The concept of vanity is so rooted in the idea of a singular narcissist that it can be hard to catch that Kanye speaks almost from a populist perspective — a populist narcissism, if you will. Granted, the thematic focus on community vs. the personal has evolved from College Dropout to Yeezus, but take a second and remember the very first song on Kanye’s first album. He has a chorus of children singing, “We wasn’t supposed to make it past 25 / Joke’s on you, we still alive / Throw your hands up in the sky / And say we don’t care what people say.” If you chalk up his “we don’t care what people say” attitude to simply his ego, then you have missed the point entirely. This isn’t about ego; this is about boldly asserting yourself in a world that is not meant for you. This is a vanity that is rooted in bringing the community up with you. To the ire of some who are so wrapped up in the anxiety of respectability, the message he gives the kids (in front of all these white folks who are listening to his music!) is not to be modest but to unapologetically laugh in the face of a world that does not care about them. The joke’s on you, white America. We made it, and we don’t even have the decency to be grateful. We’re laughing. We dare to laugh.
This is why it’s so critical to really think about how and why folks are calling him “crazy.” There’s a great Dave Chappelle quote from his Inside the Actors Studio interview that really gets to the heart of this. In a conversation about the difficulties of black celebrity life, Chappelle explains, “The worst thing to call somebody is ‘crazy.’ It’s dismissive. ‘I don’t understand this person. So they’re crazy.’ That’s bullshit.” To continuously label what Kanye says as “crazy” is to dismiss him as not worth understanding and to flatten his deeply complex work and complex personality. Kanye told Rolling Stone in 2004, “I’m the rap version of Dave Chappelle. I’m not sayin’ I’m nearly as talented as Chappelle when it comes to political and social commentary, but like him, I’m laughing to keep from crying.” “Laughing to keep from crying” is a tone that captures so much of both of their work, but it’s also a survival mantra. Originating with Langston Hughes, this expression encapsulates a history of black artists who have used wit and satire to capture their exasperations and make light of the world’s absurdities.
— “In Defense Of Kanye’s Vanity: The Politics Of Black Self-Love,” by Heben Nigatu via Buzzfeed