Earlier this week we covered the burgeoning campaign against Adam Sandler, Netflix, and their Ridiculous 6 project.
During our coverage, we caught up to Megan Red-Shirt Shaw, who devised the #NotYourHollywoodIndian tag in the wake of the mass walkout by a group of Native American performers, and talked about how the tag came together, how she feels about the defense of the film as “satire,” and where the campaign goes from here.
Let’s start at the beginning: describe, if you would, the moments when you first heard about the actors walking off the Sandler set. How did you go from there to getting the tag together?
Megan Red-Shirt Shaw: I was definitely upset, but also empowered by their decision to take a stand. It’s really difficult to hear that people within our communities are being dishonored – especially in ways that seem like “vintage” issues — the old Western and “Cowboys and Indians” films we’ve come to know really well. I went on Twitter to see what different voices were talking about and realized there wasn’t a hashtag consolidating the ideas. I looked through the original article by Vince Schilling and saw the quotation by Allie Young about being a “Hollywood Indian.” I knew that was what we had to get trending. Continue reading →
“We were supposed to be Apache, but it was really stereotypical and we did not look Apache at all. We looked more like Comanche,” said actor Loren Anthony, a Navajo Nation member. “One thing that really offended a lot of people was that there was a female character called Beaver’s breath. One character says ‘Hey, Beaver’s Breath.’ And the Native woman says, ‘How did you know my name?'”
ICTMN also posted video taken on the set from another performer, Goldie Tom, showing actors voicing their concerns to an unidentified producer.
“We don’t need to sell out our people,” one actor says in the footage.
“I understand completely,” the producer replies. “But we’re not gonna change ‘Beaver Breath.'”
“It’s no surprise, of course, that Adam Sandler has written another movie overflowing with the kinds of jokes that might feel edgy to an 11-year-old who finally understands what sex is,” Sargent observed.
The story quickly picked up traction nationally, blossoming into a rare public blunder for Netflix, which was just coming off the largely-favorable reception for Marvel’s new Daredevil series. And the budding broadcast hub chose to address the issue with a somewhat warmed-over statement.
“The movie has Ridiculous in the title for a reason: because it is ridiculous,” the company stated. “It is a broad satire of Western movies and the stereotypes they popularized, featuring a diverse cast that is not only part of — but in on — the joke.”
While Sandler himself has not weighed in, the chorus of Native Americans supporting the actors has only grown. Natives In America founder Megan Red Shirt-Shaw, a past Racialicious contributor, organized the #NotYourHollywoodIndian tag to rally attention to the incident.
And Netflix itself now faces the prospect of a boycott, as the #WalkOffNetflix campaign is also gaining steam. Online supporters are threatening to abandon the streaming service if it does not cancel Sandler’s project.
Meanwhile, the production staff has reportedly reached out to the actors who left the set, including 74-year-old Choctaw performer David Hill.
“I hope they will listen to us,” said Hill, a member of the American Indian Movement. “We understand this is a comedy, we understand this is humor, but we won’t tolerate disrespect. I told the director if he had talked to a native woman the way they were talked to in this movie — I said I would knock his ass out. This isn’t my first rodeo, if someone doesn’t speak up, no one will.”
… And Native appropriation continues to evolve in ever more bizarre ‘fashion.’
Apparently putting scantily clad white women in warbonnets is losing its shock value, because designers are moving into a new phase of cultural assassination, in hopes of making genocide doubly lucrative.
Imagine my horror this morning, upon discovering Ralph Lauren’s latest venture. Let’s call it Assimiliation Era Chic. Continue reading →
Just over two years after the first fight to save sacred Native land in South Dakota, a new fundraising drive seeks to complete the drive to keep Pe’Sla — “the Heart of everything” — in indigenous hands.
The campaign, organized by the Indian Land Tenure Foundation, seeks to raise $500,000 by Nov. 30 for the purposes of buying the last 438 acres of Pe’Sla land under outside ownership. The foundation, a 501(c)(3) non-profit organization, is working with the Oceti Sakowin Nations for the fundraiser, and this video is a quick introduction to its mission:
In 2012, the Oceti Sakowin Nations, working together with the foundation and Last Real Indians, successfully raised enough money to purchase more than 1,900 acres of Pe’Sla land after they were put up for auction.
If this purchase falls through, the opportunity to save these sacred lands could be lost forever.
