By Guest Contributor Brooke Binkowski, cross-posted from BrookeBinkowski.com
A rally at the U.S.-Mexico’s Otay border crossing Monday morning aimed to reunite families pulled apart by deportations.
By Guest Contributor Lisa Chiu, cross-posted from Juvenile Justice Information Exchange
For more than 25 years, the U.S. Department of Justice has given hundreds of millions in grants to states to reduce the overrepresentation of minority youth in the juvenile justice system, yet youth of color still appear in disproportionate numbers in many areas of the system.
According to data from the Office of Juvenile Justice and Delinquency Prevention analyzed by JJIE, black youth between the ages of 10 and 17 made up 17 percent of all children in that age group in 2010, but comprised 31 percent of all juvenile arrests, 40 percent of detentions, 34 percent of adjudications (guilty determinations), and 45 percent of cases transferred to adult criminal court.
The percentage of black arrests and adjudications has actually increased in the last 20 years. In 1990, black youth were 15 percent of the entire youth population, but they made up 27 percent of juvenile arrests, 33 percent of adjudications and 40 percent of detentions. The only area that saw improvement by 2010 was in transfers to adult court, where black youth comprised 49 percent of transfers in 1990.
By Guest Contributor Adrienne Keene, cross-posted from Native Appropriations
Dear Christina Fallin,
Last night, someone tagged me in the comments of your post on Instagram, a picture of you wearing dark red lipstick and a coordinating warbonnet. Initially, I just rolled my eyes and closed the window, because since I’ve somehow become an “expert” on white girls in headdresses, I get sent pictures like yours pretty much every. single. day. Don’t believe me? Just glance at the “#indianheaddress” tag. But then I got an email, then another, and another, and another, and then realized that this one was different–because you, Christina, are daughter of Oklahoma’s Governor.
By Arturo R. García
As Oscar winner Lupita Nyong’o's career prospects seemingly expand by the day, so, too, do the discussions surrounding her, with some fans imagining the sight of her stepping into some iconic franchises, and others side-eyeing the increased attention she’s been getting.
By Arturo R. García
This week’s episode was best served when it strayed from the usual tropes. Sure, we got Olivia and Fitz arguing (again) about the rules of their relationship, and starting the episode with them in flagante pugna about her deciding to “date” Jake — with him outside the door — at least made it a more interesting take on the Fight Of The Week.
By Arturo R. García
So after watching the trailer a couple of times Wednesday night, I came away feeling not totally worried about the forthcoming Annie remake. Quvenzhané Wallis looks like she’ll inhabit the title role more than capably — showing her ask “What’s the hustle?” was a nice touch to include this early — and Jamie Foxx (as Michael Bloomberg stand-in Benjamin Stacks) and Rose Byrne (as his girl Friday, uh, Grace) came off well in this trailer.
Cameron Diaz’s take on Miss Hannigan, here reimagined as a foster mother for Annie and her friends, looks less steady, shading further toward Carrie Bradshaw than Carol Burnett. The film’s IMDB page also reveals another potential setback for the character: there’s no listing for Daniel “Rooster” Hannigan, depriving Diaz’s Hannigan — at least thus far — of someone with whom to banter beyond Annie and Stacks. The music and choreography, from the brief glimpses we get in this trailer, don’t look bad.
The story also looks like a simplified version of the original, which you can either take or leave, considering that the 1982 vehicle featured “Bolsheviks,” assassination attempts, bodyguards named “Punjab” and “The Asp,” and Daddy Warbucks hanging around with Franklin D. Roosevelt. And while sites like ScreenRant and Jezebel also liked the trailer, it’s a long jump from a good two-minute clipshow to a coherent final product. (Remember, Zack Snyder’s Watchmen had a pretty well-liked trailer, and … well.)
In other words, there’s plenty of good discussion to be had about this movie; for starters, you might be surprised to see Emma Thompson — yes, that Emma Thompson — is one of the three writers. (In truth, it’s her 13th writing effort.)
But as you might imagine, some Internet Racists just couldn’t stop themselves from catching feelings. So, for anybody wondering why our comments policy is tight, we picked some real “winners” to show you under the cut.
By Guest Contributor Eric Anthony Glover, cross-posted from Midnight Breakfast
Some months after I’d come out as queer to my friends and family, I happened upon a Louis C.K. meme about anti-gay rights advocates—particularly those who argue they shouldn’t have to expose their children to same-sex marriages. The meme’s caption read, “Two guys are in love but they can’t get married because you don’t want to talk to your ugly child for f*ckin’ five minutes?” As much as I’d like to tell that you that straight allies don’t deserve cookies and congratulations for exhibiting the bare minimum of human decency, I’d be lying if I said C.K.’s words didn’t move me. After years of shaming from straight people, whether in purposely oppressive ways or indirectly cruel ones, it always strikes me as miraculous when some of them support my cause—especially if they’re cultural icons. And given the thousands of Likes and Shares the Louis C.K. meme received, I’m guessing his words touched a few others, too. Thing is, I doubt it would have gotten as much mileage if the caption had included C.K.’s full quote: “… Who f*ckin’ cares about your sh*tty kid? He’s probably a faggot, anyway.”
On the one hand, I personally find the punchline funny: it subverts the sentimental direction of the setup, makes fools of the people he’s frustrated with, and arguably turns the word “faggot” into a weapon against them. On the other hand, it’s not the only time C.K. has used the slur for a laugh, and he hasn’t always been so progressive while doing it. Louis C.K. follows a similar pattern with the word “nigger,” insightfully addressing the horrors of racism in some of his stand-up, but gluttonously employing the epithet for amusement in other instances. And it’s not as if he does so without racial awareness, either; despite being half-Latino, C.K. has publicly acknowledged looking white, identifying as white, and benefiting from white privileges — such as never being marginalized enough for slurs like “cracker” to truly hurt him. As a black man with the opposite experience, I find myself on edge whenever I hear him speak. Although I haven’t forgotten his beautiful bits bashing racial prejudice, I have to remember that he’s prone to blurting “nigger” at whim, and doesn’t always care to add a constructive reason.
By Guest Contributor Rishi Nath, cross-posted from Open City Magazine
[Editor's Note: This is Open City's second installment of "Lyrics To Go," a collaboration between writer Rishi Nath and multimedia journalist Nabil Rahman . The series features conversations with contemporary musicians whose life and work intersects both Asian-American communities and New York City neighborhoods. Click here for DJ Ushka's special mix for Open City readers.]
These days, DJ Ushka seems to be everywhere at once. She is all over Brooklyn, whether opening for Sundanese vocalist Alsarah in Stuyvesant Heights, deejaying and booking the monthly iBomba party in Williamsburg, or swooping in to save the AAWW PageTurner Festival party after a booked act canceled last minute. She also zig-zags the country, appearing at gigs in Boston, Philadelphia and Oakland. And that’s just weekends. During the day, she is a full-time staff member at the New York Immigration Coalition , where she handles communications and youth development.
Born Thanu Yakupitiyage, in Colombo, Sri Lanka, Ushka grew up in Bangkok, Thailand. She attended college in western Massachusetts, where she was turned on to post-colonial theory. From her spacious, dimly lit living room in Crown Heights, she described how that experience, a decade ago, changed her.
“It was the first time that I really started to understand concepts such as Orientalism, through Edward Said,” she said. Her laptop, attached to speakers and headphones, was open and glowing on the coffee table in front of her as she spoke. A poster proclaiming “Stop Racial Profiling,” hung on the wall behind her.