All posts by Arturo

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Re-Re-Birth Of The Cool: Static Shock Gets A Shocking Online Revival

By Arturo R. García

Well now this is interesting.

As Variety reported on Tuesday, the demand for a new Static Shock revival will finally be met, in perhaps the most unexpected of fashions: an online-only live-action series.

It’s also encouraging to see the revival of Milestone Entertainment’s signature character is being led by Milestone alumni: Film and comics veteran Reginald Hudlin will be the executive producer, in collaboration with Denys Cowan, who produced the much-missed animated series that Warner Brothers stubbornly left by the wayside years ago.
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On DC Entertainment, Cyborg, And Going Back To The Afrofuture

By Arturo R. García

DC Entertainment scored a rare PR victory over archrival Marvel over the weekend when it announced its upcoming slate of films. At first glance, this latest take on the DC movie universe instantly puts Marvel’s to shame when it comes to inclusion.

But besides the far-flung timetable involved, it very much remains to be seen whether the company is willing to put in the work to elevate its non-white heroes to a position befitting their upcoming roles on the big screen.
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Live From San Diego Comic Fest: The Afrofuturism Panel

By Arturo R. García

The final day of the Comic Fest opened with one of the most far-ranging topics in speculative fiction in Afrofuturism. And true to form, the speakers reached into the past and toward the future in discussing not only their interpretation of the concept, but how it has influenced their fandom and their work.
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Chicano Batman

Live From San Diego Comic Fest: Latino Comics

By Arturo R. García

Over the weekend I went to the third annual San Diego Comic Fest, which has pointedly positioned itself as the anti-Comic Con.

Specifically, the size of the event is kept manageable for vendors, presenters and attendees alike; no conference room holds more than 40 or 50 people at one time, allowing for a more relaxed atmosphere and easier conversations between panelists and their audiences.

One end result is, panels focusing on diversity don’t feel as lost in the shuffle. And the Latino Comics panel covered not only industry trends within Latin America, but the rapidly-evolving effects of Latinidad on the U.S.’ identity.

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Live From IndieCade: Let’s Do Something About It

By Arturo R. García

Top row, L-R: Moderator Shawn Alexander Allen, TJ Thomas, Racialicious owner Latoya Peterson. Bottom row, L-R: Catt Small, Ashley Alicea, Fatima Zenine Villanueva.

This past weekend saw our owner and publisher Latoya Peterson speak on a panel at IndieCade, a festival and conference celebrating independent game development.

Moderator Shawn Alexander Allen (Treachery in Beatdown City) said that the discussion, “Let’s Do Something About It,” grew from a talk about race and gaming he gave at last year’s event. Joining them on the panel:

A Storify of the panel is under the cut.
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Funny Business: The Racialicious Review of Cantinflas

By Arturo R. García

It was perhaps inevitable that Sebastian del Amo’s Cantinflas would fit Charlie Chaplin into the proceedings. Much like Richard Attenborough before him, del Amo finds himself needing to make room for not just a performer, but a singular persona.

And there are moments when it feels like a more introspective film wants to burst through amid the usual hagiography. But a few choices do make this take on Mario Moreno and his life’s work more interesting than the trailer would have you believe.

SPOILERS under the cut
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Funeral For A Gladiator: The Racialicious Review of Scandal 4.1

By Arturo R. García

Aside from addressing many of the questions posed in last year’s finale, Scandal‘s season premiere focused on two more: Who is Olivia Pope without her Associates? And does she even want to be Olivia Pope anymore?

SPOILERS under the cut
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