All posts by Guest Contributor

Selfie, ABC

My Fair Selfie?

by Guest Contributor Deepa

Hi, my name is Deepa, and I’m excited to be reviewing ABC’s new fall show Selfie for you!

When I first heard the premise of Selfie, I was pretty skeptical. It was billed as a modern-day version of the musical My Fair Lady, a story that is very much of a specific time and place. Set in London in the early 1910s, the musical (based on George Bernard Shaw’s play Pygmalion) is the story of Eliza Doolittle, a working-class woman who wants to improve her circumstances.

Enter Professor Henry Higgins, who is one of those unashamedly arrogant and misogynistic assholes that all of us have met at some point. By virtue of his apparent brilliance in the field of phonetics, Eliza decides he is the only one who can help her lose Cockney accent, which, Higgins says, is what truly ties her to her class. With the help of his friend Colonel Pickering (a much more chivalrous but no less patronizing gentleman), Higgins teaches Eliza not only to speak differently, but to conduct herself in high society. But when I found out that the Henry Higgins character would be portrayed not only by a person of color, but by John Cho, I decided I wanted to give it a try.
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An infant clutching a blanket

Who’s Your Mama?: Race, Sexuality, and the Adoptive Mother [Academic Essay]

by Guest Contributor Sara M. Erdmann, MFA, PhD

The image of the American adoptive mother has emerged gradually since adoption’s inception in 1851, but it has always existed within a racialized and heteronormative context (“Massachusetts Adoption of Children Act, 1851”).

According to the American adoption narrative, adoptive mothers are white, heterosexual women; their decision to adopt a child is an act of goodwill, and, in cases of transracial adoption, even a badge of racial acceptance.

This particular adoptive mother has become an accepted, albeit marginalized, part of mothering culture and is the one for whom books are written, organizations formed, and resources developed. This adoptive mother has defined the adoptive mother identity in modern America and become one of many voices within the larger motherhood narrative.

Yet, research confirms that white, heterosexual women are not the only ones adopting children: many Black and queer (*) non-biological children, but, save for mentions in a few isolated academic texts, their experiences are almost entirely absent from the larger adoption narrative. Continue reading

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Teaching Trayvon

By Guest Contributor Shadee Malaklou, cross-posted from JFCBlog

[Editor's Note: Graphic images at the end of this post, under the cut]

The Trayvon Martin syllabus: These reading and viewing assignments are designed to prompt politically vigilant conversations about historical and institutional constructs of black male criminality in the United States.

Specifically, they unpack Trayvon Martin’s gratuitous murder in February 2012 and the response his tragic death elicited from media and legal institutions–especially relevant in the wake of Michael Brown’s August 2014 lynching in Ferguson, Missouri. Written texts consist of insightful and timely essays published on blogs like Colorlines, The Feminist Wire and Black Girl Dangerous.

These essays teach tertiary students how to extrapolate anti-black racism from non-black experiences of ethnic difference without overwhelming them with jargon-heavy texts written for a well-versed academic audience.
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Violence against Indigenous Women: Fun, Sexy, and No Big Deal on the Big Screen

by Guest Contributor Elissa Washuta, originally published on Tumblr

Captain Hook kidnaps Tiger Lily in Peter Pan.

Captain Hook kidnaps Tiger Lily in Peter Pan.

The body of 15-year-old Tina Fontaine, a member of Sagkeeng First Nation, was pulled from the Red River in Winnipeg on August 17. Her murder has brought about an important conversation about the widespread violence against First Nations women and the Canadian government’s lack of concern.

In her August 20 Globe and Mail commentary, Dr. Sarah Hunt of the Kwagiulth band of the Kwakwaka’wakw First Nation wrote about the limited success of government inquiries and her concerns about other measures taken in reaction to acts of violence already committed, such as the establishment of DNA databases for missing persons. Dr. Hunt writes:

“Surely tracking indigenous girls’ DNA so they can be identified after they die is not the starting point for justice. Indigenous women want to matter before we go missing. We want our lives to matter as much as our deaths; our stake in the present political struggle for indigenous resurgence is as vital as the future.”

Violence against indigenous women is not, of course, happening only in Canada. In the U.S., for example, the Justice Department reports that one in three American Indian women have been raped or experienced an attempted rape, and the rate of sexual assault against American Indian women is more than twice the national average. This violence is not taking place only in Indian Country. Continue reading

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The Disney Triple Crown: Why Ming-Na Wen Needs To Be In Star Wars

By Guest Contributor Keith Chow, cross-posted from The Nerds Of Color

Earlier this week, Lucasfilm announced the addition of two more actors to the cast of Star Wars Episode VII. We do not yet know who the two relatively unknown actors — Pip Anderson, who’s British, and Crystal Clarke, who’s African American — will play in the movie, but I’m guessing their roles must be substantial enough to warrant a press release about their casting. If their characters are indeed prominent, Clarke will join John Boyega and Lupita Nyong’o in making this “the blackest Star Wars ever.”

