careers from a useless war.

- From “Jamilah Stands,” at Ebony.com

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Images: Bring Them Home event for immigration reform at the Otay border crossing

By Guest Contributor Brooke Binkowski, cross-posted from BrookeBinkowski.com

Border Patrol, with protesters behind them on US soil.

A rally at the U.S.-Mexico’s Otay border crossing Monday morning aimed to reunite families pulled apart by deportations.

Immigration activist Elvira Arellano was a former resident at a Chicago sanctuary before being deported to Mexico.

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Mayor Chokwe Lumumba

Quoted: Civil Rights Leader Chokwe Lumumba (1947-2014) on Jackson, Mississippi

I should say that people should take a note of Jackson, because we have suffered some of the worst kinds of abuses in history, but we’re about to make some advances and some strides in the development of human rights and the protection of human rights that I think have not been seen in other parts of the country. And I want to caution folks that we’ve got to be careful now when we talk about any one particular place in the United States.

All over, we’ve seen intense oppression. I’m from Detroit, initially, and we’ve seen a lot of oppression there, historically as well as currently. New York has certainly seen its share. Washington, D.C., has seen its share. So, we don’t want to be like people on different plantations arguing about which plantation is worse. What we have to do is to correct the whole problem, and we’re about correcting the problem here in Jackson. And we’re going to be inviting people to come here, and people want to come here, in order to participate in the struggle forward.

June 6, 2013.

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The Anarchy of Gentrification & Art Resistance

By Guest Contributor Rama Musa, cross-posted from Global Griot

The city of Houston is buzzing with conversations about the social role of art in neighborhood revitalization.

On Dec. 3, 2013, the Texan-French Alliance for the Arts (TFAA) co-organized “Think Thank: Arts, Identity and Urban Revitalization” at the Rothko Chapel. On Jan. 24 – 25, Project Row Houses  organized “Social Practice, Social Justice,” a two-day symposium on art as an agent of social justice.

These discussions prompted John Guess Jr., CEO of the Houston Museum of African American Culture  (HMAAC), to ask, “[In the onslaught of gentrification], how do community-based arts organizations transform the behavioral change of the people, provide a space for transcendence, and offer scholarship for the spirit?” Houston’s Project Row Houses  and Rebuild Foundation  in Chicago are two nonprofits whose radical social art projects have benefited from, and served as the last frontier against, rapid gentrification in African American neighborhoods.
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