By Andrea Plaid
Not my Crush of the Week yet–I’m planning to catch up on the US version of Shameless when I get a chance–but I had to share this bit of hotness from one of the show’s stars, Shanola Hampton, from a couple of weeks ago. She teaches the co-hosts of The Real how to make just about any sentence sound like a bit of seduction.
Enjoy this, and enjoy your weekend!
by Guest Contributor Lima Limon of LimaLimonArt
Can’t see the video? Here’s a basic transcript:
I’d like to call this blog “Twerkin’ in the U.S.A.”
Now, lately Miley Cyrus has been putting herself ass first into the hip-hop scene. And you won’t guess where that ass showed up next. Big Sean has this song called “Fire,” and I like this song. You know, he raps about overcoming adversity and manages to avoid saying “ass” 30 times for the chorus. SO the message and the lyrics are nice and the beat is pretty on point to match it.
Then there’s the video, which is basically just Miley Cyrus in different slightly revealing clothes, some fire and an exploding flower. Now the visuals are dope and Miley Cyrus is attractive, but that doesn’t really have much to do with the actual song itself. Oh but luckily he explains via Twitter. He says “Miley is symbolic of strong women overcoming heartbreak.”
Vato, you ain’t fooling nooobody with that shit. Let’s be honest that’s not why you did it. Cause plenty of actresses, models, stars, whathaveyou could’ve easily filled that metaphor. Megan Good, Adriana Lima, and apparently Levy Tran is down to do whatever type of music video gig.
So I will give it to you, those visuals were sick and at the very least you didn’t use an exaggeratedly muscular WWE create-a-wrestler version of yourself for your music video. (see Kanye West’s Blkkk Skkkn Head music video) But let’s be real. Big Sean. Miley. Y’all used each other. Sean, you used Miley Cyrus for the fact that she’s currently a buzz word in pop culture right now. So what did Miley get to use from this? Continue reading
By Arturo R. García
Peter Capaldi addresses his casting as the Twelfth Doctor in “Doctor Who.” Image via Mashable.
As jarring as it was to see Doctor Who get the kind of drawn-out prime-time infomercial special reserved for reality show winners, the confirmation that Peter Capaldi got the nod to play the Twelfth Doctor is also striking, for a number of reasons — many of which, it should be mentioned, have less to do with Capaldi than with the program itself.
Make no mistake: Capaldi will emerge as a capable, perhaps superlative, lead for the show. But it’s fair to worry whether he was the right person for the job, or just the one best tailored for showrunner Steven Moffat.
By Kendra James
San Diego Comic Con was overwhelming and not for the faint hearted, but also one of the most unique experiences of geekdom I’ve ever had. After taking a week to recover I wanted share a few highs and lows, insights and lessons learned from a first time SDCC attendee.
By Arturo R. García
So late last week, this fake trailer for a live-action Daria movie started going around online:
The premise, which brings the eponymous anti-heroine back to Lawndale for her high-school reunion, is clever. And the casting of Aubrey Plaza is not only a great comedic fit, but it would be another great spotlight for her as a biracial actress in a lead role; if it were to come to pass, it wouldn’t be a bad follow-up at all to her work in The To-Do List.
But, while the trailer does maximize its time in showing us updated versions of Daria, Jane Lane, Daria’s family and representatives of the student body and town Daria was so glad to leave behind, Tanya at Geekquality noted the first glaring absence: no sign of Jodie Landon.
By Arturo R. García & Kendra James
(L-R) Raleigh (Charlie Hunnam) and Mako (Rinku Kikuchi) team up to save humanity from an extraterrestrial scourge in “Pacific Rim.”
Pacific Rim was introduced as an oddity and emerged as even more of one, but in a good way.
While the film was promoted as an homage to the Japanese Kaiju films of old (even outright integrating the term into the story), what audiences actually got was a movie that owed as much to anime classics like Neon Genesis Evangelion as it did to monster smash-’em-ups. And even more surprisingly, one that managed to use those tropes in a thoughtful, downright progressive fashion (albeit while using some wonky dialogue) without skimping on the action the trailer promised us.
Which makes it doubly disconcerting that the movie couldn’t even win its opening weekend at the U.S. box office, finishing second to, of all things, Grown Ups 2. Luckily, the movie’s doing well enough internationally that there’s already talk of a sequel.
But is it worth that kind of effort? Our intrepid reviewers suit up and tackle these questions under the cut. Heavy Spoilers from this point on.
By Arturo R. García
This year, we expanded our coverage at San Diego Comic-Con to bring you more panels, more interviews, and more images from pop culture’s weekend-long prom. Kicking us off: a roundup of all but one of the panels I attended, in Storified form. I’ll have a recap of Rep. John Lewis’ (D-GA) appearance on Wednesday, along with some extra material.
Also, to clarify one item from the Black Panel recap, there really was a “Black Spider-Man” there who was not cosplaying Miles Morales. He was ahead of me in the line to ask questions of the panel: