By Arturo R. García

I won’t lie – I was skeptical when I first heard George Lucas was appearing on The Daily Show to promote his new Tuskegee Airmen story Red Tails. On the surface, it represented a missed opportunity: the film centers around four black characters, with a cast that includes Terrence Howard, Cuba Gooding Jr. and Ne-Yo – why weren’t any of them getting some face-time with Jon Stewart?

Lucas’ appearance ended up being a pleasant surprise. But, both he and Stewart left one important question hanging.

In the interview, Lucas reiterated some arguments he made to USA Today last week: Tails, it took 23 years for the film to reach the big screen, was an effort he financed himself – and one he said studios refused to get behind.

“I figured I could get the prints and ads paid for by the studios,” Lucas said, “and that they would release it and I showed it to all of them and they said, ‘No, we don’t know how to market a movie like this. It’s not green enough.’ They only release green movies.”

By “green,” of course, he means money-makers – and in Hollywood parlance, that really means … well, you know. Not Black.

Stewart, unfortunately, dances around the issue. He asks Lucas, “Is it because of the pedigree of it?” and talks about Lucas discussing it in terms of an “economic and political reality” without noting any of the factors that go into forming that reality. While Stewart would be quick to point out that he’s a comedian first and a “newsman” far down the list, it’s a moment that might have benefited from Stephen Colbert’s willingness to push the envelope. (Though Lucas sneaks in a nasty little dig: “It’s not Glory, where you have a lot of white officers run these guys into cannon fodder.”)

To his credit, Lucas admitted to USA Today that his efforts could have an adverse affect on black filmmakers:

“I realize that by accident I’ve now put the black film community at risk (with Red Tails, whose $58 million budget far exceeds typical all-black productions). I’m saying, if this doesn’t work, there’s a good chance you’ll stay where you are for quite a while. It’ll be harder for you guys to break out of that (lower-budget) mold. But if I can break through with this movie, then hopefully there will be someone else out there saying let’s make a prequel and sequel, and soon you have more Tyler Perrys out there.”

But Lucas also seems to be challenging – or at the very least, counting on – his well-established fanbase in selling the movie. Instead of distancing Tails from his defining work, Lucas says, “It’s exactly like Star Wars,” in terms of the size of the story he ultimately wants to tell, and later says, “This is as close as you’ll ever get to Episode VII.” Those efforts have carried over into social media; the official Star Wars Twitter account was posting images from the film’s premiere. And that now becomes the key question: will the Lucas fanbase rally around to support him? Or is it more willing to watch aerial dogfights when they’re based on a galaxy far, far away, rather than on a step forward in U.S. military history?

  • Logoskaieros

    The pedigree question was surprising because it was so clear both men had thought bubbles above their heads saying “it’s a race thing.” Stewart even ignored when his audience cheered enthusiastically at the movie having all Black actors for leads.  

    Will admit, I had zero interest in seeing this movie before I saw the Lucas interview. (I assumed it was a regular woo-planes-and-guns war movie.)  I think I didn’t even realize it was historical because I saw clips of the Black pilots. (Sad that I never would have guessed WWII.)  Now I have a definite plan to see it.

    Other sad part: I sometimes skip the interviews on the Daily Show, and if they did have one of the actors from the movie, there’s a chance I would have skipped it.  But I stayed for Lucas…And I don’t even like Star Wars that much.  

    I look forward to supporting this film and am hoping that it has a positive effect on the efforts of Black filmmakers, directors, and story writers.  I also hope people become aware of just how much resistance even George freakin Lucas gets when he wants to make a movie with all Black leads…and what that implies for the *rest* of the entertainment industry.  It really brought it home for me: I never would have guessed that people would say “No” to Lucas. This is definitely making me think about all the brilliant directors and actors that are and could have been, that I don’t know about, because the only green the industry can currently imagine is white. 

  • http://molecularshyness.wordpress.com jen*

    @d92a6be1aef1112fc30aa4e82dd32aa7:disqus I often skip the interviews on The Daily Show – and I haven’t even seen Star Wars – but I watched this interview because I knew he’d done Red Tails.  I’m not into war movies, at all, but I think I’m gonna go see this opening weekend, just to get the number up.

  • http://www.stupidimages.com Lobotomy

    I hope this movie does well for a variety of reasons. I teach aviation history and make a big deal pointing out the struggles of Blacks, women  and other non-white, non-males in aviation. I am also struck by how few people, even in aviation, know of the Tuskeegee Airmen and the WASPs and their struggles.

