All posts by Racialicious Team

What Do We Take for Racial Tension Headaches, Again?

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We can’t have anything, can we?

Not one scrap of dignity. Not one little bit of humanity. Nothing. None. Nada. One would think after a blood-soaked summer, those of us battle scared and weary by current events could find a refuge in television, with one of the most diverse seasons we’ve seen since the start of this blog. Even if diversity behind the camera is still suffering, we could at least relax into our favorite televised escapes, right?

Wrong. We’re not going to talk about *that* article, though we hope we see something from the New York Times public editor addressing the controversy.

Update: Margaret Sullivan is on it. While she is investigating how this got published, she shared this letter from Patricia Washington:

I am a black woman and a lawyer. I have worked very hard to achieve in my profession and earn respect. I live in a very nice suburban community in Maryland. And yet, none of that makes one bit of difference because a New York Times writer can make whatever offhanded, racist opinions about a successful TV producer who is a black woman she cares to make, and because she has the protection of The New York Times behind her, can publish it. Because Ms. Stanley is a New York Times writer, her story has reached a national audience. Why is Ms. Stanley allowed to characterize Ms. Rhimes as she did and get away it? Why is she allowed to characterize Viola Davis as she did in her story and get away with it?

Ms. Stanley’s story was a backhand to me and it hurts. For the first time, I am considering cancelling my New York Times subscription because this story is much more than disagreeing with the writer’s opinion. This story denigrated every black woman in America, beginning with Shonda Rhimes, that dares to strive to make a respectable life for herself. No matter what we do, as far as Ms. Stanley is concerned, we will always be angry and have potent libidos as we have been perceived from slavery, to Jim Crow, and sadly in September 2014, the 21st century.

Kara Brown’s take down at Jezebel is worth reading if you missed the controversy.

How deep does this go? Melissa Harris-Perry and her team on MSNBC created an amazing send-up, analyzing the role of the Angry White Man on television:

If MHP’s bit felt a little strange, it’s just a little dissonance: we are not accustomed to turning the othering gaze used on white characters.

But this situation begs the question: what now? The online community rallied to support of Rhimes, but what else can we do? A tweet in? A watch in? What could we do to deliver a message that these kind of mistakes are not just an editorial judgement error, but a societal problem?

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And in case you were confused by the title of this piece:

Contributor Call: Help Us Review Fall 2014 TV and Movies!

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The field this fall is crowded.

Making the list of films and TV shows that we want to watch made us exhausted, and we haven’t even looked at books, plays, and comics.

We need reviewers who want to cross-post or contribute pieces. A round-up of what we are keeping an eye on is below. If you want to assist, please send a note with what you want to cover to team AT racialicious DOT com.

Roundtable

Drunk History

This would essentially be a “Watching Drunk History While Brown” segment. The concept for the show is great – but watching drunk, mostly white people narrate history has made for some interesting viewing.

TV Shows

The Red Band Society

Premiere: September 17th, FOX

Scorpion

Premiere: September 22nd, CBS

Gotham

Premiere: September 22nd, FOX Continue reading

Open Thread: Where Do We Go From Here?

Summer closed with a bang.

Six bangs, to be specific.

The shooting of Michael Brown by police officer Darren Wilson sparked an international uproar. Ferguson, Missouri became the latest chapter in America’s ongoing racial saga, with protests still occurring.

During the break, we followed conversations on Twitter and Tumblr, but we want to hear from you.

How are you feeling?
What does justice look like in Ferguson?
And what happens next, from a racial justice standpoint?

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Announcing: The Racialicious Summer Vacation

This year, we’re going to try something different for the month of August: we’re going to take the month off.

Fret not, the site’s not going anywhere bad. But, we think — especially coming off of the vortex that was San Diego Comic-Con — this is a good time for our team to step back, recharge and retool a bit. So we’re going to hit the beach, grab some mojitos, help Arturo celebrate his birthday this Saturday (send well-wishes to him here) and we’ll catch you on the flip side — specifically, Tuesday Sept. 2, with new content and ready to roll hard going into 2015. See you soon!

