Review: Making a Killing: Femicide, Free Trade, and La Frontera

By Guest Contributor The Feminist Texican

Note: Trigger Warning

Since the days of Prohibition, Juarez has been a place for First World visitors to come and indulge in any number of illicit pleasures (alcohol, guns, drugs, sex). It is also the site where global capital has been making a killing to the tune of billions of dollars in annual profit…Because pollution laws are conveniently lax, the factories can emit fumes and dump waste without much concern or coversight. For all these reason, the U.S.-Mexico border has been made into something of an international sacrifice zone.

I’m not sure how old I was when I first heard about the women who were being sexually violated, horribly mutilated, and discarded like garbage in the desert surrounding Ciudad Juarez, Mexico. The femicide that has claimed the lives of hundreds of women–with thousands more unaccounted for–began in 1993, although no one can really know for sure. Looking at several of the time frames listed in Making a Killing: Femicide, Free Trade, and La Frontera and doing the math, I was stunned to realize that I’ve been hearing about this femicide for at least fifteen years now. Over the years, I’ve been even more stunned to learn how many people still don’t know that the murders are even taking place.

Continue reading

Open Thread: U.S. Forces Find and Kill Osama Bin Laden

By Arturo R. García

A transcript of President Obama’s remarks from Sunday night is under the cut. But we’d also like to get your reaction to the killing of Osama Bin Laden, carried out during a U.S. military operation in Pakistan. Did you first hear the news on Twitter? Did you witness or take part in celebratory gatherings like the ones in Washington D.C. and New York City? What are your thoughts on those celebrations? What happens now, not just in America, but in the Middle East?

Continue reading

links for 2011-05-01

  • "His work as a regional booster behind the scenes and in front of the camera has garnered him many accolades, including a Spirit of Detroit award at his 40th birthday bash in January. So recognition from the local branch of the NAACP should come as no surprise — except that Kid Rock, a longtime aficionado of Southern rock, also is known for using the Confederate flag in his on-stage act."
  • "All the racial mixing isn’t idealized, and isn’t untouched by the reality of race in America today. Brian’s ability to move from one side of the law to the other seems as much the result of white privilege as it does bad screenwriting. And it’s useful to remember that most of the nonwhite characters aren’t upstanding businessmen or girls-next-door—they’re robbers and car thieves. But the weird excitement of these movies, if you take them together, is how they distort reality to create the illusion of revolution. The movies give us felons who seem, even unwittingly, like they’re fighting for something—say, for the normalization of racial integration at the movies. Some of us grimaced when John Singleton, the director of 'Boyz n the Hood,' signed on to direct the first sequel. It seemed desperate. He should be out doing something important, we thought—but, as it turns out, that’s exactly what he was doing."