“If that name is a Miley Cyrus pseudonym I’m going to bed. Dang, it’s getting feminist up in this track.”Naturally, “that name” refers to Chimimanda, whose contribution you later dismissed as an annoying “soundbite.” Okay.Teachable Moment Two: Learn about a culture other than your own.Look, White Writerperson, I imagine your cozy Cave of White Clulessness is comfy and fantastic. I’m sure it has central air conditioning in the summer and heat in the winter and a friendly, well-dressed Negro gentleman at the door to help you with with a smile when your non-burdens get too heavy to bear on your own. And all the coleslaw and unseasoned chicken one could ever want, I’m sure. Color me relieved envious, really.But here’s where you get to be a good Privileged Person and learn about a culture other than your own. I know Chimamanda, a Regular Black Person Who Isn’t Doing Anything Worth “Borrowing,” isn’t a pop culture icon. But do yourself a favor and look her up. She wrote Half of a Yellow Sun, for fuck’s sake.
To suggest that Miley would dig deep enough into the barrel of Blackness, doing overtime at the Appropriation Station to adopt a Nigerian pseudonym is telling: You, too, know how serious your skinfolk take their culture vulturing. It’s a full time job. So vast, our Sea of Awesomeness, right?Teachable Moment Three: Learn how influence works.
French fries do not influence potatoes. Britney does not influence Janet. Justin does not influence Michael Jackson. Lessors do not influence The Great Ones. Similarly, Miley Cyrus does not influence Beyoncé. Now bite your motherfucking tongue.
To say such a thing is akin to saying that the car influences the paved road on which it travels. The Great Ones Blacked Excellently so that the latecomers could siphon that Black Excellence for profit and Blackpoints. Not vice versa.
— “Eat the cake, Anime: On White Cluelessness (and Beyoncé),” by Alexander Hardy originally posted at Thecoloredboy.com