    I also loved the comment by Lucas: “This is as close as you’ll ever get to Episode VII.” I have often wondered if we are all so centrally focused on our own racial, religious, ethnic and national identities that we cannot identify with another person being oppressed unless they are just like us – or at least not different enough to become “other. ”

    I sure hope people will watch and identify with the very real people portrayed in this movie.

  • http://www.stupidimages.com Lobotomy

    I hope this movie does well for a variety of reasons. I teach aviation history and make a big deal pointing out the struggles of Blacks, women  and other non-white, non-males in aviation. I am also struck by how few people, even in aviation, know of the Tuskeegee Airmen and the WASPs and their struggles.

    I also loved the comment by Lucas: “This is as close as you’ll ever get to Episode VII.” I have often wondered if we are all so centrally focused on our own racial, religious, ethnic and national identities that we cannot identify with another person being oppressed unless they are just like us – or at least not different enough to become “other. ”

    I sure hope people will watch and identify with the very real people portrayed in this movie.

  • http://www.stupidimages.com Lobotomy

    I hope this movie does well for a variety of reasons. I teach aviation history and make a big deal pointing out the struggles of Blacks, women  and other non-white, non-males in aviation. I am also struck by how few people, even in aviation, know of the Tuskeegee Airmen and the WASPs and their struggles.

    I also loved the comment by Lucas: “This is as close as you’ll ever get to Episode VII.” I have often wondered if we are all so centrally focused on our own racial, religious, ethnic and national identities that we cannot identify with another person being oppressed unless they are just like us – or at least not different enough to become “other. ”

    I sure hope people will watch and identify with the very real people portrayed in this movie.

  • http://www.stupidimages.com Lobotomy

    I hope this movie does well for a variety of reasons. I teach aviation history and make a big deal pointing out the struggles of Blacks, women  and other non-white, non-males in aviation. I am also struck by how few people, even in aviation, know of the Tuskeegee Airmen and the WASPs and their struggles.

    I also loved the comment by Lucas: “This is as close as you’ll ever get to Episode VII.” I have often wondered if we are all so centrally focused on our own racial, religious, ethnic and national identities that we cannot identify with another person being oppressed unless they are just like us – or at least not different enough to become “other. ”

    I sure hope people will watch and identify with the very real people portrayed in this movie.

  • Anonymous

    Agreed! 

    George must have exec produced this one, because imdb notes other people as director & screenwriter? (for which I am thankful)

  • Anonymous

    Agreed! 

    George must have exec produced this one, because imdb notes other people as director & screenwriter? (for which I am thankful)

  • Anonymous

    I hate how Jon Stewart played dumb. I hope he just did that for the TV and doesn’t actually believe that the reluctance to take on this movie wasn’t racially motivated. 

  • Anonymous

    I hate how Jon Stewart played dumb. I hope he just did that for the TV and doesn’t actually believe that the reluctance to take on this movie wasn’t racially motivated. 

  • http://logansrogue.livejournal.com napalmnacey

    I am going to see the shit out of this movie. I’m actually looking forward to it, which has been a long time coming with Lucas’ muddy-fuddling with Star Wars.

  • http://logansrogue.livejournal.com napalmnacey

    I am going to see the shit out of this movie. I’m actually looking forward to it, which has been a long time coming with Lucas’ muddy-fuddling with Star Wars.

  • Orphiel

    Agreed, was disappointed in that. Think I remember Lucas being quite clear about it though, and saying something about it being because it was a movie starring black people, which was pretty awesome. Will have to watch it again to be certain.

  • Anonymous

    In the interview, Lucas reiterated some arguments he made to USA Today last week: Tails,
    it took 23 years for the film to reach the big screen, was an effort he
    financed himself – and one he said studios refused to get behind.

    Why won’t Lucas just admit it? Just say it out loud, George: The industry you have been a leader in for over five decades is deeply white supremacist. Not to mention misogynist, heterosexist, neo-imperialist—all that nonsense. Big Hollywood is the mouthpiece of the status quo, which is the kleptocratic class that owns this country. Of course they won’t finance a movie like Red Tails—why would they acknowledge that one of the most despised groups is US society overcame state-sanctioned apartheid to help win the definitive war of the twentieth century?

