Kendra on the industry’s expectations of the audience: “What’s the nerd stereotype? The guy who looks like Kevin Smith, or the [brown] girl who’s been loyal to the same comic shop for years? There’s a worry, subconscious or not, that if white males have no one to identify with that the readership vanishes. No amount of trend-bucking — take Miles Morales, for example — is going to change that.”
Arturo on white fans’ reluctance to accept when POC are cast as characters who were originally white: “It’s the natural result when the industry spends decades prioritizing white male characters — you have white male fans getting twitchy over this sort of casting while accepting white-washing or all-white stories.”
- From “Who Gets To Be A Superhero? Race and Identity in Comics” by Gene Demby.
Recommended Reading: The full transcript of a panel interview including Kendra, Arturo, Kelly Kanayama and Alan Yu.
By Kendra James and Arturo Garcia
The ups and downs of being a DC Comics fan have never been more apparent than this past week. The WB cast a big screen Wonder Woman (Israeli actress, Fast and the Furious alum Gal Gadot)… but not for her own movie. She’ll be sharing the stage with Henry Cavil’s Superman, Ben Affleck’s supposedly older and wizened Batman, and a potential mutual adversary in Lex Luthor. Luthor who will, according to casting rumours, most likely be African-American, echoing the WB’s already demonstrated willingness to race-bend with Perry White in Man of Steel. Personally, I don’t think this should be much of a stretch of the imagination for anyone who grew up on the Superman cartoon of the 90s.
On the heels of a fantastic Arrow mid-season finale, the CW revealed a casting call for their Flash pilot showing their intentions to making Iris West Allen (The Flash’s –Barry Allen– main love interest and Wally West’s –another Flash– aunt) and her extended family African-American woman rather than white, as she’s been traditionally portrayed in the comics. If the pilot and ensuing show is anywhere near as good as Arrow, a diverse cast of main characters won’t be an issue (even if I am still annoyed about Sin.)
With DC’s television and cinematic universes both expanding quickly, we thought it was time for another quick chromatic casting.
By Arturo R. García
There’s a lot to root for in Marvel’s new Ms. Marvel series, which is already garnering buzz for starring a Pakistani-American Muslim teenager in her own solo series.
But, the book won’t formally launch until February 2014, which opens it up to a recurring problem with Marvel: history shows that the company’s efforts stop at gathering that buzz when it comes to its young superheroes — particularly those of color.
by Kendra James
The Geeks Of Color Assemble!: Minorities in Fandom panel featured friends of the R activist, academic, and steampunk blogger Diana Pho (who acted as moderator) and fantasy author N.K Jemisin, a friend of mine, cosplayer Jay Justice, cosplayer and prop maker Ger Tysk, writers Jeffrey Wilson, Muhammad Aurangzeb Ahmad, and Emmanuel Ortiz, and writer, blogger and classical music student Muse En Lystrala. As we’ve already covered it was one of the few panels to feature an all POC lineup and subjects of discussion. It also proved to be popular enough that several people waiting in line were unable to attend in the end. Hopefully this roundup helps ease the pain for some of those who were unable to get into this excellent discussion.
Before we dive into the questions and answers presented, it’s important to take a moment to emphasise a point Pho made towards the end of the evening.
If you attended the panel and you liked what you heard, if you wanted to attend the panel but couldn’t, if you wanted to attend but were turned away, or if you simply like what you read of the discussion in this post: Please let those who run New York Comic Con know that you want to see more varied and diverse content at future events. You can rate the panel on the NYCC phone app, you can tweet at them @NY_Comic_Con, or you can write an email to Lance Fensterman and his staff at firstname.lastname@example.org as I plan to. Anything you can do to make your voice heard is a positive step toward bringing in some change next year.
With that said, let’s get to the panel under the cut:
2013: The year when, at 130,000 attendees, New York Comic Con officially outgrew the Jacob Javits Center. And unfortunately, because of its awkward location, I’m not exactly sure how they’re going to solve this one.
The lack of space affected several aspects of the overall experience this year from the floor feeling more claustrophobic than it ever has in the past, to lines for panels being capped up to 40 minutes in advance of the actual start time. It’s genuinely hard to believe that last year I only had to wait in line for a half hour to get into the Teen Wolf panel and was able to save a seat (a good seat!) for my friend who rushed in at the last minute. This year I avoided that room –1-E, the New York version of Hall H– entirely only to be treated later to horror stories about waiting in line for two hours only to be told later that there was no way you were getting in.
It wasn’t only the Agents of S.H.I.E.L.D and The Walking Dead types of panels where line waiting and lack of space turned ugly. Those panels were lucky to have the space they did. Smaller panels, including the five (we found one more; last year’s Hip Hop and Comics panel made a return on Sunday at 2:30) on race, diversity, representation, and generally marginalised voices, weren’t always given that space luxury and when the lines were capped well in advance of their start times it meant that a significant amount of people were locked out. I arrived about an 50-60 minutes in advance of the Minorities in Fandom panel after learning the hard way for The Mary Sue panel earlier that day that 20-30 minutes wasn’t going to cut it. Captain Marvel writer and Marvel panelist Kelly Sue DeConnick tweeted out about 30 minutes before the Women of Marvel panel was due to start that the line was about to cap. Since these were the only four options available for discussions in this vein it’s all the more disappointing that this was an ongoing theme.
Last year’s NYCC Hip-Hop panel was incredibly well attended, and The Black Panel at San Diego Comic Con this summer was one of the events to make. Combined with the lines and space issues this year, the draw and presence of an audience for these panels is clear, no matter what NYCC might think as they’re selecting what to feature. I heard several people muse and infer that the NYCC staff made a conscious decision this year to not be known as a convention with a heavy emphasis on “issues”. The few reports I heard of late commers (and by late, I mean people who were standing in line for up to 40 minutes) to the Mary Sue Panel being addressed as “hopeless idiots” by NYCC staffers aligns nicely with that mindset.
