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Month: April 2011
By Arturo R. García
Marvel Comics has spared no effort over the past few years to redefine its’ Avengers franchise as a cornerstone: even before Marvel Films launched the series of movies – Iron Man in 2008, and this year’s Captain America and Thor releases – to culminate in the team getting its’ own movie, the company has made sure the Avengers were at the center of crossover stories like Civil War, Secret Invasion, Siege, and this year, Fear Itself.
“They’re the varsity. They’re the A-list,” Senior Vice-President of Publishing Tom Breevort told Comic Book Resources in an interview. “They’re the Man. They’re not about being super heroes because of demographics or ethnicity. They stand for something specific and occupy a certain role. If you don’t have some degree of that, then it doesn’t feel like Avengers.”
Unfortunately, an ensuing discussion of the criteria needed for a story to bear the Avengers brand went to some depressingly familiar territory.
Read the Post Race + Comics: When is Diversity ‘Contrived’?
Man. Had Hanna been Asian American, it could have been revolutionary. Just as a feebly…
By Guest Contributor Simba Russeau
Libyan President Muammar Gaddafi’s use of African mercenaries to quell the uprising against his autocratic regime has revived a deep-rooted racism between Arabs and black Africans.
Though most will deny its existence, in Libya discrimination is common not only against migrant black Africans, but also against darker-skinned Libyans, especially from the south of the country.
Read the Post Libya: Uprising Revives Entrenched Racism Towards Black Africans
By Andrea (AJ) Plaid
With all of the jokes about “Birthers” and Donald Trump’s toupee as well as the leftysphere excoriating the mainstream media for not taking Trump to task for his antics, Jack and Jill Politics’ Baratunde Thurston breaks down what we lost due to Trump’s BS.
Transcript after the jump.
When Erykah Badu walked naked for 13 seconds (when the video was shot, she had the full song sped up to one minute and 32 seconds, then slowed back down in editing), it was for her art and not sexual consumption. It’s a stance she feels contributed to the outrage. “We’re just not fashioned for [nudity],” says Badu. “Especially the Black women, the ‘Hottentot Venus’ women, big-booty women, the large posterior, with no shoes on and a scarf on her head, you know that ain’t sexy.” […]
“Society has a problem with female nudity when it is not . . . ”—Badu pauses to get her words together; she wants this point to be very clear—“. . . when it is not packaged for the consumption of male entertainment. Then it becomes confusing.” […]
“To me it’s like traditional performance art like Yoko Ono, or Nina Simone. Research some of those women. They all seem to live by the same theme: Well-behaved women rarely make history. Even looking at people like Harriet Tubman and those types of women. When you have strong convictions about something you know what you already gonna do. I look at some other videos. I’m not naming names, because I don’t want that to be mentioned. There is the thing with sexuality. I’m naked for 13 seconds, and these people are naked the whole time and gyrating and saying come “lick on my lollipop,” and “suck on my cinnamon roll,” and, you know, suggesting sex. People are uncomfortable with sexuality that’s not for male consumption. Could be ‘cause I did it in public too. Do you think people would have been complaining if I had on high-heel shoes?”
— From the June/July Vibe Cover Profile of Erykah Badu
Arise: Earlier, you called performance your therapy. Is performance how you deal with pain?
Erykah Badu: I accept pain as part of growing. Everyone goes through it. And in the process of it, it’s unpleasant, but I’m still peaceful and happy. Read the Post Quoted (Double Edition): Erykah Badu on Female Sexuality and Emotions