Miley Cyrus neither invented twerking nor cultural appropriation in music. What follows is a crowd-sourced list of some “great” moments in musical cultural appropriation.
Said one contributor to this list, “[Madonna] owes her whole career to appropriation, POC props and GLBT props, too…The idea that people associate her with vogueing is pretty much the textbook definition of appropriation of marginalized cultures, gay and black.”
“Waiting on a Friend,” The Rolling Stones
You know what makes New York City look extra gritty? Black people. You know you’ve hit the big time when you can get reggae legend Peter Tosh to serve as a random black extra hanging on a stoop.
“Luxurious,” Gwen Stefani
Gwen Stefani is the patron saint of icky cultural appropriation since that time she tried to keep a posse of Japanese women as pets. Here she kicks it Cali-style with her best Latino friends.
This fuckery committed with her bandmates in No Doubt cannot go unmentioned.
“Save a Prayer,” Duran Duran
I was a “Nick girl” back in the mid-80s when every self-respecting teenage girl was a Duranie. It failed to occur to me then how often the band illustrating their jet set coolness by frolicking in front of exotic flora, fauna and, y’know, brown people.
“We Can’t Stop,” Miley Cyrus
Would that we could stop this hot mess. If you haven’t read Tressie McMillan Cottom’s piece on the black female bodies Cyrus chose to foreground her whiteness. Do it. Now.
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