Why Did I Get So “Sensateeve”?: Homophobia and Tyler Perry’s Black Marriage Franchise
Our second brief moment of homophobia in Perry’s sequel makes an appearance on the boat in the Bahamas while the boys are hanging out and fishing. Mike has just admitted he misses his ex-wife Sheila (Jill Scott) and is crashing the Bahamas couples retreat to try and get her back. When Mike is less than receptive to his friends’ jabs, aka “Sheila don’t want you no more,” Gavin (Malik Yoba) teases Mike for being “Sensateeve”. Also known as the international black gay version of the word “sensitive.” Black men are never supposed to be seen as sensitive of course, let alone “sensateeve.” It is interesting that both these moments center on a character portrayed as essentially “the problem” in an otherwise ideal marriage. There’s an exploitation of a broad stereotype in there somewhere keep digging. The most pronounced moment of homophobia is given to us toward the end of the film when Pat (Janet Jackson) finally confronts her soon to be ex-husband who has been arguably extorting her for money she earned as a successful author. Pat steps into the room with some fierce black and white heels, a black fitted pantsuit, and a slim tie. Suggesting of course masculinity, and with it, power.
She ushers in a giant cake that is rolled in as her husband uncomfortably watches his employees sing him “Happy Birthday” on his wife’s request. After several previous scenes of marriage decay between the two we are still not quite sure why things are over, only that he says she no longer loves him, and maybe she thinks he’s immature. After the “birthday” serenade is over Pat gives the order and a skinny black man, dressed in glittery skin tight spandex, and a loud lollipop colored wig emerges from the cake working it better than Marilyn Monroe might have. Here Pat accuses Gavin for being a “bitch” by trying to steal money he did not earn, and one assumes the “bitch” in this metaphor just popped out of the cake. One has to assume this, otherwise why the show?As Gavin walks away Pat follows repeating her accusations and threatening to fight for what is hers. The moment is supposed to call to mind Angela Bassett burning her cheating husband’s clothes in “Waiting to Exhale” maybe, it is supposed to be a victory. For the most part it falls flat, it climaxes unexpectedly and we end up in the hospital (lawd), but mostly it is unsuccessful because the entire time you’re wondering why a skinny flamboyant guy wearing what can only be described as “Ompaloompa Chic” just jumped out of a cake, and what that has to do with a crumbling marriage. Is she trying to tell him his homophobia ruined their marriage? Nah, I think she’s just trying to tell him he’s a “bitch.” You know, “punk,” “sissy,” “fag.” Sigh. So take all this as you may. I may be reading way too much into it. I may be watching way too many Tyler Perry movies just to complain about them. But the picture I get here is this: black marriage is hard, black marriage is not for punks, or bitches. And if your Black marriage is falling apart, first check to see that you’re not married to one of them, they kill marriages.
Or maybe I’m just being a little Sensateeve.
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