Beyonce might not completely run the world, but she’s certainly dominated the blogosphere news cycle since the release of the video for “Run The World (Girls).” Rather than each of us having a go at analyzing the song and the video, we decided it best to get together online and talk about not just the message Beyonce’s song is promoting, but how it fits in with other representations of Girl Power, as well as the song’s problematic backstory. Read the Post Table For Three: The Racialicious Roundup on ‘Run The World (Girls)’
While some critics are rightly noting the confusing and inaccurate message of Beyoncé’s new single “Run The World (Girls)” in the context of a world controlled by patriarchy, her song/video also raises the issue of how peoples, artists, and cultures from the global south are referenced and represented by artists from the first world. Several layers of referencing go on within this song/video, which makes this discussion a lot more complicated, lengthy and, at the same time, all the more necessary.
Please bear with me. This is an important conversation to have because of the ways in which this kind of sampling reinforces disparities of privilege and power. Furthermore, its important to note the ways that the profits and opportunities produced from this referencing are disproportionately transferred to people with white privilege or benefiting from larger structures of white supremacy.
I want to be upfront about my position as a white man from the United States. Recognizing my own privileges in this dialogue, I welcome critique and debate and I’m writing this in large part because I want to see what kind of conversation these issues can generate.
Shaquille O’Neal announced his retirement from professional basketball Wednesday in the video posted above, telling his fans, “We did it. Nineteen years, baby. Thank you very much. That’s why I’m telling you first: I’m about to retire. Love you. Talk to you soon.”
O’Neal leaves the NBA with four world championships under his belt, capping a resume that includes 28,596 points scored – good for fifth place on the all-time scoring list – along with 14 All-NBA Team selections, 15 All-Star Game selections, an Olympic gold medal and 13,099 rebounds. But – and this is a guess – it’s perhaps more satisfying for O’Neal that he was able to one-up his idol, Wilt Chamberlain: not only did he win, not only did he command attention, but he got people to “root for Goliath,” defying Chamberlain’s famous lament. Read the Post The Big Chill: Shaquille O’Neal Retires
Once again, let’s take a comic-book company’s statement and compare it to what’s being presented. Our subject this time is Bob Wayne, Senior Vice-President of Sales for DC Comics. Here’s an excerpt from a letter he sent to comics retailers Tuesday:
In the time I’ve worked at DC Comics, I’ve witnessed any number of industry defining moments. But today, I bring you what is perhaps the biggest news to date.
Many of you have heard rumors that DC Comics has been working on a big publishing initiative for later this year. This is indeed an historic time for us as, come this September, we are relaunching the entire DC Universe line of comic books with all new first issues. 52 of them to be exact.
In addition, the new #1s will introduce readers to a more modern, diverse DC Universe, with some character variations in appearance, origin and age. All stories will be grounded in each character’s legend – but will relate to real world situations, interactions, tragedy and triumph.
Here’s the punchline: the statement was released the same day as the picture posted above: an almost all-white cast for a new Justice League comic. So right off the bat, this “more diverse” DC Universe looks like those “more colorful” NBC ads. But there’s other reasons Wayne shouldn’t be crowing just yet.