By Guest Contributor Samantha Allen, cross-posted from The Border House
[Trigger Warning: Discussion of transphobic joke, real-life experiences of transphobia.]
Like many graduate students, I was still finishing up last week’s work at 6 PM on a Saturday. I put on Spike TV’s annual Video Game Awards (re-branded this year as VGX) to have some background noise while I put the finishing touches on a paper.
I expected the usual: some Michael Bay-esque graphics packages, some puerile pandering to their core demographic of adolescent boys, some Mountain Dew, some Doritos, some trailers. I can stomach that, even laugh at it. Less than five minutes into the program, however, co-host Joel McHale jokingly put the rumors to rest that Wario had “undergone sex reassignment surgery.”
If you’re reading this, you might know that a joke like that is politically ill-advised. It violates the comedic wisdom that one should punch up rather than punch down. It not only repeats the exoticizing focus on transgender people’s genitals, it also casts transgender identity itself as something scandalous and laughable.
What you might not know is what it feels like to hear a joke like this, what it’s like to be triggered. To that end, let me tell you a story about a period of my life that I don’t often discuss. Seven years ago (prior to my transition), I was still in a place where I could only present female occasionally. I hadn’t yet had the earth-shattering realization that I needed to transition but I still needed space to explore crucial aspects of my identity. I was fortunate enough to be dating someone who supported me in that endeavor.
We were in New York one night while I was presenting female. The night was warm, the sky was clear; we decided to be tacky tourists and go to the top of the Empire State Building. In line, some boys approached us and tried to talk to us. At the time—without the benefits and, indeed, the privileges of experience and hormones that I have now—my appearance did not hold up under close scrutiny and they “read” me, they recognized that I was not cisgender.
They laughed and laughed and laughed. They howled. They followed us all the way through the line and into the elevator where the laughter continued in our faces. My very existence was hilarious to them. The fact that there was a human underneath the sloppy eye makeup and the tattered dress either did not occur to them or, worse, it didn’t matter to them. I realized for the first time that night that, were I to transition, I would be a living, walking joke. It’s experiences like this that keep people from transitioning for years.
When I hear a trans joke in a venue as public as a nationally broadcast television show, I’m instantly back in that elevator. I’m no longer the confident woman that I’ve become over the last couple of years; I’m a scared little girl cowering in the corner, reeling from the ridicule, wondering if they’ll follow me all the way home.
Spike, do you realize what you do to people outside your target demographic when they try to engage with your work? If you realized, would you still do it? Do I want to know the answer to that question?
I could write you an angry polemic about video game culture right now. I could undertake educational efforts to help video game commentators understand transgender identity. I’ve done that. I keep doing it and nothing happens. Nothing changes. There’s always another gaffe, another joke, another game.
So tonight, Geoff Keighley, producers, journalists, if this note manages to make it to your desk, all I’m asking is that you stop. Please stop. Please stop.
Update: Immediately after this article went live, Joel McHale introduced a reader comment by saying, “He, she or he-she says …”