Category Archives: celebrities

Scandal 318E

Table For Three: Scandal 3.18, ‘The Price Of Free And Fair Election’

By Tope Fadiran Charlton, Arturo R. García and Kendra James

Olivia (Kerry Washington) and Rowan (Joe Morton) reconcile — for now?

After threatening to go out by blowing the president up, Scandal ended its third season by making him whimper, in an oddly melancholy episode that actually did seem to change everything for Olivia Pope and her associates — if not end them altogether.

Remember, the series has not been confirmed for renewal, even if signs suggest we’ll see a new season announced soon.

But do we even want to see the show return after a third season that was inconsistent at best? For this special edition, Arturo and Kendra were joined by friend of the blog Tope Fadiran Charlton, whose work can also be found at Are Women Human?

SPOILERS under the cut
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Scandal 317A

Open Thread: Scandal 3.17, “Flesh and Blood”

By Arturo R. García

We now pause to honor Eli’s (Joe Morton) BOSS entrance.

Finally, the chickens came home to roost on Scandal‘s penultimate episode of the season.

Unfortunately, they came for the writers.
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Quoted: The Worst Justification Ever For Not Casting People Of Color

From the beginning, we were concerned about casting, the issue of race. What we realized is that this story is functioning at the level of myth, and as a mythical story, the race of the individuals doesn’t matter. They’re supposed to be stand-ins for all people. Either you end up with a Bennetton ad or the crew of the Starship Enterprise. You either try to put everything in there, which just calls attention to it, or you just say, ‘Let’s make that not a factor, because we’re trying to deal with everyman.’ Looking at this story through that kind of lens is the same as saying, ‘Would the ark float and is it big enough to get all the species in there?’ That’s irrelevant to the questions because the questions are operating on a different plane than that; they’re operating on the mythical plane.

– Ari Handel, screenwriter for “Noah,” as told to The High Calling

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Heidi Klum’s Redface Photo Shoot

By Guest Contributor Ruth Hopkins, cross-posted from Last Real Indians

All images via Facebook.

Heidi Klum, I’m so disgusted with you. I can’t even look at you right now.

I’ve been a fan of Heidi Klum’s show Project Runway since episode one. I’ve seen every single season. As a Native woman who loves fashion, I was elated when Taos Pueblo fashion designer Patricia Michaels was selected for the show, especially considering how Native appropriation has run rampant in the fashion industry over the past several years. Patricia made it to the series finale and finished as the season’s runner-up. Heidi was supportive of Patricia too. She complimented Patricia’s designs and showed what appeared to be sincere appreciation for Native culture.

As a result, I never could have imagined that Heidi Klum would promote redface. Nay, I was sorely mistaken.
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Scandal 316A

Open Thread: Scandal 3.16, ‘The Fluffer’

By Arturo R. García

Olivia (Kerry Washington) discovers that the “B” in “B613″ stands for “bootie call.”

For being a place-holder episode, “The Fluffer” did manage to pull on at least one intriguing plot thread before hurtling us headlong into the season’s Big Finish.
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Pia Glenn3

Watch: Pia Glenn Takes On Nick Cannon’s ‘White People Party Music’

By Arturo R. García

This week, Comedian Pia Glenn’s Black Weekend Update webseries took aim at the new Nick Cannon album, White People Party Music, and Cannon’s attempts to both explain that he was “p*ssing people off” while it was “all in fun.”

“You want to p*ss people off? Congratulations.” Glenn says. “But when it comes to issues of race in America, some of us are trying to make change, not just urinate. And we can’t make change if your shenanigans pop up like an arcade token in my roll of quarters when I’m trying to do laundry and not here to play games.”

Thankfully, Glenn rounds up Cannon’s many misfires — and keep an eye out for Cookie Carter, as well.

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Quoted: The Nation On The César Chávez Hollywood Didn’t Show Us

America Ferrera (right) and Michael Peña as Helen and Cesar Chavez. Image via Philly.com

Cesar could be a brilliant strategist, a skill observable in agile, imaginative interaction with determined opponents, turning apparent weakness into sources of strength. But the film depicts him largely as a creature of impulse, committed to be sure, but not the brainy strategist who took special joy, as he put it, in “killing two birds with one stone…and keeping the stone.” He was a learner, a deeply curious autodidact who thrived on constantly probing diverse sources of information: books, people and experiences. When I met him in 1965, he was reading Churchill’s The Gathering Storm because, as a student of Gandhi, he wanted to learn how his opponent thought. The commitment to nonviolence was based both on his appreciation of Gandhi’s methods and the way in which the civil rights movement, and reaction to it, had been unfolding every day. But oddly, although a commitment to nonviolence was a condition for undertaking the strike in the first place, shaping the way it unfolded, the film portrays nonviolence as a reaction to events in the strike.

Events depicted as spontaneous in the film, such at the 1966 “perigrinación” from Delano to Sacramento, were, to the contrary, a result of sustained, careful planning. The “kick-off” was timed to take advantage of national media in town to cover Senator Robert Kennedy’s participation in hearings held in Delano, orchestrated by the labor movement. This “march” strategically linked efforts to promote the UFW’s first boycott, to deter farm workers from returning to Delano in the spring, to pressure then Governor “Pat” Brown to intervene on the UFW”s behalf and to rekindle the faith, hopes and solidarity of the 100 to 200 people at the core of the movement and their supporters. Cesar did not hear of RFK’s death while driving somewhere in his car—we had been in LA doing the “get out the vote” that won him the primary, and some of us were with him in the ballroom when he was shot, on his way to thank the farm workers for their help. Similarly, the “fast” was not a reaction to a few unruly farm workers, but a strategic tactic, backed with a team of organizers, of which I was one, undertaken at a key time in response to court actions alleging violent tactics, renewing commitment several years into the fight and drawing attention to the grape boycott in time for the new season. The creativity, organizational discipline and courage that produced the events depicted in the film is lost entirely in the incoherent jumble of what the film makers must have judged to be “dramatic moments,” which presented out of time, place or sequence are robbed of their real drama.

– From “Not the Cesar Chavez I Knew,” by Marshall Ganz

Scandal 314B

Open Thread: Scandal 3.14, “Kiss Kiss Bang Bang”

By Arturo R. García

Olivia (Kerry Washington) finds herself — once again — paying the price for her own success.

The thing about requiem episodes is, they serve as a way for a show to reset itself while exploring how the characters doing so after a particularly noteworthy loss. In the case of Scandal, last week’s clearing of the decks also showed the show bumping up against its own self-imposed limits more visibly than usual.

SPOILERS UNDER THE CUT
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