On the Gay Girl in Damascus Hoax and Filtering Our Stories Through a White Lens
I wonder how did Gay Girl in Damascus amass such a following, while other activists and bloggers did not? Probably for the same reason Peggy Seltzer’s memoir was a literary darling until they discovered it was fictional, and why a young white able-bodied male college grad could make headlines by explaining that poverty isn’t so bad after all. Writing from a white western perspective confirms a white western perspective. Or to put it more simply, like recognizes like. Clearly, people were able to find Syrian activists, writers, and bloggers to go on the record about this in the aftermath – where were their voices before?
This whole drama hearkens back to the enduring issue of diversity in media. Most people can see, visually, the lack of racial/ethnic diversity and a failure to incorporate women into the higher echelons of news and culture institutions. But the problem runs far deeper than that. Who do we consider an expert? Frustration is the only word that came to mind when the news coverage of the MENA region started and television networks could deliver me nothing that wasn’t filtered through a white man over the age of fifty (and in some cases, someone who may have directly contributed to the cause of the unrest). How can we adequately frame issues from around the globe without featuring voices from around the globe? Traditional news has always been about selection – what a roomful of men thought the world needed to know about. When I interviewed Derrick Ashong from Al-Jazeera’s The Stream, he mentioned:
Ashong pointed out that media has traditionally been a top down kind of business, where a handful of people were expected to curate what was newsworthy for the masses.
“If I turn on CNN, I won’t hear anything about [what's] going on in Africa unless there’s a conflict to be covered or a tragedy. As a person born in Africa, that’s unacceptable to me. It isn’t that there’s no news being created, it’s just that we won’t hear about that news.”
We have come to a sad state of media affairs when fictional creations receive far more attention than those actually putting their lives on the line, and that the stories of “others” are only worth telling once they have been co-opted.
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Further Reading:
“The story of a gay girl in Damascus or, a straight guy in Edinburgh” [Daily Maverick]
Doree Shafir on White Intellectual Norms Post-Seltzer [The Doree Chronicles]
Daniel Nassar on “The real world of gay girls in Damascus” [The Guardian]
Liz Henry on Amina and Fictional Blogging [Composite]
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