    As for Jon Stewart, he’s part of the same corporate media industrial complex that Lucas calls home. He’s not risking his cushy position to take on hegemony for real either.

  • Samari

    I’m not a fan of Lucas’s work. But, while I appreciate that he made this movie and that it has a stellar cast of Black actors, I would love for directors like Lukas to make a film like Star Wars with a cast that’s people of color. In other words, a “regular” movie with Black, Latinas/os, Asian, filipinas/os actors in it. That’s difference. That’s change. Don’t get me wrong, more films about people of color need to be made, but white audiences have been taught to dismiss films about the Black experience. If you make a “green,” movie like a Star Wars episodes, with an all Black cast or a predominantly Black cast, white folks are more likely to go see it. (Don’t get me wrong, good on Lukas. Yay!) Also, the Daily Show, as much as I love it, has always skirted around the issues of race. He is the face of white liberals. He’ll point out egregious racism but doesn’t really dig in. He’s a surface man. And being comedian does not mean he can’t be held to the same standards as a “real” newsman. All art forms are political. Although, I was shocked last night to see Jessica Williams, who I believe to be the first Black female correspondent. Let’s hope she gets some serious air time. 

  • http://twitter.com/Ellington3 Rhonda Yearwood

    I grew up with Star Wars, ( I am a StarWars geek big time)  and the Indian Jones produced films!
    I am a big George Lucas fan, and I watch his productions.
    This will be no exception, I will be seeing this film.

  • http://momsomniac.wordpress.com/ Momsomniac

    I generally do not go see “war movies” but I do see science fiction ones, so I suppose I am part of the Lucas fan base, despite Episode I-III and Lucas’s futzing with what was, to some of us, his classic work.   That said, after reading this, YES, I do intend to go see this movie.  I like to be entertained and am bored to tears with unrealistic/white-washed casting.  I want my entertainment to look like *my* world, *my* family, and *my” friends. Seems then like supporting this effort with my $ is a “vote” for what I’d like to see more of from Hollywood.

  • Adrianne Hansome

    as a Star Wars fan and a George Lucas fan, I will support this film.  Tuskegee Airman, Triple Nickels, Buffalo Soldiers were all stories my father told me as a child.  If George Lucas is willing to do this  story, it will be accepted as canon.

  • Anonymous

    I loved the dig at Glory!

  • Anonymous

    I loved the dig at Glory!

  • http://www.facebook.com/anthonypero Anthony Pero

    Where “Green” Hollywood is totally missing the boat is that the reason a lot of “black” films don’t do well is that it doesn’t culturally resonate with white america, or the rest of the world, hence the comment regarding oversees distribution. This movie is massively and substantially different though. It’s a historical movie… heck at 75 years old, this story is practically a period piece. It’s really not the color of the actors’ skin that turns people off to a movie. 78% of those who voted for Obama were not black. The issue is with the culture. This movie is set in a completely different culture. I for one was totally excited to see it from the first time I saw the trailer. It looks awesome, and the performances (from what you can see in a two minute trailer) were stellar.

    So, yeah, I want to see this movie, and no, I wouldn’t really be interested in going and seeing an urban comedy set in modern Chicago. It’s not because I don’t want to see black people on screen, as Hollywood seems to think, it’s because I can’t connect to that lifestyle and it doesn’t interest me. Red Tails does.

  • Fruiit

    how do you feel about Black women role in this film? just based off of the trailer? some people are upset because the love interest isn’t a Black woman.

  • Roundelay78

    @facebook-620575183:disqus

    “A completely different culture”? This movie is about black AMERICANS—it’s an American movie—probably not that different from the average Hollywood film, except that it focuses on black people as the leads for a change. I find your comment silly because a lot of Americans (including myself) watch films from different cultures around the world ALL the time,some of which have been successful in this country despite the language barriers. You make it sound like African-American culture is some weird,mysterious culture that no one can understand outside of the U.S. borders. Considering that AA culture has been hugely popular overseas (in terms of music & fashion) in parts of Europe, Japan, Africa, & other countries for years, what you’re saying dosen’t make any sense, period.