We needed more panels, yes, but if there were going to be so few selections those selections needed to be held in rooms large enough to accommodate the women, POCs, LGBTQ, and ally fans who just wanted to spend one hour hearing about something that directly concerned them. There are more of us than those organising the con thought.
One suggestion tossed around in conversation was the idea of satellite locations– using a variety of locations throughout the city to host off site events and panels. SDCC and Dragon*Con both do this by utilising several hotels in San Diego and Atlanta respectively while NYCC sticks solely to the Javits Center. Of course, the Javits Center basically being located in the middle of the West Side Highway, and across multiple expansive construction sites (the walk from 8th avenue to the Javits was murder this year) makes it difficult to imagine how satellite locations would work. The closest and largest hotels that might have the space for off site events are blocks away (New York City blocks; they’re longer than you might think) and it would be difficult to get back and forth without some sort of provided transportation. It could all be done, but I suspect we’d be looking at higher badge prices for future cons.
It’s a lot for Lance Fensterman and the rest of the NYCC team to consider, but it’s at least worth talking about if the ‘issues’ panels aren’t going to be automatically given the space they need.
Between the space and panel issues, the lack of wifi, coming home one afternoon to see several suspect tweets under my account, and the fact that this harassing camera crew got press passes when several legitimate media outlets didn’t, there wasn’t much to be impressed about with the way the con was run this year. With apologies issues concerning the tweet-jacking and the harassment, two of the four issues have been addressed. I’m very curious to see what –if anything– they’ll have to say about panels and space.
Aside from the above, I took away a few other stray observations from this year’s Con as well:
by Kendra James
Let’s keep this short, sweet, and blunt: I’m disappointed at the lack of panels dealing exclusively –or even mentioned in summary– with issues of diversity, gender, sexuality, and other marginalized views at New York Comic Con 2013.
I can’t recommend and won’t be attending too many panels this year. Of 334 panels and screenings I was able to find 3 focusing exclusively on marginalised voices in fandom. 3 panels in 4 days of con-going. (Gosh, how will I ever will I have the time make it to all of them?) I’m thrilled to be attending what I am, but the lack of diverse content is concerning, to say the least.
On Thursday night there’s the LGBT and Allies in Comics panel presented by the New York Times and Geeks Out. X-Men writers Marjorie Liu and and Greg Pak will be featured along with Dan Parent and Rich Bernatovech.
While there are panels that have at least one person of color featured, there’s no focused panel on any marginalised issues in comics, fandom, or media to be found on all of Friday.
Saturday appears to be The Day for diversity at NYCC this year, and by that I mean a grand total of 2 panels will be hosted. The Mary Sue will present Representations in Geek Media at 2:45 where panelists, including Phil Jimenez, will discuss their favorite minority, disabled, LGBTQ and female genre characters. Later that evening at 6:30 I’ll be attending Geeks of Color Assemble!: Minorities in Fandom, a full PoC panel discussing the question of what challenges in media remain that minorities still have to overcome.
On Sunday Marvel hosts their Women of Marvel panel which will once again feature Marjorie Liu, but given that it’s a company sponsored panel one has to wonder how much critique and open discussion will actually take place.
If we’re willing to count Sunday’s panel, that brings the grand total of panels focusing on representation in media to 4 out of 334. Attendance and interest have never seemed to be a problem; the NYCC hip-hop and comics panel was incredibly well attended last year and each focused panel I attended at San Diego Comic Con this summer was filled with people at rapt attention. Nor is it an issue of panels not being submitted*. I try to look on the bright side, reminding myself that cons are exhausting and doing too much tends to ensure that I end up sick on the Monday after, but this is just ridiculous.This may have been the year of Pacific Rim, but this lack of representation at one of the largest cons in the country shows geekdom still has quite a way to go when it comes to leveling the playing field.
As usual, please feel free to say hello if you see me on the floor (between not being in panels all day, and likely being one of the few, if not the only, Black Margaery Tyrell in attendance, I should not be hard to spot), and follow @racialicious and @wriglied for live tweets of the panels I attend and excited reports of any Nicole Beharie sightings.
*In the spirit of full disclosure, Racialicious submitted a panel for consideration on the challenges of growing up as and raising geeks of color. It was not accepted.
By Kendra James & Arturo R. García
So after what felt like two years’ worth of hype, Marvel’s Agents Of S.H.I.E.L.D finally debuted Tuesday night, offering up a potentially interesting new platform through which to explore the Marvel Movieverse, as well as a show featuring women of color in both the primary ensemble (Chloe Bennet and Ming-Na Wen) and the creative team (executive producer Maurissa Tancharoen). And that’s without counting the welcome return of Firefly‘s Ron Glass and Angel‘s J. August Richards to Whedonville.
As promised, the show doesn’t skimp on digging deep for its connections to the Marvel movie universe, referencing not just Avengers, but Iron Man 3 and Captain America in major ways. But how did our roving reviewers feel about it? They traded some thoughts after the premiere.
Y’all know we crush hard on author Junot Diaz around these parts. Well, this bit of news from Entertainment Weekly’s Tumblr makes us crush even harder: comics legend Jamie Hernandez (of Love and Rockets fame”) is reworking Diaz’s This Is How You Lose Her as illustrations for the upcoming deluxe edition.
If you’re a fan of one or both of these giants, then save your money now–the edition comes out October 31!