DC Entertainment scored a rare PR victory over archrival Marvel over the weekend when it announced its upcoming slate of films. At first glance, this latest take on the DC movie universe instantly puts Marvel’s to shame when it comes to inclusion.
But besides the far-flung timetable involved, it very much remains to be seen whether the company is willing to put in the work to elevate its non-white heroes to a position befitting their upcoming roles on the big screen. Continue reading →
The issues for people of color in Hollywood run deep – so much so that we occasionally forget how invested the industry can be in denying opportunities to enter this business.
Jada Pinkett Smith landed a coveted role on the show as Fish Mooney, a female mob leader:
So we have a black woman on screen in a major role. But what is happening behind the scenes? Are people of color being represented in other parts of the industry, like doing stunt work? Not so, according to Deadline Hollywood:
After receiving inquiries from Deadline, Warner Bros. has canceled plans to “paint down” a white stunt woman to double for a black actress on its hit Fox show Gotham. On Monday, dark makeup was applied to the face of a white stunt woman in a hair and makeup test in advance of two days of filming next week in New York. After receiving calls from Deadline, WB initially downplayed the significance of the story, but after looking into it said that it had made a “mistake” and would hire a black stunt woman instead.
Earlier this week, Lucasfilm announced the addition of two more actors to the cast of Star Wars Episode VII. We do not yet know who the two relatively unknown actors — Pip Anderson, who’s British, and Crystal Clarke, who’s African American — will play in the movie, but I’m guessing their roles must be substantial enough to warrant a press release about their casting. If their characters are indeed prominent, Clarke will join John Boyega and Lupita Nyong’o in making this “the blackest Star Wars ever.”
Still, every time breaking Star Wars casting news comes across my feed, there’s always one name that I hope to see in the headlines:Ming-Na Wen.
The cast of Fox’s “Hieroglyph.” All images courtesy of Fox.
Fox’s latest high-concept sci-fi drama, Hieroglyph, is as fascinating as it is potentially problematic.
The show begins airing early 2015 with a doozy of a storyline: Master thief Ambrose is taken from prison by Pharaoh Shai Kanakht to find the dangerous and magical Book of Thresholds. The story also incorporates sexual and political scandals thanks to the machinations of Pharaoh Shai’s half-sister Nefertari Kanakht; his advisor, Magister Bek; Ambrose’s lost love and second-rate priestess, Peshet; Vocifer, a peddler and old friend of Ambrose’s; the Pharaoh’s captain of the guard, Rawser and Lotus Tenry, a palace concubine and spy for the enemy kingdom.
Oh, and there are also vampires, for some reason.
Everything (except for the vampires) sounds great, but there are some pros and cons with this show. Let’s go down the list. Continue reading →
Gareth Edwards’ bid to not just revive, but redeem the Godzilla brand — at least, on non-Japanese shores — didn’t steer clear of every pitfall we discussed late last year. But Edwards and writers Max Borenstein, Dave Callaham and Frank Darabont should be credited for at least getting the adaptation part of their duties right.
Finally, the 1998 American abomination can rest in ignominy. The creative team for this installment eschewed the usual wink-nudge “blockbuster” tricks and managed to combine the best bits of some of the character’s past incarnations together into a monster that’s a little familiar, a little scary, and truly in command of the screen once he appears. That there’s already a sequel coming isn’t surprising, but that this preamble makes you look forward to it is, and pleasantly so.
Friday brought some surprising news, as Comedy Central announced that Daily Show longtime “Senior Black Correspondent” Larry Wilmore had been picked to take over the valuable post-Daily slot starting next year from Stephen Colbert, with the show being retitled The Minority Report With Larry Wilmore.
Besides hosting the show, Wilmore will also serve as executive producer, with the Report maintaining its production link to its predecessor through Jon Stewart’s Busboy Productions.
The network’s release did not shy away from the significance of Wilmore getting this spot, either:
“The Minority Report with Larry Wilmore” will provide viewers with a distinct point of view and comedic take on the day’s news from a perspective largely missing in the current late night landscape. Hosted by Larry Wilmore, the series will feature a diverse panel of voices currently underrepresented in comedy and television.
But, the concern’s already rung out on Twitter: Does the title already point toward self-limitation on Wilmore’s part? What do you think of Wilmore’s hiring and the show’s prospects?
Race, Culture, and Identity in a Colorstruck World