Racialicious Crush Of The Week: Russell Wong
As for that swagger on full display in Joy Luck Club and Romeo Must Die: besides from what I suspect is sheer confidence–Wong impresses me to be someone who’d take being named one of People’s “50 Most Beautiful People” (this happened in 1995) with a wink, a grin, and a shrug and keeps it popping–he also took up martial arts (tae kwon do, Shoji Ryu karate, and Fu Jow Pai Kung Fu) and dancing (ballet and jazz–he’s appeared in videos by David Bowie and Janet Jackson). He also took film production courses at New York University (NYU). Asia Pacific Arts says this about Wong in their analysis about Asian American men in pop-cultural consciousness:
Ironically, no Asian American male star today, with the possible exception of Daniel Dae Kim, commands that sort of undeniable sexual allure within the mainstream imagination. That’s not to say today’s stars aren’t sexy; it’s just that the market and the marketing has changed. Further, Asian American males today are looking for their own styles of sexuality just as Asian American cinema is attempting to blaze its own identity.
But the icons are there…Russell Wong stormed into the popular consciousness with his memorable role as the steamy hunk in Wayne Wang’s Joy Luck Club…Wong is quiet, well-groomed, and grateful to be a part of Lee’s indie noir. But despite his pleasant demeanor, he doesn’t scream model minority, in part because of his size (six feet, well-built), and in part because in talking to him, you realize he’s been through a lot to get to where he is–he’s earned the right to be genteel.
When asked in an interview what upsets him, Wong gives a one-word response: “Racism.” (For those of you wanting to be all in his family life, he’s the father of a mixed-race daughter with African-American dancer Eartha Robinson. He says in the aforementioned interview that being a dad “changed” him.)
And his acting contributions have garnered the mixed-race (Chinese/white) actor some love right back: the Organization of Chinese Americans bestowed him their Image Award and the Media Action Network for Asian Americans gave him their Media Achievement Award in 1994. The Asian American Arts Foundation honored him in 1997, along with director John Woo.
Oh…and if you see a couple of Black women hunched over tablets and laptops saying Russell Wong’s name and some dates and giggling, that would be Tami and me trying to figure out the days we can love him, too. But not today, since it’s his birthday and all.
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