Still, every time breaking Star Wars casting news comes across my feed, there’s always one name that I hope to see in the headlines:Ming-Na Wen.

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Tearing up the Pitch: The Battle for the Soul of Soccer

By Guest Contributor Isaac Oommen

Players hold up a banner saying “Say No To Racism” before the FIFA World Cup match pitting Uruguay against Ghana. Image via Zimbio.

Soccer was an unstoppable force in the Gulf Middle East, where I grew up. One of my earliest memories is of my dad teaching me the basics of ball control in our gravel back lot in Buraimi, Oman (my dad maintains to this day that the essence of playing good soccer is to understand that the ball is actually metaphorical, making the game the only one that can be played with no equipment whatsoever). These were soon followed by actual games at school, tournaments and watching the dubbed Arabic anime Captain Majid.

When I first came to Vancouver, playing pick-up games of soccer was one of the few ways in which I felt that tiny slice of home. Even now, my game-days are spent at packed Commercial Drive cafes where groups of brown men from all over the world switch between spells of silence and uproar while staring at high definition televisions.

Interacting with large transnational populations wherever I went, I found, as sports writer Matt Hern says in One Game at a Time, that there was rarely a site of greater integration, tolerance, generosity and undermining of racial stereotypes than sports.
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Dropping Anchor: The Racialicious Review of The Fresh off the Boat Pilot

By Guest Contributor Kevin Wong

Hudson Yang (center) and the cast of ABC’s “Fresh Off The Boat.”

The plot for Fresh off the Boat is a classic “fish out of water” scenario. Eddie (Hudson Yang) is a 12-year-old Taiwanese-American, who moves from a diverse, city neighborhood in Washington, D.C. to a mostly white, suburban neighborhood in Orlando, Florida. His family consists of two younger brothers, a grandmother, stressed out mother Jessica (Constance Wu), and flustered father Louis (Randall Park), who wants to open a successful, Western-themed barbecue restaurant. Primarily, everyone’s just trying to fit in.

Jessica, for instance, takes up rollerblading with the neighborhood Stepford wives. This has great comedic potential- how does an Asian American woman clash with the expectations of privileged, suburban society? The Stepfords, to their credit, do not view Jessica as an intruder or an undesirable in their neighborhood – more so, they view her as a curiosity to be poked and prodded. It’s a nod to a more subtle type of racism that exists in the modern world. The term “racist” does not only encompass name calling and hate crimes — it encompasses passive discrimination, positive stereotypes, and microaggressions that, accumulated over time, can be comparably damaging.

The most interesting aspect of Fresh off the Boat is how it deals with Asian American masculinity. Each Asian male character has his own way of exploring it, and they each tend to do so through the lens of another ethnic identity, rather than their own. Louis, pursues the “cowboy” archetype, in an effort to bring more white folks into his restaurant. Eddie co-opts hip hop, black culture — he’s listening to Dre’s beats, quoting Biggie’s rhymes, and repping Nas’ Illmatic on his clothes. It’s illuminating.
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As An Asian-American, Here’s Why Bruce Lee Still Matters

By Guest Contributor Kevin Wong, cross-posted from Complex

This week Bruce Lee made his HD debut on EA Sports UFC as a pre-order bonus — or, if you beat the game on Professional Difficulty, as an unlockable. The results, thankfully, are impressive. The developers have Bruce’s face and body structure down, but more importantly, they’ve captured his little mannerisms—the nervous tic where he rubs his nose, the stance when he lets loose with a signature punch or kick, and the scowl on his face when he approaches the Octagon.

UFC fighters, in their promotions of the game, have fallen over themselves to praise Bruce Lee. They speak reverently of him—he’s a childhood hero, an inspiration for how to lead one’s life, a warrior that all other fighters should aspire to. Dana White refers to him as the founder of mixed martial arts, and although this claim smacks of hyperbole, it has some merit. Bruce was someone who valued practicality over form—he disliked the traditional arts’ reliance on stances, believing that these things were too stiff, and thus, predictable. Instead, Bruce believed in Jeet Kune Do — the “Way of the Intercepting Fist.” It was a philosophy that encouraged formlessness — what was flexible and applicable in a “real life’”situation.
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