By Guest Contributor Crunktastic, cross-posted from The Crunk Feminist Collective
What is wrong with this picture?
By Arturo R. García
Film critic Kartina Richardson sent us a link to the picture above, taken at a McDonald’s restaurant during a recent visit.
“We’re not as race conscious as we think,” she wrote. In fact, it demonstrates that neither Barbie nor McDonald’s has learned much in the wake of other race-related rows.
By Fashion Correspondent Joseph Lamour
Thanks to the Obamas are in order, fellow African Americans! Black people–like me!–can look in a closet and not immediately reach for the saggy jeans and other “street wear codes.”
At least, according to Elle France.
For the first time, the chic has become a plausible option for a community so far pegged [only] to its street wear codes…
-Nathalie Dolivo, in French Elle
Tendance [Trend] – Black Fashion Power
Nathalie Dolivo, a writer for the magazine’s blog, seems to think that since the Obamas are so fashion-forward, they serve as a public forum to inspire African Americans to dress more fashionably in 2012. First of all, lady, this is the fourth year of Barack’s term. You’re a little late with this intensely racist idea, aren’t you?
That’s not even the worst of it. Dolivo goes so far as to coin the term, and this hurts me to type it, “black-geoisie”. Now, we really should institute a “Sh-t Fashion Magazines Say” to add to the hundreds of others on YouTube. We have a wealth of material to work from. First we had Slave Earrings. Then we had the whole Rihanna, N*ggabitch debacle. To which Rihanna herself replied with a heartfelt “F*CK YOU”. And now this. It seems like American magazines are on their best behavior! Good work.
Dolivo uses a picture of Janelle Monae in the post to show how far we’ve come from over-sized pants, but Monae is a musician who’s particular style existed since her music was first released in 2003, well before this “black fashion renaissance” (Dolivo’s words, not mine) was to have taken place. And of course, much before public consumption as well.
The post has since been removed from Elle France’s website. Without an apology, I believe the magazine is hoping they can deny the post was published–or published in error, at least , if caught (too late for that!). Elle, you can’t un-ring a bell.
By Arturo R. García
Latoya will have more Sundance Film Festival coverage over the course of the week, but we’d be remiss in not extending congratulations to Ava DuVernay on winning the festival’s Best Director award this past Saturday for her second feature, Middle of Nowhere.
DuVernay made a well-received debut last year with I Will Follow, which she wrote and directed.
Nowhere, which DuVernay also wrote and directed, stars Emayatzy Corinealdias (Akira’s Hip-Hop Shop) a woman trying to keep herself up in the wake of her husband (Omari Hardwick) going to jail, with the emphasis on her own struggles in the outside world, rather than her husband’s jail time.
“It touches the prison wife’s tale,” DuVernay told It’sOnTheGrid’s Jason Scoggins “But really it’s a story about a woman who’s living within a relationship that’s imbalanced, which is something that a lot of women – and a lot of people – know a lot about.”
Like her last film, Nowhere was picked up for distribution by Participant Media and AFFRM (African-American Film Festival Releasing Movement), which DuVernay founded to help African-American independent films get increased limited engagements, so her latest effort should be hitting some more film festivals later this year.
We’ve posted DuVernay’s chat with Scoggins, in which she talks about making Nowhere without telling her clients at her other job (she worked as a publicist before becoming a filmmaker), among other subjects, under the cut.
Co-directed by Palestinian filmmaker Emad Burnat and Israeli activist Guy Davidi, the images in 5 Broken Cameras are beautiful, haunting, and bring about dozens of other questions about the history of the occupation and the tactics around love and resistance. Thanks to their fabulous publicist Eseel, I got to interview Guy and Emad and ask them about their lives, their work, and what they think the future holds for Israel and Palestine.
Emad: It has been a sometimes good experience, a sometimes bad experience. In 2005, when I started to resist with my village, I decided to film to protect myself and to protect the other protests and to show the footage for other people, and to use the footage sometime to prove what is going on. Over the last seven years, [I documented] how what happened in the village affected me, my family, my children, and my friends, week by week. After many years of documenting, I thought that there was a huge story that I have to tell to other people. We decided to construct a documentary from my personal life and personal story. [5 Broken Cameras] is not a political film or just a film about conflict – it’s a film about life, and how the people can survive and how people live, and how kids grow up. For my kids, everyone loves those boys, and I wanted to make for them a good life, I wanted to take care of them, and protect them. I can’t tie them in the house every day, keep them 24 hours in one room. This is our life, like this. I tried to build for them a good life and a good situation. And I wanted to put my life and my experience in the village in one documentary.
