Meanwhile On TumblR: Whitewashing Urban Fantasy And Anti-Asian Racism In Porn And Personal-Care Products
Wylde was cast because he was already an considered an acceptable performer. Every person involved has mentioned that the casting was inevitable because the one Asian man in porn either wasn’t available, wasn’t Korean, or just wasn’t considered. Pistol and Warren weakly argue that people would have been just as upset if Keni Styles would be cast–something I highly doubt as the British Thai actor is somewhat of a Asian American folk hero and favorite among female viewers. He’s also one of the first award winning performers in the United States, but far from the first or the only Asian male doing straight porn. No one mentions actors from websites such as Asian-Man.com , Shelovesasiancock.com or PhuckFuMasters.com, the latter having 3 Asian, and Asian American male performers. Even more telling , no one mentioned the idea of finding a Korean American actor for the role.
Warren, Pistol and Wylde all write that there are plenty of stereotypical portrayals of Asians in American porn, they are absolutely correct. There are stereotypical and negative portrayals of every group, but what is uniquely lacking for Asian Americans is options. Black and Latinos can find content created with the intent to be consumed by Blacks and Latinos without racist overtones. Lesbians that are sick of seeing female sexuality performed for hetersexual male fantasy can check out Girlfriends Films. Buck Angel created Sexing the Transman for the often ignored female to male transgendered population to feel celebrated. If Asian Americans, want to see non-objectified Asian American sexuality performed by Asian American men and women together, where are the choices? If Asian American men want to see a reflection of themselves perform on screen where can they turn?
Two Asian American women, Nicole Soojung Callahan and Shiuan Butler, took another industry to task for using stereotypes about Asian Americans to turn a profit: the personal-care company Cibu International.
About two months ago, my husband came home from a haircut and said, “Did you know that Hair Cuttery has a line of ‘Asian-inspired’ hair products by Cibu? They have something called ‘Geishalicious Shampoo.’” I went to Cibu International’s website to check out the rest of their products, and could hardly believe the awfulness of the names: Miso Knotty Detangler. Mousse Lee Volumizer. Spring Roll Hydrating Cleanser. Ancient Veil Oil Mist. Hi-Ya! Keratin Reconstructive Conditioner. Dry Kwon Do Dry Shampoo. Wok This Way Sculpting Sauce. Take Out Clarifying Shampoo (with a picture of a take-out box on the bottle). It was as if a bunch of people had all gotten in a room and brainstormed as many Asian stereotypes as they could, and then named beauty products after all of them.
Cibu is part of Ratner Companies, which also owns nearly 800 Hair Cuttery, Bubbles, Salon Cielo, Salon Plaza, and Colorworks salons in 19 states. Cibu’s product names are all based on reducing Asian cultures to a handful of food and martial-arts references, tasteless puns, and fetishizing Asian stereotypes. As if the names aren’t bad enough, Cibu’s Facebook page also includes a picture of a staff member dressed in an “Asian costume,” fans laughing at “me love you long time” jokes, and a horrible cartoon ad featuring a naked geisha on her knees, hands behind her back, with the ad copy “Seduced by Geishalicious.”
After participating in a comment thread on Cibu’s Facebook page in which many women of color, as well as white women, chimed in to express their concerns about Cibu’s offensive names, I began communicating with Cibu’s brand manager. Our discussions were cordial–though she called me a “radical”–she voiced some openness to changing the Geishalicious name at some point in the future, when existing stock had been sufficiently depleted. But there was no openness to changing other names. In the meantime, Cibu had deleted several critical comments from their Facebook page, including my friend Shiuan Butler’s. The brand manager told me it was because she did not want “[her] brand hijacked by negativity.”
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