No Disrespect: Black women and the burden of respectability (Bitch Magazine) For black women, particularly…
Month: May 2012
By Guest Contributors Paul and Renee, cross-posted from Fangs For The Fantasy
One of the newest trends we’re seeing in speculative fiction is the revisiting of fairy tales, especially in a modern setting–they’re almost a unique sub-genre of the Urban Fantasy and Fantasy genres.
And, in many ways, this is very important to do as fairy tales are some of the very first stories many of us are exposed to as children. Unfortunately, they’re also very old stories–and contain a lot of very old and sadly prevalent tropes that have stayed with us over the years. Generations of children have grown up with stories of helpless princesses, passively waiting for a handsome (and anonymous–after all, any man will do if he’s in the right place at the right time) prince to save them from abject peril. There is no question that this iconic image–repeated over and over in fairy tales, has had a profound effect on our culture, our society, and our view of gender roles, and there have been numerous excellent posts deconstructing the damaging messages of fairy tales.
There is no fairy tale that can be considered more centre stage than Snow White and the Seven Dwarfs. An ancient tale, it rose to prominence when it became Disney’s first full-length animated movie and was forever cemented front and centre as not just a fairy tale–but the fairy tale. The ultimate tale of the protagonist–poor, helpless, sweet and oh-so-fair Snow White is attacked by her evil stepmother, while she helplessly sings to wildlife and eventually resides in a glass coffin to be rescued.
This is clearly an image that needs challenging–and, appropriately, Snow White is front and centre of the fairy tales that are being revised for the modern world. Between Once Upon A Time, Mirror Mirror, and Snow White and the Huntsman, we see a very different princess. The modern Snow White does not lay in glass coffins awaiting rescue. Her reaction is to attack, not to run away in fright, or maybe sing a little ditty to bluebirds. The modern Snow White kicks arse, she wields a sword, actively hunts down the Evil Queen, and she stands shoulder-to-shoulder with her Prince Charming.
One of the things that we love most about Once Upon a Time is that, while Mary Margaret may be the soggiest lettuce in town, Snow White is a highwaywoman, a fighter, and a swashbuckler–every bit Prince James’s equal. Snow White is no longer a prize to be claimed, no longer an object to be won, and no longer a passive element in what is supposed to be her own story. And if she needs rescuing, she is quite capable of rescuing herself, thank you very much.
This is both so very needed and very empowering. It’s powerful to not only create new stories that empower marginalised bodies, but re-examine these old tropes and challenge them in a way that not only sets a new paradigm but highlights how wrong the old paradigm was.
By Arturo R. García
You know how it goes: It’s just a television show, we’re told. Why can’t you just enjoy it?
Now a new study in Communication Research is giving more weight to critical analysis of the medium. In surveying a group of 400 black and white pre-teens in Midwestern communities, two researchers say black children end up feeling worse about themselves after prolonged exposure to electronic media, as did white girls.
Read the Post Study Confirms White Privilege Will Be Televised–And Kids Are Still Watching
By Arturo R. García While the national media’s been hovering over Mitt Romney’s awkward bromance…
The White House Office of Public Engagement (WH OPE) and the East Coast Asian American…
By Guest Contributor Danielle Fuentes Morgan
It’s a question President Obama has undoubtedly been asked before. It’s almost a universal African American experience, except this time it was asked under different circumstances and for a different reason.
“Can I touch your hair?”
The photo of this moment, three-years-old at this point, is making the rounds again. You’ve seen it in your inbox and on social networking sites—President Obama, bent at his waist while a five-year-old African American boy wearing a tie and dress pants touches his hair. It seems innocuous enough—meriting a few awwws certainly—but leaving some to wonder what all the fuss is about. Cute, sure. But is this news? Absolutely.
Read the Post Feeling Is Believing: Why Obama’s Hair Matters
By Guest Contributor Jaymee Goh, cross-posted from Silver Goggles
Earlier this month, I posted about The Future Fire’s PeerBackers project, We See A Different Frontier, an anthology that seeks to address a large hole in SFF: the voices of people from formerly colonized regions. So I caught up with Fabio Fernandes to talk about this project.
Fernandes, as you may or may not know, is a Brazilian SFF writer who makes a living as a professor of Creative Writing and translator at a university in São Paulo. I follow him on Twitter, and he blogs at The Cogsmith.
JG: How did the anthology idea come about?
FF: I had been thinking of editing an anthology of Latin American stories for a while now. By the end of 2009, Ann and Jeff VanderMeer invited me to be assistant editor for Latin America in their awesome Best American Fantasy collection. Unfortunately, the BAF ended in 2010, just before the volume four, which would have been my debut. In 2011, however, I started thinking that I could at the very least try to edit an anthology of Brazilian science fiction in English to make it available to the English-speaking public. I managed to get a few stories, but most of the authors couldn’t translate them neither rewriter them in English, and I was too busy to do it all by myself. Then I saw an ad in the Outer Alliance list published by Djibril al-Ayad, creator and editor of The Future Fire, asking for guest editors for two special issues. I saw that as an opportunity–but this time not only for Brazil or Latin America. I thought I could shout out louder. So I drafted a project about colonialism and sent it his way. He liked it and here we are now.
JG: What is your vision for it?
FF: I thought of the particular place humanity is in right now. We are still at war in many places around the world, but something is a-changing: the socialist Second World has pretty much ended almost 25 years ago, and the First World and the Third World are, if not changing places, are definitely suffering major alterations in their structure. I think it’s past time we discuss that in our fiction, and what fiction suits best the discussion of the zeitgeist–the spirit of times, our times and the times to come–than science fiction? A few authors are doing it now (Cory Doctorow, Charles Stross, Neal Stephenson, Alastair Reynolds, and Ian McDonald come to mind–but guess what? All male Anglos. I want to make clear I have absolutely nothing against them or their works–I love them all, and I find them true trailblazers. I just wanted to see more people from different countries, speaking different languages, from different ethnicities, genders, writing about the same issues. Or similar issues from their own POVs.
I had hoped that without “gatekeepers,” self-publishing and indie presses would make up some of…