Category Archives: comics

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Web of Spider-Men: Will Marvel Use Miles Morales To Stick It To Sony?

By Arturo R. García

As of Wednesday morning, the mantle of Spider-Man has changed hands in both the comic-book and movie realms. And while Marvel Comics scored a win on the diversity front, it’s fair to wonder if the move could pay dividends in another realm.

Because while it’s notable enough to see Miles Morales, the Black Latino character introduced in an alternate comics universe nearly four years ago, named as the protagonist in Marvel’s new Spider-Man title, it will be particularly interesting to see how the company handles both him and his predecessor, Peter Parker, after a series of moves de-emphasizing characters who, like Peter, are not part of the Marvel Cinematic Universe (MCU).

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SDCC First Call: Are You A POC Creator Going to San Diego Comic-Con?

With less than a month until San Diego Comic-Con, we’d like to get the ball rolling on our annual coverage by promoting creators of color throughout the convention.

If you’re going to be an exhibitor or presenter during the convention, or know someone who is, drop us a line in the comment thread here, or at team@racialicious.com and we’ll boost the signal in our SDCC preview posts, including our looks at the programming and special SDCC Files post telling fans where to find you on the floor and online.

We’ll put up one more call for creators in a couple of weeks, but why wait? Let’s start getting the word out now!

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R-oundtable: Avengers – Age of Ultron

Much like one of its action set-pieces, the discussion around the latest Avengers film has blown up in multiple directions: In the week since its US release, the discussion surrounding Age of Ultron has veered from its massive box-office haul to cast members slut-shaming Black Widow off-screen to Black Widow’s portrayal on it to, finally, writer/director Joss Whedon leaving Twitter because of comments that have been attributed to overzealous “feminists.” (SPOILERS: No, it wasn’t because of that.)

Thinkpieces abound on each of these topics, no doubt, and our own trio of Kendra, Tope and Arturo will touch on some of these issues, while also looking at how the movie’s few — and seemingly far-between — POC fared in Marvel’s latest mega-ensemble story.

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Nerd Roundup: Brief Dispatches From C2E2

C2E2 earns the honour of being the only con I have ever attended where I’ve not felt that personal space and air to breathe were an inevitable sacrifice in a battle to the top of Nerd Mordor. Arriving late on Saturday, about two hours after the convention had already begun, I marveled at the amount of space between aisles and booths. Most of the big cons are ADA accessible at this point, but this is the only con I’ve attended where someone with, say, a wheelchair looked to be able to navigate somewhat freely throughout a show floor also accommodating a fair amount of service animals, helicarrier sized strollers, and the drunkenly zig-zagging paths of  the toddlers who had escaped them.

Despite Chicago being a massive and sprawling city, C2E2 seemed smaller than its sister-con in New York (both produced by ReedPop Entertainment). So in addition to the extra breathing room in aisles for multiple tentacled Doc Ock cosplays, the con had had something of a personal touch. Casual conversation with creators was much more readily available than at NYCC or SDCC (for instance, multiple people were lucky enough to simply bump into Sex Criminals artist Chip Zdarsky who was wandering around the Image booth), and I personally found that responses to issues like harassment, offensive costumes, and abuse were nearly instantaneous compared to NYCC.

So while C2E2 is the only con where I’ve seen someone cosplaying as not a Death Eater, a member of Hydra, or some other fictional Nazi allegory, but an actual Nazi (a cross-dressing Nazi, but a Nazi never the less), I can at least say that representatives from C2E2 responded to my tweets seconds after I made the complaint public. There was a concerted effort to try and locate the man and remove him from the convention. That was bolstering as safety is always an issue at these events whether one is in cosplay or not.

It’s unfortunate that incidents like that can completely mar a con experience, and equally unfortunate that panels like The Fangirl’s Guide To: Surviving Online have to exist. With the era of Gamergate and Doxxing upon us, panelists Sam Maggs, Amy Chu, Jen Aprahamian, Stephanie Cook, Cara McGee, and Gita Jackson gathered together to discuss how something as simple as having your email posted for professional inquiries can lead to a downward spiral of online harassment that can spill into the real world.

