Category Archives: asian

Thor: The Dark World Has No Place For Hogun

By Arturo R. García

Hogun (Tadanobu Asano) tells Thor (Chris Hemsworth), “Hello, I must be going.”

World-building is at the heart of Thor: The Dark World, both in front and behind the camera: with the character’s first film and inclusion in The Avengers out of the way, director Alan Parker and the film’s five credited screenwriters show viewers more of the workings of Asgardian culture, and the connection between Asgard and the rest of the Nine Realms enables the filmmakers to provide a world-jumping final battle between Thor (Chris Hemsworth) and the Dark Elf Malekith (Christopher Eccleston).

Which makes it particularly sad when this expansive view of the Thunder God’s world can’t find any time at all for one of his series’ more stalwart characters, Tadanobu Asano’s Hogun the Grim. Again.

SPOILERS under the cut
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The Ordway Still Doesn’t Get Sexism and Racism (The Problem with Miss Saigon)

 

"Don't Buy Miss Saigon Coalition's 'Our Truth' Tumblr project slide show was projected in front of the Ordway Theater during the protest of the opening night of Miss Saigon.  October 8th, 2013.  Photo by Bao Phi."

Don’t Buy Miss Saigon Coalition’s ‘Our Truth’ Tumblr project slide show was projected in front of the Ordway Theater during the protest of the opening night of Miss Saigon. October 8th, 2013. Photo by Bao Phi.

 

By Guest Contributor Mai Neng Moua

To paraphrase Ronald Reagan, here we are again.  Miss Saigon, the musical about a Vietnamese prostitute falling in love with a white soldier during the Vietnam War, then killing MissSaigonLies-logoherself when he ultimately rejects her, was back onstage at the Ordway Theater in St. Paul (MN), until the show closed this past Sunday.  This musical, like any good zombie, just won’t stay dead. Along with it, the racism and sexism inherent in the play have been resurrected.  Really, as the mom of two girls under six and the spouse of a candidate running for office, I don’t have time to get involved – again – in the protest against Miss Saigon.  I protested this back in 1994.  Plenty of good people (Don’t Buy MISS SAIGON Coalition) are already working on it.  More articulate writers (David Mura) have written about it.

However, when one of my African American friends said, “No one has said why it’s offensive and I’m unfamiliar with the show, so I can’t relate,” I decided to follow my advice to my husband Blong, who had originally refused to answer the question of a white man: “What does the Trayvon Martin case have to do with civil rights?” Responses to these questions take time and energy. But as I told Blong, “Plenty of people don’t know, so while it is tiresome, you have to answer the question.”

So, why is Miss Saigon sexist, racist and generally offensive?

The above-referenced Vietnamese prostitute is portrayed as a tragic figure whose only hope is being rescued by the white soldier.  Since the Vietnamese men in the production are portrayed as morally offensive and undesirable, this white guy is the only choice.  The only hero of the musical is a white man.  It’s bad enough that the woman at the center of the musical needs a man to rescue her from her life. The fact that this can only happen at the hands of a white man makes it sexist and racist.  I am Hmong, not Vietnamese, so why do I care?  Unfortunately, people can’t tell the difference.  They’ve mistaken me for Vietnamese, Chinese, Korean and Japanese.  Kim, the Vietnamese prostitute, is me.  I am her.

In Miss Saigon, the only image of Asian women is “prostitute”– not that I am condemning sex workers.  But not all Asian women during the Vietnam War were prostitutes.  When stereotypes are the only images people see, it is necessary to correct the record.  This play is telling me and my young daughters that essentially, we, Asian women, exist to serve and please white men.

Nothing could be farther from the truth.  My truth about the Asian women I know who lived during the Vietnam War is far different.  The women I know were resourceful, strong, and fearless.  For example, my mother took care of my two brothers and I after my father died at the tail end of the Vietnam War.  After the Americans pulled out of Laos, the Hmong were targeted for extermination for our role in helping the Americans.  With my mother as the head of our household, we escaped Laos and survived the refugee camps in Thailand.  In America, she navigated the social service system so that we had a roof over our heads, had food in our stomachs, and graduated from high school and college.

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The Miss World 2013 and Devina DeDiva controversy: Racism begetting more racism

By Guest Contributor Ethel Tungohan, cross-posted from Grad Student Drone

Miss World 2013 Megan Young.

The controversy surrounding Devina DeDiva’s racist posts against Megan Young, the Filipina who was recently crowned Miss World 2013, exploded all over my Facebook and Twitter feeds a few days ago. For those of you not privy to what DeDiva stated, see her Facebook feed below:

DeDiva’s words, while hurtful and racist, is so similar to sentiments I’ve heard expressed before that I was saddened but unsurprised. When the Philippines’ labour export policy has, since the late 1970s, been reliant on the export of women to work in households around the world, it is no wonder that ‘Filipinas’ are equated with domestic servitude.

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Nice Ansari Impersonation, But Brownface, Though?

Will wonders never cease? Host Miley Cyrus was not the one delivering the race fail on last weekend’s episode of Saturday Night Live. A send-up of screen tests for the 50 Shades of 

Grey flick was a highlight of the show. But, in addition to impersonations of Christoph Waltz, Emma Stone and Seth Rogan, it included Nassim Pedrad wearing brownface to portray comedian Aziz Ansari. Both Aerogram and Prachi Gupta at Salon took SNL to task for the choice. Gupta offered, “Brownface is marginalizing, turning a person’s skintone into evidence of his or her ‘otherness’.”

