Quoted: White Is The New White

ojitnb
Image via Femme and Fortune.

Orange Is the New Black defenders repeatedly tell me that Kerman is invested in prison reform. She very well might be. But the problem here lies in the fact that her investment in the issue has been repaid through a very different kind of investment in her by book publishers and budding media empires like Netflix. I don’t necessarily doubt that Kerman wants to see a change in the criminal justice system—just like I don’t doubt that she’s made a cottage industry for herself doing so. This started about a decade ago, when Kerman began selling “Free Piper” T-shirts through Paypal. As a bestselling author who’s sold the rights to stories of women that aren’t even hers, she’s profited from the criminalization of black and brown women who are disproportionately targeted for prison cages.

But most often, Orange Is the New Black fans tell me I need to give the series a real chance. If I can just get through the first two episodes, I’ll be content by episode three. And so I watched and cringed through six whole episodes, called it quits and hope to never again see another one in my entire life. With very little exception, I saw wildly racist tropes: black women who, aside from fanaticizing about fried chicken, are called monkeys and Crazy Eyes; a Boricua mother who connives with her daughter for the sexual attentions of a white prison guard; an Asian woman who never speaks; and a crazy Latina woman who tucks away in a bathroom stall to photograph her vagina (the pornographic image is indiscriminately paraded throughout an entire episode).”

— Aura Bogado, “White Is the New White” August 16, 2013. Read the full article over at The Nation.

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