Racialicious did not attend as press this year and since I was there ‘on business’ I didn’t get to attend as many panels as I would have liked,  thus there is less the wrap! But even though I was only in attendance for Saturday and Sunday, I still managed to grab a few pics of the best (and youngest) cosplayers at the con.  After all, it’s always best to end on a cute note.

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Racialicious In Chicago: A C2E2 Preview

I’ve never been to C2E2 before and know very little about what to expect– beyond the fact that there is a Brony fan meetup that I will be doing my utmost to avoid. Luckily, C2E2 also features a decently sized list of other panels and screenings that deal with race, gender, sexuality, fandom, and all the intersectionalities between them. I’ll only be attending the con Saturday and Sunday, so I won’t have time to see everything (and I’m incredibly sad to be missing Friday’s Racebending.com panel!), but I’ll be livetweeting as many panels as one person can reasonably make.

Last year in San Diego Arturo managed to profile quite a few artists and writers of colour during our time at the con. Reaching out to me @wriglied or via the team@racialicious.com email could yeild the same results, if  you’re a creator of colour who’d like to meet and chat about your work on Saturday or Sunday. Drop me a line, I’ll find your booth. And if you’re just a reader who just wants to say hi, don’t be shy! I won’t be in costume, but there’s a good chance you’ll see me at any of the Saturday or Sunday panels listed below. Continue reading

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A Fridge Grows In Hell’s Kitchen: On Daredevil’s Major Misstep

By Arturo R. Garcia

Enough time has probably passed that most of us can now consider Marvel’s new Daredevil adaptation in full — both the good and the bad. And make no mistake, the good has been very good at times.

In fact, I suggested on the Lawyers, Guns & Money podcast that this show, along with Orphan Black, The Flash and arguably Arrow, has introduced enough non-mainstream “prestige” shows that calls for a set of separate sci-fi/fantasy Emmys should be taken seriously.

But, like a hurdler tripping and landing chin-first near the finish line, Daredevil’s 12th episode closes on a note that is less “shocking” than it is disappointing. And par for the course with the comics industry in all the wrong ways.

SPOILERS under the cut.
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An Empty Panel: On The Nightly Show’s Diversity In Comics Discussion

By Arturo R. García

You would think that a discussion of comics and diversity on The Nightly Show would be a home run.

You would be wrong.
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I Used To Be Excited for Big Hero 6: An Asian-American’s Perspective

By Guest Contributor Sunny Huang

Two weeks ago, Big Hero 6 premiered to critical acclaim at the Tokyo International Film Festival. Even earlier, it made a big splash at New York Comic Con. And it will open tomorrow as a likely box-office success — a projected $51 million in its first weekend — in the U.S. But with less than a full day to go, I am surprised by the lack of substantial criticism for it.

Frozen generateda firestorm of controversybefore it was released in mass and niche publications, yet there is little for Big Hero 6, which goes to show just how much Asians and Asian-inspired media are pushed out of the conversation. And the only criticisms that have appeared focus on the film’s episodic storytelling and choice of Fall Out Boy for the soundtrack, instead of its lackluster Asian representation and continued cultural appropriation by Disney. In fact, Big Hero 6 is being lauded for transcending these problems, when it is the very embodiment.

Don’t get me wrong. I used to be excited for Big Hero 6.When the first trailer and voice cast were released, I cried.

After spending my childhood barely seeing myself and my people represented on screen, I immediately made my brother watch the trailer. As a 20-year old, I was so happy that my 10-year old brother would have the chance to grow up without self-resentment. I was so grateful to know he would have the chance to not loathe his race because he would see characters who looked like him be appreciated. It was a chance I did not have.

When the trailer was over, I yelled at him. Look, look!An Asian character! Another character who’s Asian besides Mulan! From the biggest animation studio today! Do you know how many people like us will see how progressive this movie is?! To that, he just stared at me and said—

What? I thought he was white.

It was then I realized something was wrong. This movie was being marketed as progressive and beyond its time for giving its studio the opportunity to address “its historical reputation for ethnic homogeneity and cultural appropriation.” But if an Asian-American kid could not identify the main character as Asian, as part of his own group, then what else was wrong?

Turns out, a lot. The protagonist’s racial ambiguity just started the conversation.

The film is based off the Marvel Comics characters of the same name, but with major differences—many of them questionable, and some of them outright wrong.

SPOILERS for both the movie and the comic under the cut.

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