Maybe [other people, in other parts of the world] see footage on the news, but they don’t know the reality and they don’t know the life of these people. I hope that this film does make some change, so we can change the life for everyone – in Palestine and Israel.
Guy: I came to Bil’in in early 2005, one of the first Israeli peace activists that came. I was already interested in what was happening in this movement, I wanted be a part of it. My first main motivation is a bit selfish, it wasn’t just to help the movement – it was also for me. Israel is like a ghetto – it is closed, like a bubble, not sensitive to the others. You’re not allowed to go here, not allowed to go there – so I wanted to break that. I wanted to live in a free way. If we live in a free way, we have to confront the shadows – and what happens in the shadow is in Palestine and the settlements.
So I met Emad. He was a very known character from the start, because he was the only cameraman who was basically staying in the village all the time. He became what we say in the film, “the village’s eye.” So we met many times while filming. We didn’t work together until 2009, when Emad approached me to make the film, so we decided to make it as a personal narrative. When I thought in the beginning to make a film on Bil’in, there were many that were similar. We had to have a new and refreshing take and I was happy to find out in the material that we could tell the story in this very intimate and personal way. You could see in the world both the context of the movement and the occupation, and you can have a really intimate family moments.
Guy: First we have to know that there are many kinds of settlements and many kinds of settlers. It is the Israeli machine that is making it move. These are not necessarily ideological settlers going because they want to conquer the land or wipe out Palestinians. They just want to improve their lives. The government is subsidizing the apartments in the West Bank, and using [the people's] financial circumstances to move an agenda forward. Some settlers don’t know what is going on – the way Israel is designed, you can travel through parts and not really know where you are. Some settlers do know what’s going on and don’t care. And then you have a very small minority, a violent minority, the fundamentalist Jews that are creating terror in Palestine. They are small, but noisy and strong. If Israel would like to change its ways, they will have to find a way to root out the fundamentalists, to pull the weeds. Continue reading
by Guest Contributor Jessica Annabelle
CeCe and several friends, all black, were walking to the grocery store on June 5th, 2011 when white adults standing in the patio area of a South Minneapolis bar started screaming racist and transphobic slurs at the youth. CeCe, who is only 23 years old, approached the group and replied that she and her friends would not tolerate hate speech. In response, one of the white women said “I’ll take you bitches on” and smashed her glass into CeCe’s face. The broken glass sliced all the way through CeCe’s cheek. A fight ensued between the adults and the young people after this initial attack and one of the attackers, Dean Schmitz, was fatally stabbed.
As if it were not sufficiently tragic that a group of young people were subjected to such severe violence and that Dean Schmitz lost his life, police arriving at the scene arrested CeCe, denied her adequate medical treatment, interrogated her for hours, and placed her in solitary confinement. In the aftermath of being attacked, she was not treated with care, but launched into another nightmare. The only person arrested that night, she has since been charged with two counts of 2nd degree murder. Hennepin County Attorney Michael Freeman has the power to drop these charges, a choice he made in multiple other clear instances of self-defense this year, but he has not yet done so.
CeCe’s story is a portrait of the United States Criminal Justice System. Her story is what is meant when we are told that transgender people, especially transgender women of color, experience disproportionate rates of police harassment, profiling, and abuse. She is living one of the stories rolled into statistics like: trans people are ten to fifteen times more likely to be incarcerated than cisgender (not transgender) people, or nearly half of African American transgender people have spent time in jail or prison. Continue reading
“By healing, you resist oppression. – Emad Burnat”
5 Broken Cameras is a story of living in the shadow of oppression, a moving portrait of vibrant resistance through the unapologetic embrace of life itself. Set in the small Palestinian village of Bil’in, the story and narrative belongs to Emad Burnat, who became the eye of the village and ultimately chronicled over five years of activism. The people of Bil’in found their lands being encroached on by the building of a new settlement, and the wall to protect that settlement. They protest peacefully, marching up to the wall each Friday and thinking of new actions and demonstrations to stop the advancement of the settlement.
