Some months after I’d come out as queer to my friends and family, I happened upon a Louis C.K. meme about anti-gay rights advocates—particularly those who argue they shouldn’t have to expose their children to same-sex marriages. The meme’s caption read, “Two guys are in love but they can’t get married because you don’t want to talk to your ugly child for f*ckin’ five minutes?” As much as I’d like to tell that you that straight allies don’t deserve cookies and congratulations for exhibiting the bare minimum of human decency, I’d be lying if I said C.K.’s words didn’t move me. After years of shaming from straight people, whether in purposely oppressive ways or indirectly cruel ones, it always strikes me as miraculous when some of them support my cause—especially if they’re cultural icons. And given the thousands of Likes and Shares the Louis C.K. meme received, I’m guessing his words touched a few others, too. Thing is, I doubt it would have gotten as much mileage if the caption had included C.K.’s full quote: “… Who f*ckin’ cares about your sh*tty kid? He’s probably a faggot, anyway.”
On the one hand, I personally find the punchline funny: it subverts the sentimental direction of the setup, makes fools of the people he’s frustrated with, and arguably turns the word “faggot” into a weapon against them. On the other hand, it’s not the only time C.K. has used the slur for a laugh, and he hasn’t always been so progressive while doing it. Louis C.K. follows a similar pattern with the word “nigger,” insightfully addressing the horrors of racism in some of his stand-up, but gluttonously employing the epithet for amusement in other instances. And it’s not as if he does so without racial awareness, either; despite being half-Latino, C.K. has publicly acknowledged looking white, identifying as white, and benefiting from white privileges — such as never being marginalized enough for slurs like “cracker” to truly hurt him. As a black man with the opposite experience, I find myself on edge whenever I hear him speak. Although I haven’t forgotten his beautiful bits bashing racial prejudice, I have to remember that he’s prone to blurting “nigger” at whim, and doesn’t always care to add a constructive reason. Continue reading →
The Dunn verdict is really the cherry on top of the sh*t sundae that is Black History Month. First, We got assigned February — the month nobody wants, the only month that contains the letters ‘F’ and ‘U.’ And then, in case we didn’t get the message, they round out the month by letting another white guy off for gunning down a Black kid. You do know Black History Month isn’t like deer season or turkey season, right? It’s not the month when you’re allowed to shoot Black people.
Sure, [Jordan Davis and his friends] looked unarmed to us. And to the police, and to the other eyewitnesses. But that’s because we’re not wearing fear goggles. That’s the lens through which chronically terrified white people look at Black kids. Like, say, a guy who carries a gun in his glove compartment and thinks Florida juries favor Black people.
Once you put on fear goggles, you’ll hit anything with a bullet.
As Colorlines reported earlier this week, Akilah Hughes’ “Meet Your First Black Girlfriend” has amassed more than a million views on YouTube since being released just over two months ago. It’s a pretty sharp set of takes crunched into less than two minutes. Our favorite? “You can tell me you like Scandal because of the ensemble cast, but I know it’s because you have Olitz fantasies.”
“For those of you who don’t know, 2042 — according to census figures — is the year that white people will be the minority in this country,” he says, adding, “I don’t know if there are people in the audience who are upset by this. But don’t worry, white people: you were the minority when you came to this country. Things seem to have worked out for you.”
Expectations were high surrounding this past weekend’s episode of Saturday Night Live, as it unveiled a more diverse lineup both in front of and behind the camera.
While the ostensible lead was guest star Drake, pulling double-duty as the show’s musical guest, the show also marked the debut of Sasheer Zamata, the first woman of color in the ensemble since Maya Rudolph’s — who is of multi-racial heritage — departure. Zamata’s hire was precipitated at least in part by the furor over Kenan Thompson’s infamous “they never find ones who are ready” remark in November. But, perhaps even more crucially, the show also added two women of color to the writing team in Leslie Jones and LaKendra Tookes.
So far, the results appear to be positive: the show scored decently enough ratings-wise, and Drake’s performance has been well-received enough to suggest he should get the Justin Timberlake open-door policy.
