How Oakland’s Hip-Hop Artists Made Oscar Grant One of Their Own

By Guest Contributor Eric Arnold, cross-posted from Colorlines
I am hip-hop!—KRS-One
I am Oscar Grant!—anonymous graffiti
As the Oscar Grant saga has played out over the past 22 months, the Bay Area hip-hop community—a multi-ethnic, multi-generational coalition of musicians, visual artists, activists, students and ‘hood kids—has stood at the forefront of the movement to hold police accountable for his death. Within a day of the New Year’s morning 2009 shooting, Oakland rapper Mistah F.A.B. and singer Jennifer Johns recorded a tribute song, which addressed not only the shooting, but the larger issue of violent deaths of young black men at the hands of police.
Over the past months, F.A.B. and Johns’ initial response has grown in the hip-hop world to encompass rallies, benefit concerts, panel discussions and lectures, spoken word ciphers, blog and vlog posts, even bike rides in honor of Grant’s memory. When former transit cop Johannes Mehserle’s trial was moved from Alameda County to Los Angeles, youth activists and organizers in L.A. picketed daily in front of the courthouse. It’s not a stretch to say that Grant has become the Lil’ Bobby Hutton of his generation—a young black man, killed by a police bullet, who has become representative of a larger struggle for self-determination.
“People have kept Oscar Grant on the public’s mind,” says Boots Riley of the Coup.
So, why? What has made Oscar Grant so resonate within the hip-hop community?
For one, as Riley says, “There’s no sidestepping the egregiousness of the act. It was a brutal murder.” But Grant’s youthfulness also can’t be ignored. Just 22 when he was killed, Grant was part of the hip-hop demographic. When other youth looked at pictures of him, they saw themselves, their siblings and their friends reflected in his toothy grin, black hoodie and watch cap.
Police accountability has long been a theme in hip-hop. For decades, rappers have decried racial profiling, brutality and corruption by law enforcement officers. Yet those efforts have been undermined on a national level by rightwing coalitions whose targeting of gangsta rap has also caught activist emcees in their crosshairs. By focusing on violent, sexually explicit lyrical content, hip-hop’s critics have muddled rap’s accountability message—while major labels, commercial radio and cable TV have shied away from promoting political themes in rap. As Mistah F.A.B. says of his Grant tribute (“My Life”), “The major corporations who have the ability, they’re not gonna play a song like that. That’s the last thing they want to do, is rally the troops.”
But while hip-hop’s engagement around police accountability may not have coalesced into a national movement, it has taken hold in the Bay Area’s activist-infused environment, where social justice and hip-hop have long overlapped.
The Bay’s unique combination of street-level organizing and numerous independent hip-hop groups that are unafraid to express themselves politically has come together around Oscar Grant. According to Riley, “The organizing hasn’t really stopped.” He adds: “I don’t accept this idea that people are apathetic.”
The legacy of Black Power is well-evident in Oakland, where ex-Black Panthers have become parents, in many cases, of hip-hop generationers. Add the Bay’s history of radical labor and student protest movements, and you have an explanation of why its hip-hop community has maintained a grassroots awareness and political consciousness not always present in major urban areas.
The Panther influence has clearly rubbed off on rappers like F.A.B., who says he recorded the Grant tribute out of respect and concern for the community. “Instead of going out and ignoring [the issue],” he says, “I felt I needed to bring awareness to it outside of Oakland, Calif., and outside of the Bay Area.”
F.A.B. adds that while he’s known for his street anthems and party songs, “There are many people who don’t know that I do conscious songs, uplifting songs, community awareness songs.” His tribute to Grant, he says, “got great reviews from family members and close friends of his.” And he certainly helped bring national attention to the cause by wearing an Oscar Grant t-shirt during an appearance on BET.
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