by Latoya Peterson
Last night, the first episode of Treme premiered on HBO.
I’ve already weighed in over at the Atlantic with my thoughts. Here’s a quick excerpt:
Watching the first two episodes of Treme, the meandering focus of the pilot quietly overshadows the revolutionary nature of the show. David Simon, David Mills, and Eric Overmeyer created a television drama showing working class and racial narratives that dare to reveal the perspectives of those involved. Known for breaking racial casting norms on television, The Wire introduced a cast of color to the overwhlemingly white ranks of a mainstream cable. The SMO squad recreated this dynamic again within Treme, placing the lives of affluent professors and investigators alongside musicians and bartenders, all making their way through the post-storm landscape.
As a viewer, Treme has the same feel as the critically acclaimed 90s comedy Roc, or August Wilson’s stage play Jitney–these works reveal the reality of African American lives, but are conducted with a measure of dignity, something that is hard to come by. One of Treme’s lead characters is named Ladonna, a Pam Grier type who is allowed to be both hard and vulnerable, shown as neighborhood enforcer, devoted daughter and sister, and loving mother, all during the same episode. These types of shows are about affirmation in a vacuum of constructed portrayals, of individually truthful narratives where people only expect to see pathology.
However, as a side bar to Racialicious readers, I watched the show with a group of other culture writers and bloggers – and their reactions were interesting to me in many ways. I’m still developing my thoughts on this, but I am wondering why there is an assumed cultural reference point for critique (most folks based theirs around the Wire, while I reached back to Roc and Jitney). I’m also suppressing the urge to randomly accost white people I see consuming media created by POC and ask them what they are getting out of it and why…not in a confrontational way, but wondering what conclusions they are drawing from the material.
But I digress.
Readers, did you tune into Treme? What were your thoughts?
About This BlogRacialicious is a blog about the intersection of race and pop culture. Check out our daily updates on the latest celebrity gaffes, our no-holds-barred critique of questionable media representations, and of course, the inevitable
Keanu ReevesJohn Cho newsflashes.
Latoya Peterson (DC) is the Owner and Editor (not the Founder!) of Racialicious, Arturo García (San Diego) is the Managing Editor, Andrea Plaid (NYC) is the Associate Editor. You can email us at firstname.lastname@example.org.
The founders of Racialicious are Carmen Sognonvi and Jen Chau. They are no longer with the blog. Carmen now runs Urban Martial Arts with her husband and blogs about local business. Jen can still be found at Swirl or on her personal blog. Please do not send them emails here, they are no longer affiliated with this blog.
Comments on this blog are moderated. Please read our comment moderation policy.
Use the "for:racialicious" tag in del.icio.us to send us tips. See here for detailed instructions.
Interested in writing for us? Check out our submissions guidelines.
Follow Us on Twitter!
- SuperBrother on Tyler Perry Hates Black Women: 5 Thoughts on The Haves and Have Nots
- Cece Duvall on Tyler Perry Hates Black Women: 5 Thoughts on The Haves and Have Nots
- Col on Casting Call: Lucy, the Mutant Human/Angel Hybrid Who Speaks with an Asian Accent (But is not Asian)
- ModernWizard on Casting Call: Lucy, the Mutant Human/Angel Hybrid Who Speaks with an Asian Accent (But is not Asian)
- Lisa on Open Thread: Kanye West and Yeezus
- The Evolution Of Hula: Traditional, Contemporary, And Hotel
- Table For Two: Man Of Steel
- On That Serena Williams/Steubenville Comment
- Barack Obama as our first Asian American President?: Part I
- It’s Time to Recognize All Dads on Father’s Day
- Casting Call: Lucy, the Mutant Human/Angel Hybrid Who Speaks with an Asian Accent (But is not Asian)
- Quoted: The problem with “Devious Maids” goes far beyond Hollywood
- Open Thread: Kanye West and Yeezus
TagsABC activism advertising african-american asian asian-american barack obama black blackface celebrities comedy culture diversity fashion feminism film gender glbt HBO hip hop hispanic history hollywood identity international interracial relationships latino media mixed race movies music muslim politics race racial stereotypes racism religion sex sexism sexual stereotypes stereotypes tv Uncategorized white youtube