Violence On And Off The Ice: Twitter Racism And The NHL

Given its whiteness and even the working-class demographic of its fan base, commentators have sought to identity this as reflective of hockey culture, rather than sports or even society at large. Race and nation have a particular history within hockey. As I wrote a couple months back following an incident where fans threw a banana at Boston’s Wayne Simmonds, whiteness, privilege, and racism are all part of the hockey story:

Others connected to the sport were not so willing (despite their having greater power and privilege) to reflect on the racial realities and hostilities of the NHL in this moment or elsewhere. While describing it as a “stupid and ignorant action,” Commissioner Gary Bettman made clear that incident was “in no way representative of our fans or the people of London, Ontario.” Maxine Talbot, a teammate of Simmonds, summarily dismissed the incident as “isolated” that said little about the state of hockey: “It’s not like there’s a problem with racism in our league. It’s one person!”

Dismissing it as an aberration and the work of some ignorant fans, the response fails to see the broader history of the NHL, not to mention the larger racial issues at work. While Bettman and others sought to isolate the incidence as the work of a single person who isn’t representative of hockey culture or society at large, others pointed to the persistence of racism within the NHL. Kevin Weeks, who had a banana thrown at him during the 2002 Stanley Cup Playoffs, noted his lack of surprise that Simmonds was subjected to such racism: “I’m not surprised. We have some people that still have their heads in the sand and some people that don’t necessarily want to evolve and aren’t necessarily all that comfortable with the fact that the game is evolving.”

Yet, it would be a mistake to link these visible instances of racism to the whiteness of hockey, its racial politics, or resistance to integration given the ubiquity of racism online and offline. While comforting to construct racial hostility through hockey in that it allows to preserve the myths of integration and breaking down social distance as a weapon against racism, similar racial hostility and tweeted racial epithets can be seen with other sports as well. In the last week, these tweets have been sent out:

While the incidents involving Ward have received ample coverage in parts because of the comfort of blaming hockey, online racism directed at black athletes is not particular to one sport. Integration or greater presence has not led to full acceptance.

At the same time, while one can dismiss these comments as outliers, as representative of trolls or extremists, or even link these comments to the whiteness of hockey, it is crucial to reflect on the larger context. These comments reflect broader trends online, within contemporary racial discourse, and within American sports culture.

From recent tweets from model/actress Jessica Leandra Dos Santos to those directed at webseries showrunner Issa Rae and those following the release of The Hunger Games, Twitter has become rife with racial epithets, sexism, and other forms of hate speech. The level of vitriol and the ubiquity of epithets and violence language have been well-documented: therefore, the tweets directed at Ward reflect a larger pattern of racism online, as opposed to a hockey-specific manifestation. At one level, racism online reflects the technology and aesthetics that define an online environment.

Whether emboldened by anonymity, or the fact that millions of people now have a platform to disseminate their views, ideologies, and world view, the nature of online racism merely reflects the available technology. A 1993 cartoon in The New Yorker captured the appeal of virtual reality for people to voice and show the worst in themselves and society at large.

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