POCs on the DL: Color-coding & Your Favorite TV Shows [TV Correspondent Tryout]
Jackson Avery from Grey’s Anatomy: William’s case is also interesting. The show’s producer Shonda Rhimes, one of the few African Americans helming a primetime show, has done an admirable job providing audiences with a diverse cast in Grey’s Anatomy. The characters of Bailey, the Chief, Yang, and Torres are clearly developed as African American, Korean American or Latin@ characters. Avery, Williams’ character, is much more ambiguous, as showcased when Avery’s grandfather, a legendary surgeon, appears in all his white prestige without the show so much as a touching upon a multiracial family discourse. This is juxtaposed against the development of Cristina Yang’s character, where the running joke of her “Jewish faith” colors her reactions to social situations. Whether this was because producers felt that minority representation was at saturation point in the show or not remains to be seen, but Grey’s certain missed a chance to engage in some riskier family dynamics.
All this said, we shouldn’t forget that we, as viewers, have some agency in this respect, that coding is in a way our projections of what color a character should be. But ultimately, within the media industry, it’s the POC viewers who lose when characters are coded as white: we are invisible even to ourselves, no nuances or complexities are brought to the same tired roles, and valuable opportunities for dialogue or positive representation are lost again and again.
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