    The real reason black films don’t always make it big in the overseas markets is because the lily-white distribution system is still run by folks  stuck with  these outdated attitudes/assumptions that black films don’t sell, apparently because according to them, overseas audiences can’t relate to a main character being black , but yet they don’t mind only white leads ALL the damn time—yeah, right. Basically, because of these stupid beliefs, the distributors won’t promote black films, therefore it becomes a self-fulfilling prophecy that these films don’t sell BECAUSE they aren’t promoted. There’s nothing THAT inherently weird or difficult about these films that would make them THAT a hard of a sell all the time to every foreign country.  It’s just the white distributors’ racist attiudes against anything that dosen’t focus 100% on white people simply because THEY aren’t interested in black films. That part about black films not selling overseas is an excuse they’re used for years—how do they explain Denzel’s,Will Smith’s and Eddie Murphy’s box office successes, both foreign & domestic, then? Give me a break!  I would love to see this film, mainly because it seems like African-Americans’ contributions to World War II always get overlooked—hell, MOST of our contributions to this country ALWAYS get overlooked, no matter what the hell we do—you should see how many sites I go to where any comment about race degenerates into “Black people always want something for nothing, they’s always on welfare,” and all this other ignorant BS.  If RED TAILS ever makes it to my neck of the woods (the Detroit tri-county area) I sure enough am going to see it. It’s sad that even in this day & age, promoting a film with all-black leads is even STILL an issue in the age of Obama—that’s pretty pathetic in itself!

  • Anonymous

    I agree with Roundelay78 and have to call you out on your BS. I think you are putting up cultural walls where none exist and are making excuses and generalizations regarding why you and other white movie viewers shy away from “black” movies. I think blaming “culture” is coded language to mean black people are okay as long as they are not espousing black culture, which is still indicative of a problem with race.

    As Roundelay78 noted many people have no problem watching foreign movies and relating to the themes, plots, and characters. The rest of the world consumes American films with predominantly white casts, even countries with very different cultures from the American culture portrayed in the movies. They are are still able to enjoy them despite cultural barriers. All Americans and people worldwide enjoy other forms of cultural expression derived from African Americans including hip hop, jazz, blues, and R&B. Many immigrants come to this country ready to consume American culture despite cultural differences. Yet apparently black films are so totally different and incomprehensible? I didn’t know black people’s “lifestyles” were so foreign. The mob/mafia is a foreign lifestyle to most, but that didn’t stop “The Godfather” from becoming a classic or keep viewers out of movie theater seats for “The Departed”.

    If black movies don’t resonate with white people, as you say, it speaks more to white people’s abilities to relate to others than the ability of human beings to relate to other human beings with different cultures.

  • Jay Dub

    How old is Mr. Pero in that he can relate to the “culture” of a film set in WW2 era but not modern-day Chicago? What “culture” is he talking about when he thinks of “black” film? There’s various cultural differences even within the black community so i have to question if it’s just black people he feels he can’t relate to or find interest in? He points out that 78 percent of Obama voters weren’t black. That being the case, i would expect those same people to be able to have no problem seeing a movie with all black leads, whether or not it was historical or modern day.

  • Jay Dub

    I’m not surprised by this. The “love interest” is rarely black in a movie where there is a black lead, lest people confuse it as a “black movie” and thus, decline to see it. If the lead is a black male, then the love interest has to be white, latina or maybe asian. If the lead is a black female, then the love interest has to be white or non-existent. Black-on-black movies offend the sensibilites of nonblack movie goers because there is no essential conflict to overcome.

  • Trekmamaleslie

    Thank you, Logoskaieros. When boiled down to its basic components, it all comes down to money. And Hollywood said NO to George Lucas….and he said, no matter, I’ll do it myself.
    1. I’m sitting here in my living room, husband glued to “We Wew Soldiers,” a Vietnam war story not told in history classes BUT GREEN AND WHITE ENOUGH to get funded.
    GO SEE “REDTAILS!!”
    2. My husband graduated from Aviation High School in NYC & I worked at Grumman for almost 20 years. HE told me the backstory of the reason they even bothered to train ‘colored men’ to fly.
    GO SEE “REDTAILS!!!”
    3. We live on L.I., and had 2 or 3 of the 4 surviving Tuskegee Airmen living here. The Cradle of Aviation Museum here (yeah, every knows, from where Lindbergh embarked!!) had them there, and I made my sons & 2 of their friends go wit us, and take pictures with them, because these men ARE LIVING HISTORY, WHETHER THE LEARNED IT IN SCHOOL OR NOT!!