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Quoted: Bao Phi On Protesting Miss Saigon

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Miss Saigon is a play about a Vietnamese prostitute in desperate need of rescue from evil Vietnamese men and the war-torn Third World. It may be a nice place to visit but it sure doesn’t seem like a good place to raise kids. Shut your mouth – there’s a helicopter in it! On stage! The production values! Well there were helicopters in Vietnam, and prostitutes, and white soldiers, and bad Vietnamese men, and mixed race orphans, so the play must be historically accurate and shit. The Vietnamese woman shoots herself in the stomach so she can sing one last song while dying in the arms of the white man. When I was much, much younger, I ask my mom if she wants to go see this play, because it’s about Vietnam. She shakes her head and says, in Vietnamese, “that is not about us.” She says it like she’s explaining to me that Santa Claus doesn’t really exist.

Read more at Hyphen Magazine

Photo by Anna S. Min

Abused Goddesses, Orientalism and the Glamorization of Gender-Based Violence

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By Guest Contributor Sayantani DasGupta; originally published at Feminist Wire

The Abused Goddesses of India. The advertisements, created by Mumbai-based ad firm Taproot India, have been making the rounds – not only of my Facebook friends’ walls, but of many a feminist and progressive site including Bust, Ultraviolet, V-Day and MediaWatch, usually along with reactions like “powerful” and “heartbreaking.”

The images are unusual in their aesthetic appeal. After all, it’s not every day that you see the Hindu Goddesses Laxshmi, Saraswati or Durga made to appear as if they have been subject to gender-based violence – with tear stained faces, open cuts and battered cheekbones. But even despite (or because of?) the bruising around those divine eyes, the images are breathtaking – recreations of ancient Hindu paintings accurate to their last bejeweled crown and luscious lotus leaf.

I’ll admit it, I too was entranced by these ads when I first saw them. Having grown up in the heart of the American Midwest at a time when no one in the media looked even remotely like brown-skinned and dark haired me, I have a particular soft spot for images of glamorous Indian women. After childhood and teenage years believing that no one who wasn’t a blonde, blue-eyed Christie Brinkley look-alike could be deemed ‘beautiful,’ I’m still a complete sucker for images of traditional Indian beauty.

Yet, no matter how appealing, these ads are also deeply problematic. The reasons are multiple:

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Race + Feminism + Science: #Rose4Space Nears Milestone Victory

By Arturo R. García

It’s anybody’s guess whether the people at Axe Malaysia imagined Roshini Muniam would be in this position. But as of Wednesday morning, the 27-year-old graduate student is seemingly poised to win the online poll determining the country’s representative at its “space academy” in Florida.

The great Jaymee Goh has been following and promoting Muniam’s candidacy — which picked up online speed under the #Rose4Space tag — and defending her against a spate of online trolls who are aghast that a woman is crashing what they see as their club.

As Goh Hosannas posted on Saturday:

1) Rose is a woman of colour from a particularly oppressed minority group in Malaysia.

2) I am a woman of colour, and from the same minority group.

3) I’ve been called every nasty name under the sun for exhibiting “male behaviour” that – were I male – would result in the exact opposite (i.e. I’d be called “straight-talking” and “solid” instead of “nagging Indian bitch” “shrill feminazi”.

4) QED, it’s personal, brah. My voting for Rose is pretty fucking personal.

5) If your friend can’t take the heat, stay out of the kitchen. Internet competitions are run on popularity/sentiment. He knew that.

The balloting is officially closed, with the winner to be announced on Sept. 24. But, the last reported standings were still visible on Axe Malaysia’s Facebook page:

Based on that tally, Muniam leads her closest competitor by 31,287 after completing an impressive surge to the finish line, considering that, as the Malaysian Insider reported on Saturday, she was in last place less than a week ago, and targeted for harassment on top of that:

[The newspaper] reported yesterday that the post graduate student was discriminated against and insulted on her profile featured in Axe’s Facebook page, due to her gender.

A comment posted by Syed Wazien expressed surprise at a woman’s desire to go to space while another, by Dimitriy Mirovsky, was more insulting, saying that women should be prohibited from the competition as they menstruate.

A check by The Malaysian Insider today showed that the sexist comments had been removed by Axe’s Facebook administrators.

Axe, in a statement to The Malaysian Insider, said it is committed to ensuring its online platforms are regulated and the sensitivities of its fans and consumers are safeguarded.

“We do not condone remarks that are offensive or discriminatory and have processes in place to ensure these interactions comply with our communications guidelines.”

One of the upsides to Muniam’s burgeoning campaign is, even (Heavens forbid) in the event of an 11th-hour comeback by one of the young men competing against her, Axe Malaysia would no doubt face tremendous online pressure to verify any sudden drop of hers in the standing, not to mention a side-eye for any future contests. Meanwhile, Muniam’s supporters are unlikely to fade away. As Goh mentioned on Monday, “One of the best things about this #Rose4Space campaign is finding so many cool Malaysian Tumblrites.”

And if they’re organizing now, who knows what they could do in the future if they keep coming together?

Edit: The first blockquote has been correctly atributed to Hosannas.

“You will never be on this anchor desk, because you’re Chinese”

“So, I asked my news director … over the holidays if anchors want to take vacations, could I fill in? And he said, ‘You will never be on this anchor desk, because you’re Chinese.’ He said ‘Let’s face it Julie, how relatable are you to our community? How big of an Asian community do we have in Dayton? On top of that because of your Asian eyes, I’ve noticed that when you’re on camera, you look disinterested and bored.’

So, what am I supposed to say to my boss? I wanted to cry right then and there. It felt like a dagger in my heart, because all of my life I wanted to be a network anchor.”

– Julie Chen, host of “The Talk,” on her decision to get plastic surgery early in her reporting career