The Black Hills, including the sacred site of Pe’ Sla, were reserved for the exclusive use and occupation by the Oceti Sakowin (Great Sioux Nation) by the Fort Laramie Treaty of 1868 with the U.S. government. But once gold was found in the Black Hills (by an illegal expedition into these sacred Native American lands) the U.S. illegally seized the lands despite the treaty agreement.
The U.S. government has yet to give these lands back to the Lakota, Dakota and Nakota nations. Even though the gold is gone, they still hold great natural, cultural and spiritual value to us. Now, we have no choice, but to buy our sacred lands at Pe’ Sla back from the current occupants. There’s no time for further contesting the illegal taking of these lands. We need to raise the money by November 30, 2014 or Pe’ Sla may be lost forever to Indian people.
Donations can be made at the link above, or the embed below.
by Guest Contributor Elissa Washuta, originally published on Tumblr
Captain Hook kidnaps Tiger Lily in Peter Pan.
The body of 15-year-old Tina Fontaine, a member of Sagkeeng First Nation, was pulled from the Red River in Winnipeg on August 17. Her murder has brought about an important conversation about the widespread violence against First Nations women and the Canadian government’s lack of concern.
In her August 20 Globe and Mail commentary, Dr. Sarah Hunt of the Kwagiulth band of the Kwakwaka’wakw First Nation wrote about the limited success of government inquiries and her concerns about other measures taken in reaction to acts of violence already committed, such as the establishment of DNA databases for missing persons. Dr. Hunt writes:
“Surely tracking indigenous girls’ DNA so they can be identified after they die is not the starting point for justice. Indigenous women want to matter before we go missing. We want our lives to matter as much as our deaths; our stake in the present political struggle for indigenous resurgence is as vital as the future.”
Violence against indigenous women is not, of course, happening only in Canada. In the U.S., for example, the Justice Department reports that one in three American Indian women have been raped or experienced an attempted rape, and the rate of sexual assault against American Indian women is more than twice the national average. This violence is not taking place only in Indian Country. Continue reading →
Billing itself as “a free and alternative narrative to addressing possible causes and effects of Native American stereotypes,” the project was inspired by Stereotype: Misconceptions of the Native American, an exhibition at the Museum of Contemporary Native Arts (MoCNA) in New Mexico last year by artist Cannupa Hanska Luger and furthered through the work of filmmakers Dylan McLaughlin and Ginger Dunnill. The film successfully raised just over $10,000 on Kickstarter this past August.
“It’s all about getting our voices and getting our faces and our images and our designs out there to challenge those stereotypes,” Native Appropriations’ Adrienne Keene says in the teaser above. “We’ve been so invisible for so long, and now we have a new opportunity through social media.”
Last month, the creative team posted that, in addition to conducting interviews for the feature, it had reviewed footage from communities including the “Nambé, White Mountain Apache, Ojibwa, Inupiaq, Shoalwater Bay, Yakima, Kiowa, Ohkay Owingeh, Coeur D’Alene, Lower Sioux,” among many others.
MoCNA is scheduled to host the film’s first screenings on Aug. 23 and 24. Two more teasers can be seen below.
The advocacy group Eradicating Offensive Native Mascotry (EONM), which has been involved in the ongoing campaign against the Washington, D.C. football team’s name, posted some disturbing footage last week of two Native Americans being accosted and forcibly restrained by members of the San Francisco Police Department?
Only four United States presidents have ever visited an Indian reservation during their terms: Calvin Coolidge in 1927, Franklin D. Roosevelt in 1936, Bill Clinton in 1999 and now, Barack Obama, here in the year 2014. Last week ended a 15-year-long gap between visits by our country’s leader to Indian Country. As I watched footage of President Obama and First Lady Michelle sitting at a powwow hosted by the Standing Rock Sioux Tribal Nation, the thought shocked me: over the past 80 years, the president of our country has only come knocking on our doors four times.
Clinton’s visit ended a 63-year gap between presidential Rez visits. During that time, the Indian Reorganization Act was created; roughly 25,000 American Indians served in World War II; the National Congress of American Indians and the National Indian Youth Council came into existence; the American Indian Movement seized Alcatraz Island; Wounded Knee was reoccupied; the Senate Committee on Indian Affairs was reestablished; and the United States v. Sioux Indian case was decided by the Supreme Court. Yet, in sixty-three years, within Indian Country – none of these happenings warranted a visit from the President of the United States. Continue reading →
Race, Culture, and Identity in a Colorstruck World