I can’t speak for all Asian Americans, but personally, whenever I see a new Asian face on television, I panic. My blood pressure goes through the roof. There’s a vague unease and anxiety, even before the character opens his or her mouth. Because I’m ready to see yet another shticky Asian stereotype.
Some of the questions running through my mind: Is this Asian a main character? Does this Asian character have an arc? If the Asian character is a woman, does she have an Asian significant other? If the Asian character is a man, does he even have a significant other? Does this Asian man have sex, in a non-comedic fashion?
Or I worry that the Asian character is “too good” – an overcorrection for political correctness. There’s an ironic flaw to perfection – it doesn’t allow for the quirks that make a character compelling. Every American minority group has this stock, “perfect” caricature: for Asian Americans, it’s the Model Minority – the hardworking, emasculated genius. He’s the support for the protagonist, but never the protagonist himself. Read the Post ABC’s “Fresh off the Boat” could be a disaster for Asian Americans
By Guest Contributor Scot Nakagawa, cross-posted from RaceFiles
It’s time to kill the Asian American model minority myth, and I mean really kill it.
That myth is one of the tenets of American racism, used repeatedly for decades to promote the idea that racism and structural racial disadvantage are either non-existent or at least entirely surmountable, while suggesting that some people of color, and Black people in particular, are just whiners unwilling to pull themselves up by their bootstraps. And that belief, that the black poor are just entitlement junkies, has negative consequences for all poor people because the tough “love” solutions this belief inspires, like cutting back on food stamps and other programs, see no color.
For Asian Americans, killing the myth requires destroying the veil of elevated expectations and assumptions that surround us to reveal the real face of our richly diverse communities and experiences. I call it model minority suicide. Need convincing? Read the Post Model Minority Suicide: Five Reasons, Five Ways
Yes, I am proposing that a major comic book institution change the race of one of its popular characters as it transitions to a new form of media. In this case, I want Marvel Studios to cast an Asian American actor to play the lead in the upcoming Iron Fist show it is developing for Netflix. It seems logical enough to me, though as always, there are fans who are urging Marvel to resist changing his race.
This book, while almost 7 years old, is continuously recommended across the web for adoptive mothers — it’s pinned on Pinterest and a regular on the book club circuit. In an era obsessed with memoir, it seems only natural that Russell would choose to chronicle her journey as such, particularly considering the major surprise (read: book sales) that characterizes her trip: Russell’s friend changes her mind. Quickly becoming the heroine of her own story, Russell looks down at the little girl she has only just met and begins conceiving a history in which the two of them were meant to be together. Eager to substantiate her sudden role as Lily’s mother, Russell proclaims that “there was a past life connection between [her] and Lily,” and that her “longing brought [Lily] into being.” To suggest that this child living in an orphanage in China exists because Russell willed her into being is problematic to say the least, but Russell goes one step further in her desire to feel permanently and unalterably connected despite her and Lily’s cultural and racial differences.
White adoptive families are regularly challenged by the idea of incorporating their child’s birth culture into their family. Researchers have long questioned whether an adopted child’s birth culture should be ignored, as in cases when families essentially raise their child of color as white, or whether it should be embraced, even to the point of trying to mimic a Chinese upbringing in the United States (think Chinese New Year parties and Mandarin lessons). In Racial Formation in the United States: From the 1960s to the 1990s, sociologists Michael Omi and Howard Winant observe that “there is a continuous temptation to think of race as an essence, as something fixed, concrete, and objective. And there is also an opposite temptation: to imagine race as a mere illusion, a purely ideological construct which some ideal non-racist social order would eliminate.” Because Russell sees Lily’s race as an essence, something unalterable, and she needs to feel she was meant to be Lily’s mother, she relies on personal epiphanies and memories that confirm that, in some way, she is also Chinese. Read the Post Chinese like You: White Adoptive Mothers and the Reality of Racial Privilege