During this time, Emad also had a son, Gibreel, which brought his total brood to four. Emad mentions that each of the boys knows a slightly different world. The eldest was born during the Olso Accords which meant that he grew up with more freedom and mobility. Gibreel, on the other hand, mixes his first words of “mommy” and “daddy” with “army,” “cartridge” and “run! run!” If it weren’t for the ever present undercurrent of violence, Emad’s life would almost be seen as idyllic: a loving family; a large, involved village; numerous dances and celebrations are cornerstones of the life they create. Their marches are also full of hope and some humor. At one point, tired of the late night raids on the village, a group of children march up to the wall, chanting “We want to sleep! We want to sleep!” The situation in Bil’in gained international attention, and groups of Israeli, German, and other activists come at various points to show their support and solidarity. However, violence is never far enough away, and the promise of more hangs over Bil’in like a cloud. Continue reading
After a series of high-profile hate crimes in B.C., including damage to a Jewish cemetery in Victoria last month – and recent criminal charges for the burning of a Filipino man and assaults on Black, Hispanic and Native people several years ago – anti-racist activists are organizing a renewed drive to stamp out racism in Vancouver.
With three alleged members of the hate group Blood and Honour facing trial – one of them tomorrow – for a string of attacks on people of colour, several groups are organizing around the upcoming February 13 trial of Alistair Miller and Robert de Chazal.
The pair – who were arrested in December – are accused of pouring kerosene over a sleeping Filipino man and lighting him on fire in 2009, and then attacking a black man who intervened. Tomorrow’s trial centres around another alleged Blood and Honour member, Shawn MacDonald, charged with separate attacks on an Indigenous women, a Hispanic man and a black man in Vancouver.
“We’re interested in building an anti-racist campaign,” said Krystle Alarcon with the Filipino-Canadian Youth Alliance (FCYA). “People think of multicultural Canada, and of Vancouver as a beautiful and diverse city. But racism exists in Vancouver.
“These were very clear acts of outright racist ideology.”
The comment that the civil rights movement of the 1960s could have been settled through a national or southern states voter referendum stunned Assembly Speaker Sheila Y. Oliver (D-Essex), who became the first African-American woman to head the lower house in 2010.
“Gov. Christie better sit down with some of New Jersey’s great teachers for a history lesson, because his puzzling comment shows a complete misunderstanding about the civil rights movement,” Oliver said. “It’s impossible to ever conceive that a referendum on civil rights in the South would have been successful and brought justice to minorities. It’s unfathomable to even suggest a referendum would have been the better course.
“Governor – people were fighting and dying in the streets of the South for a reason,” the Assemblywoman said. “They were fighting and dying in the streets of the South because the majority refused to grant minorities equal rights by any method. It look legislative action to bring justice to all Americans, just as legislative action is the right way to bring marriage equality to all New Jerseyans.
Is Tebow’s privileged status from just being white (male heterosexual Christian), or is it from just being Tebow (the Florida Gator God)? While the answer is “both”, a closer look is necessary to see how much Tebow’s privileges extend to other white NFL quarterbacks.
One of Tebow’s greatest privileges has been his “freedom to fail”. When he had a truly atrocious training camp, he wasn’t cut, but promoted to back-up. When his humiliating loss against the Lions revolutionized the term “incomplete pass”, he was still granted another start. When his arm failed, the offense was changed to suit his legs. If he was terrible for 58 minutes, he was never benched for the final two (yes, I’m looking at you Mike Shanahan). Those last few magical minutes were called “Tebow Time”, but never “John Fox Time” (Denver’s head coach). The difference between Jesus and football is that NFL Resurrections require a coach’s permission.
Lee had stunned an audience of as many as 1,000 people at the festival’s Eccles Theater into silence on Sunday when, responding to an audience question from Chris Rock, he said that “they [studios] know nothing about black people … and they’re going to give me notes about what a 13-year-old boy and girl are doing in Red Hook? [Shoot] no,” he said, repeating it several times, only without saying “shoot.”
On Monday, Lee said he made the film because he felt Hollywood had shirked its duty when it came to portraying young people of color. “One of my favorite films is ‘Stand by Me.’ But there’s no black person in it. It’s a great film, but where’s the African American version? You know, kids growing up. It doesn’t have to be all ducking bullets and.…”
During the news conference more than two dozen Tea Party activists handed out material that said, “Neglect and outright ill will have distorted the teaching of the history and character of the United States. We seek to compel the teaching of students in Tennessee the truth regarding the history of our nation and the nature of its government.”
And that further teaching would also include that “the Constitution created a Republic, not a Democracy.”
The group demanded, as they had in January of last year, that Tennessee lawmakers change state laws governing school curricula. The group called for textbook selection criteria to include: “No portrayal of minority experience in the history which actually occurred shall obscure the experience or contributions of the Founding Fathers, or the majority of citizens, including those who reached positions of leadership.”