But how do you feel the episode did? Did Zamata get enough opportunities to spotlight herself? Do the new additions make you more optimistic about the show? And is anybody else stuck seeing Rick Ross as a Red Teletubby now? Here’s a couple more videos for those of you who didn’t catch the show.
Sociologists observe that cultures are centered around some people and not others such that members of some groups just seem like people and others are perceived as deviations from that presumed norm.
Names are part of how we divide the world into the normals and the deviants. Illustrating this, the sketch comedy duo Key and Peele are super creative in this 3 minute skit. They reverse the white-teacher-goes-into-the-inner-city trope and put a non-white teacher into a suburban school. As he calls roll, the skit center HIS reality instead of that of the white, middle class kids. He pronounces their names like stereotypically black names, confusing the heck out of the kids, and never considering the possibility that the names he’s familiar with isn’t how all names really are.
It’s not a safe skit — it potentially reinforces the conflation of non-white and urban and the stereotypes of inner city students and the names low-income black parents give their kids — but it does a great job of playing with what life might be like if we shifted the center of the world.
Counterpoint by Tamara Winfrey Harris, Racialicious editor
I have wrestled with the popularity of this Key & Peele skit for a while. And I’m afraid, for me, that it doesn’t pass the race bias smell test. The comedy here, while it may appear “edgy,” is really business as usual. The bit doesn’t “punch up,” instead the blow lands right smack where it always does: on black cultures and, particularly, the poor, working class and urban. I agree with friend of the R, Lisa Wade, when she says the skit uniquely centers the point of view of the black teacher and his idea of “normal.” Sadly, though, that decentering of whiteness is the joke. The audience is meant to laugh at a situation where creative pronunciations of common, European-derived names is acceptable. How absurd! It’s okay if this skit makes us laugh. But we need to recognize how and why it is problematic.
FYI, Key & Peele have a habit of going to the funny black name well.
And then there’s The Washington Times. They whine that the movie is just a parade of liberals mocking conservatives. To be honest, they are correct. We do have some great progressive voices in the film including The Daily Show‘s Jon Stewart, MSNBC’s Rachel Maddow. Russell Simmons, Rep. Keith Ellison [D-MN], and comedians like Lewis Black, David Cross, Janeane Garofalo, etc.
But here’s the thing The Washington Times didn’t include in their article, because they didn’t contact us for a comment: We invited numerous conservatives to be in the film. To be specific, we asked Sean Hannity, Bill O’Reilly, Judge Napolitano, and Pat Robertson through their representatives. We even invited some of the most notorious Muslim haters. (I won’t list their names because they don’t merit the attention.)
One guess how they all responded? They, of course, said no. Why? You have to ask them but it’s clear that many on the right don’t want to be challenged when selling their rancid bill of goods to the public about Muslims.
But here’s the truth that some on the right will hate to hear: We will prevail. And when I say “we,” I don’t mean Muslims. I mean American values. How can I say that? Our nation’s history makes it clear how this will end for the Muslim bashers. - From The Daily Beast
By Guest Contributor Angry Asian Man; originally published at Angry Asian Man
“I think it’s so cool that some of you guys were able to travel back in time to 1995 for those Indian jokes…”
So last night, Comedy Central aired its Roast of James Franco, during which comedians stepped up to a microphone to make fun of the multi-hyphenate actor with every tasteless joke possible. This included all kinds of gay jokes and racist humor, because why not, that’s always funny to somebody.
Then it was comedian Aziz Ansari’s turn. He used his moment at the dais to call out the evening’s lazy-ass racism and homophobia, including the barrage of outdated Indian jokes that were flung his way.
“Those stereotypes are so outdated. My God. There’s more Indian dudes doing sitcoms than there are running 7-11s. We are straight up snatching roles from white actors. My last three roles were Randy, Chet and Tom.”
Check it out:
Love his take down of all the gay jokes too. Boom.
Race, Culture, and Identity in a Colorstruck World