Palestinian Tech Firms Fueled by Israel, Google, Cisco, Intel – Fast Company The State Department…
Month: December 2010
by Latoya Peterson Last week, Tricia Rose was invited on PBS’ Need To Know for…
by Guest Contributor Rob Fields, originally published at Bold as Love World Festival of Black…
by Guest Contributor Tiara the Merch Girl
I often feel that I’m not taken seriously as a full well-rounded nuanced person when it comes to things related to eroticism, burlesque, sexuality, queerness, and so on. I have grown up constantly being the Other, having everything I do viewed through the lens of the Other, assumed to be the representative of the Other, rather than just a representative of myself and my myriad views and backgrounds. I’d make a piss-poor representative for any other culture or background anyway, given how I stick out like a sore thumb in all of them. Too foreign for Bangladesh, too Bangla for Malaysia, too Asian for Australia, too X for Y.
I have been introduced at burlesque revues as the “Bollywood Princess”- which ticks me off a lot, particularly since I have yet to do a piece that involves Bollywood in any shape or form. Not even a subcontinental song! Anything I wear automatically becomes “exotic” on me. For example, I have a beautiful red dress, with some gold embroidery, that I bought from an op-shop for a performance project. When I first wore it to a rehearsal one of the other girls there said “wow! It’s just so YOU!”. “Me” doesn’t tend to go for dresses very often (it’s only been in the last year or so that I’ve started wearing dresses and skirts more regularly). It only looks exotic because it happens to be red with some gold embroidery and on me it looks like I’m wearing sari cloth. On a Chinese person it’d look like a reimagined cheongsam. On a white person? A Snow White or Red Riding Hood dress. The dress itself isn’t especially exotic; what makes it exotic is the lens brought on by people’s perception of the wearer.
Similarly, I think people in queer scenes are so mystified by the presence of a Racial Other that they fail to comprehend that I could also be a Sexual Other too. I swear, I’ve been to so many queer events with a bevy of straight people, and THEY get the attention. There’s probably been two queer girls in my entire life that have shown even a smidgen of interest in me as more than just a friend. I don’t ping anyone’s gaydar. As my Redhead Girl said one time, here I am proclaiming to the world my sexuality and hardly anything’s opened up, while here she is denying her sexuality until very recently and already she’s got a strong support network and even a relationship or two. I suppose having a boyfriend doesn’t really help (“yay, another barsexual”?) but at least talk to me beforehand and not make assumptions?
Read the Post Exotic Taboo [Love, Anonymously]
by Guest Contributor Ay-leen the Peacemaker, originally published at Beyond Victoriana
In the wake of the Steampunk Kurfluffle that started with Charles Stross’ complaint against steampunk, Tobias Buckell wrote an interesting response about fantasy’s tendency to romanticize the past and mentioned his own work:
But ultimately, I share Stross’s discomfort, which is why my steampunk plays have often been about adopting the style and nodding to the history. Crystal Rain, what I called a Caribbean steampunk novel, is about Caribbean peoples and the reconstituted Mexica (Azteca in the book) of old with a Victorian level of technology, using the clothing/symbols of steampunk, but making their artificiers black.
Sadly, Crystal Rain, written in 2006, seems to have come out just before all the hotness, as it rarely gets mentioned as a steampunk novel whenever these celebrations happen.
So, now that my curiosity was piqued, I had to go out and get the book to see for myself how he handles steampunk before “the hotness.”
What’s so refreshing about Crystal Rain, besides the setting, is its clear positioning as a post-apocalyptic science fiction novel. The book takes place in the multicultural, multiracial country of Nanagada, a land outside of our known history. Little touches hint that Nanagada is a society rebuilding itself from a cataclysmic disaster that occurred centuries ago. A mysterious object called the Spindle drifts in the sky. Barren areas exist that sicken the men who attempt to cross them. The Preservationists work to restore some of the lost technologies from “the old fathers” from long ago under the authority of the new governess Dihana and engineers have just started taking advantage of steam technology. Over the mountain range beyond Nanagada, however, lives the society of Azteca, a fearsome rival. Equipped with air ships and goaded to war by their gods called the Teotl, the Azteca are preparing for invasion with Nanagada in its sights. Read the Post Caribbean Steampunk on a Distant World: A Review of Tobias Buckell’s CRYSTAL RAIN
by Latoya Peterson
The FCC is scheduled to vote tomorrow on a huge merger between Comcast and NBC Universal, which would create a new media mega-corporation. This has brought quite a bit of controversy over the future of the web, with many digital justice activists protesting the increase of corporate control over the web.
Angry Asian Man reports on an unexpected silver lining: the FCC has proposed that Comcast and NBC must improve diversity if they are going to complete the deal, to ensure minority broadcasters are not left out. According to ABC News:
Public interest groups have urged the Obama administration to reject the deal. They fear Comcast might charge other cable distributors higher fees to transmit NBC Universal-owned content, leading to higher cable bills, fewer independent programing choices and less competition.
Comcast said in agreements filed with the FCC that it would add four new cable networks either owned or partly owned by African-Americans within eight years if the deal goes through.
It would also expand an existing channel carrying Asian-American programing to more markets, or create a new English-language channel that caters to Asian-American interests.
More diversity on major networks is definitely something to celebrate, but I’m not so sure this is the major step forward as some are quick to claim.
Most of what I’ve heard about the merger has been from the net neutrality aspect. Back in August, Colorlines broke down why it was so important to keep an eye on Comcast:
The fight started because those scary scenarios about blocking and slowing traffic aren’t merely speculative. In 2005, Comcast blocked its users from sharing BitTorrents, which are popular ways to send and receive large files. The company claimed that it was preventing its users from committing copyright infringement, since the file-sharing platforms are often associated with quick and easy ways to get free music and movies. Read the Post Are We Willing to Give Up Netflix/The Open Web for Minority Focused TV?