Hello Racializens! Some of you have noticed the technical difficulties happening on the site–we’re working…
Month: December 2012
By Andrea Plaid
I met Isaiah while I was staying at the home of a mutual friend who seems to gather all who are Black and brilliant into his orbit. Isaiah being a native Baltimorean, I was able to chat with him about the physical and socio-economic layout of what I could see of the city when I was there for the Facing Race conference in November. Considering that he’s this week’s Crush, you know I find Isaiah rather amazing, and I’m all about sharing the amazing in this column, right?
So, here’s Isaiah, in his own words…
Isaiah, my first question is: whatcha studying at Stanford that pulled you way away from the East Coast?
First, I have to say: it is such a pleasure to be in conversation with you again! I so deeply appreciate the work that you are doing at Racialicious and, indeed, in the world. To answer the question: I am currently a doctoral candidate in Theater and Performance Studies (T&PS) at Stanford, where I am in the throes of writing a dissertation entitled, The Afterwards of Blackness: Race, Time and Contemporary Performance. The project begins with the premise that one of the more urgent questions to emerge in what has been theorized as the “post-soul,” the “post-black,” and/or the “post-civil rights” era is: what is the time of blackness? Attending to examples of expressive art, I analyze the aesthetic strategies and practices that several contemporary black cultural producers deploy to dramatize the deeply intertwined relationship of blackness and time and, correspondingly, to critique concepts of normative or modern temporality. The project, in many ways, is reflective of my broader teaching and research interests in twentieth and twenty-first century dramatic literature, theory, and criticism; performance studies; African American studies; (black) queer studies; and popular culture. It also evidences my continued engagements with both theory and practice: I have been fortunate to direct a number of the plays that I take up in the dissertation.
Part of what drew me to Stanford in 2008, in fact, was the T&PS Department’s integrative approach to the study of theater and performance. Stanford has been tremendously supportive of what I call my “directing habit” and, indeed, has provided wonderful opportunities for me to flex both theoretically and creatively during my tenure. I was reminiscing just a few days ago with the brilliant playwright A-lan Holt, a recent Stanford alum, about the time we spent in Kampala, Uganda devising a new performance piece that I staged, along with a colleague, at the National Theatre there. As you might imagine, it was a transformative experience. Beautifully, I have had many similar experiences since venturing westward.
By Arturo R. García
At noon Central Standard Time today, the Idle No More campaign is calling for members of all indigenous nations to drum together in the highest point of a campaign, originated in Canada, that has gained traction since Chief Theresa Spence of the Attawapiskat in Northern Ontario began a hunger strike on Dec. 10.
As âpihtawikosisân explains:
Contrary to what some media outlets are reporting, she is not doing this only to protest Bill C-45 or even the deplorable treatment her community has received since declaring an emergency last year. She has vowed to continue her hunger strike until the prime minister, the Queen or a representative, agrees to sit down in good faith with First Nations leaders to rebuild what has become a fractured and abusive relationship. She is staying in a tipi on Victoria Island, which sits below Parliament and the Supreme Court of Canada.
Many native people across the country have been fasting to show their solidarity with Chief Spence, including Dene National Chief Bill Erasmus. Just search the twitter hashtag #TheresaSpence to get a sense of how much support this woman has from our peoples.
By Andrea Plaid This photo of literary/cultural African American female icons got lots of love…
By Arturo R. García
Late last week, Franchesca Ramsey shared her immensely intimate and painful story regarding sexual assault as part of a critique of a video by comedian Jenna Marbles. The video and a transcript are under the cut, but be advised that it carries a heavy TRIGGER WARNING due to the subject matter.
Read the Post Video: Franchesca Ramsey’s Powerful ‘How Slut Shaming Becomes Victim Blaming’
By Guest Contributors Tanya Golash-Boza and Amalia Pallares; a version of this op-ed was originally published at Counterpunch
One of the supposed lessons of Obama’s electoral victory was that Republicans could no longer afford to advocate an enforcement-only position on immigration reform. So, it says something that the party’s first nod in that direction was extraordinarily weak.
At the tail end of 2012 and of their careers, retiring Sens. Kay Bailey Hutchison (R-TX) and Jon Kyl (R-AZ) introduced the ACHIEVE Act, which would provide legal status to a narrow group of undocumented youth. However, this proposal does nothing to appeal to Latin@s because it provides no real path to citizenship for undocumented immigrants. Whereas the DREAM Act provides undocumented youth with legal permanent residence and then citizenship, the ACHIEVE Act offers a W-1 visa, which leads to a W-2, and then a W-3, with no direct path to citizenship.
By Guest Contributor Crunkonia; cross-posted from The Crunk Feminist Collective
[Watch Racialicious for the first interview in this series coming soon.]
There are brilliant scholars who historicize and build upon black feminist participation in conversations about pornography. And there are others who simplify the argument into a false then vs. now paradigm that presents our foremothers as prudes, not as the women who made it possible for us to talk about sexuality in the ways that we do today. I believe these others wish for the day when black women can talk about sex as if they were white men, with no cloud of controlling images over their heads.
Read the Post Sex On Screen: An Intro To The Hella Brown Series (NSFW)