WB taps Tom Cruise to play Billy Cage–née Keiji Kiriya
Instead, the production went out of its way to retool the script, erase Keiji’s name and ethnicity, and essentially, lock Asian American actors out of one of their only chances to star in an action movie this decade.
Impact on Performers and Communities of Color
Our concern is that Warner Bros casting practices employ racebending to reinforce the systemic racism that is already present in Hollywood. Setting Akira in neo-Manhattan could have been a great opportunity to reflect the diversity in modern day New York City, opening up lead role opportunities for not only Asian Americans but also other performers of color. There was ample opportunity for Warner Bros to demonstrate a commitment to diversity by finally casting a young lead actor of color.
Likewise, casting an Asian American in All You Need is Kill would not have locked out white actors from other lead roles in the movie, especially since nearly all Warner Bros movies feature white lead actors.
Harold and Kumar (from back in 2004) aside, it doesn’t seem like Warner Bros is interested in developing unknown Asian American talent–even though they are more than ready to whitewash several lead characters that were Asian to accomodate white actors.
Not to mention, Warner Bros will also be presenting a yellowface joke in it’s Christmas release, Sherlock Holmes: A Game of Shadows.

(Awkward coincidence given the whitewashing of roles in Akira and AYNIKis a modern evolution of yellowface..)
Not confidence inspiring.
Maybe Asian American actors are like poor Keiji Kiriya: doomed to constantly relive missed opportunities. When the rare Asian lead character comes along…
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