[Top image by James Jardine via Flickr Creative Commons]

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Quoted: Police And Medical Teams During Eric Garner’s Last Moments

At one point, another officer is seen taking a cell phone and a pack of cigarettes from the 43-year-old Garner’s pants.

Even after the arrival of an EMT four minutes into the video, no medical aid is provided to Garner. He’s instead just loaded onto a stretcher and wheeled off.

Cops say he was pronounced dead a short time later after arriving at a Staten Island hospital.

NYPD Officer Daniel Pantaleo, caught on another video putting Garner in a chokehold, is shown standing a few feet away and chatting amiably with a uniformed colleague.

Near the end of the clip, he gives a satiric wave to the person shooting the second video.

Pantaleo, an eight-year veteran, was placed on modified duty Saturday as cops and the Staten Island district attorney investigated the case.

Pantaleo was stripped of his gun and his shield and assigned to work desk duty. The police union immediately denounced the move as “knee-jerk” and “completely unwarranted.”

New York Daily News

Image by Marcos Vasconcelos via Flickr Creative Commons

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White Guy’s Burden: The Racialicious Review of 24: Redemption [The Throwback]

In honor — or disbelief — of the fact that apparently people still watched “24″ this year, let’s remember Arturo’s struggle to grasp how this show can still have any fans after the turgid intercalary chapter in 2008 that saw Jack Bauer go to Africa.

By Special Correspondent Arturo R. García

… No, really, people watch this show every week? No wonder the Bush presidency lasted two terms.

24: Redemption is both set-up and appetizer for the show’s incomprehensible fanbase, setting the table three years after the surely cataclysmic sixth season, which left Super Agent Jack Bauer (Kiefer Sutherland) on the lam and out of a job, what with his beloved Counter Terrorism Unit being disbanded.

As we begin this two-hour slice of Jack’s traumatic life, the former Republican role model is moonlighting in the fictional African country of Singala, helping out an old special ops buddy (Robert Carlyle) building a school/living shelter somewhere near the country’s border. Where these kids’ parents are, why this school is not co-ed, or staffed by anybody who’s not white, is never explained. The only other person at the camp is a slimy, United Nations worker. Of course the UN guy is French, and verbally fahrts in Jack’s general direction.

But never mind the kids or their harsh socio-political realities, Jack is emotional, man!
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Racialicious Is Looking For POC Creators At San Diego Comic-Con

We’re just over a week away from the pop-culture experience that is San Diego Comic-Con, and while Arturo and Kendra pore over the event schedule to prepare their preview, we’d like to ask your help in finding some people who might be flying under the radar.

If you or somebody you know is a POC creator at the show, drop us a line at team@racialicious.com — use the subject line Racialicious SDCC — or in the comment thread here and let people know about your project. We’ll give you a signal boost in not only our two-part SDCC preview next week, but on social media, as well.

Just like last year, both Kendra and Arturo will be live-tweeting panels and posting during the event, on their respective Twitter accounts and the official Racialicious feed. Do let us know, Racializens, if you’ll be around as well. We’d love to see you there!

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The Ghost of Bigger Thomas Surfaces in Kayne West’s Monster [The Throwback]

With Kanye West in seemingly another controversy this week following a mid-concert rant, it’s a good time to revisit Latoya’s look at the furor surrounding his 2011 single, “Monster.”

By Latoya Peterson

Kanye has officially overdosed on artistic symbolism.

After his 35 minute debut of "Runaway" in back in October 2010, it difficult to figure out how Kanye would top a video that incorporated references to modern performance art, ballet, couture, mythology, and Fellini.

And yet, I don't think anyone counted on Kanye deciding to deck the halls with dead white women in "Monster".
Continue reading