  • Anonymous

    I am a big Star wars fan and my emphasis is on 20th century warfare so this movie is right up my alley. I remember GL making the statement about making Red Tails about ten years ago and I am so glad its coming to the big screen. We can say what we want, but I am noticing more and more tributes and events focused on the Tuskeegee airmen since the first preview came out. I for one, love that. 

    we all know how Hollywood works. 

    We also know how the school system works. I am glad that someone white is putting their money where their mouth is. 

  • Diamonds_06

    This

  • Guest

    And why would you support an industry that tells you that Black men with black women is offensive?

     Isn’t that  the same as defending the industry when Black people generally were considered too “offensive” for film and hollywwod? or when black men were too offensive to be leading men? why do black people regurgitate the same racist ideology to keep black women out of leading, romantic roles (and other positive roles) as racist white hollywood moguls of old? why are we defending racism just because rich movie moguls spew this racist crap? why are black male actors using this same excuse to justify eliminating black women (i.e. will smith has used this same sorry excuse). there is NO justification. if someone told you “sorry, i CAN’T be seen with you because you’re a black woman”, how is that any different from what hollywood is saying?Interesting that Hollywood didn’t have a problem with puttinng Eddie Murphy and Gabby Sidibe together in the same movie as they played disgusting racial caricatures in “Tower Heights”. That movie was seen by mani i n the mainstream, and noone accused it as being nnot worthy of seeing because two black actors of differing genders were init, and kissed, no matter how disgustingly portrayed.sick of it. everyone wants to coddle to racist, and join in racists mentalities. black men and white women and men of hollywood are intentionally using the power of media to  set black women to untouchable status worst than 100 years ago. and it’s a shame. 

  • Patty

    A Big slap in the face to Michelle Obama too, the first ever Black First Lady. One of her main campaigns has been supporting military families and soldiers  in every way.

    ANd Aaron McGruder and the other two BLACK MALE directors on this movie chose to leave out Black women, which could have taught young kids and teens just how much support Black women have given to  gave Black men in the military, and others Americans in general.

    Michelle Obama should tell them all to shove it, and kiss her beautiful Black a*ss. F*ck these people, seriously. You can do nothing right for them – Black men like McGruder and co, or white racists women and men.

  • Anonymous

    This is a great point . The majority of the people in the world aren’t white, yet we know that movies from the U.S. are marketed successfully in Asia.  The large majority of blockbuster movies don’t touch upon any particular culture at all, and if we’re talking about a romantic comedy or an action movie or a thriller, there are SO MANY times then actors of any color could be the leads.  We see that Hollywood has had no problem making huge hits with Denzel Washington, Morgan Freeman, Wesley Snipes, and Will Smith.  Yet they are either paired with no one or paired with a non-black actress b/c apparently having a black man show love or interest in a black woman like millions of them do everyday in real life makes it a “black movie” that as someone pretty accurately said, is apparently distasteful to white Americans.

    How sad that the portrayal of real black love and intimacy offends their sensibilities so much.  Is this part of some larger desire to maintain the beauty hierarchy both here and abroad?  B/c, why on earth would a black man pick a black woman if he has access to white, Asian, and non-black Latinos, right?  That seems to the be story that Hollywood likes to export.

  • Mickey

    I don’t believe that Hollyweird tries to make other races of women more accessible to black men. Why would they when they try to export the belief that most black men are all gang members, rappers,  drug dealers, killers, rapists and anything negative and stereotypical that you can think of. “Why would these women want such men?” is what many of them think.

    However, I agree with the stance that many white Americans do not want to see a “black movie” based on superficial beliefs about black people.

  • Mickey

    I don’t believe that Hollyweird tries to make other races of women more accessible to black men. Why would they when they try to export the belief that most black men are all gang members, rappers,  drug dealers, killers, rapists and anything negative and stereotypical that you can think of. “Why would these women want such men?” is what many of them think.

    However, I agree with the stance that many white Americans do not want to see a “black movie” based on superficial beliefs about black people.

  • Anonymous

    While assigned to Panama I went to and rented a number of movies, and they loved the action movies whether they had white or non-white leads. Good movies will sell anywhere, but they have to be marketed properly.

    I notice Hollywood doesn’t put the same grade on movies that don’t do well with a non-POC cast. How many romantic comedies with all/mostly non-POC casts have been flops, and yet they keep right on making them? 

  • Anonymous

    Romances in Europe were different from in the States. While there was still prejudice it wasn’t near the level practiced in the U.S.

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