By Deputy Editor Thea Lim A writer friend of mine working on a novel about…
Month: October 2009
by Guest Contributor Jenn, originally published at Reappropriate
This post is broken into two parts for the sake of length:
- Anti-Asian Bias in College Admissions?: Part 1 – An improper comparison
- Anti-Asian Bias in College Admissions?: Part 2 – In support of affirmative action
Since the implementation of affirmative action in the college admissions process, opponents of the policy have alleged anti-White and anti-Asian bias that reduces the chances of White and Asian high school students applying to elite colleges. Recently, a study conducted by Princeton sociologist Thomas Espenshade (published in the book No Longer Separate, Not Yet Equal: Race and Class in Elite College Admission and Campus Life) presented data that appear to support this notion.
First of all, I should point out that the primary data Espenshade analyzed were collected in 1997. But, it’s likely that the trends that Espenshade report remain in effect, since there have been no major changes to the college admissions process nationwide since then, nor have we seen significant changes in student demographics.
The “Scary Graph”: what does it mean?
Espenshade shows that middle class Asian students have a reduced probability of being accepted into private universities compared to students of other races (I re-created the graph below from page 7 of this presentation of Espenshade’s data, eliminating upper- and lower- class students, but the trends are roughly the same).
This graph looks pretty alarming until you consider the following applicant demographics, compared to national demographic information:
What this graph is showing you is that while Asian Americans are roughly 4% of the U.S. population, we represent nearly a quarter of all applicants to the institutions studied by Espenshade. For some universities, this can reach as high as 1/3 — and many of these applicants boast high SAT scores and high school GPAs. Many of these students also come from higher-income families compared to Black and Latino applicants, and therefore have access to better educational opportunities to help improve their scores. In addition, Espenshade’s data show that, compared to other races, Asian American applicants appear to preferentially apply to private institutions, which causes an even more dramatic increase in our applicant number.
Read the Post Anti-Asian Bias in College Admissions?: Part 1 – An improper comparison
By Guest Contributor Tami, originally posted at What Tami Said
Fat, black woman. Big, black chick. Those descriptors are lazy comedy shorthand in a racist, sexist and sizist society. Want to bring on the cheap laughs? Then trot out an over-sized, brown-skinned lady. Even better, despite her fatness and blackness, give her a more than healthy opnion of herself. See, that makes it doubly funny, see, cause even though everyone knows neither black women or fat women are hot, this character doesn’t seem to know this and actually behaves as if she is attractive and worthy of amorous attention.
See how it works? I’ve come to expect black women, especially plus-sized ones, to be the butt of the joke in low-brow comedy films–the sort of flicks commonly associated with Eddie Murphy, Rob Scheider or Tyler Perry. But usually your benign, weekday sitcoms eschew hateful comedy. I’ve been watching NBC’s Amy Poehler vehicle “Parks & Recreation” off and on this season. I want to like it. I’m a fan of “The Office” and generally find Poehler charming. Each time I tune in to the show I hope it will be better. But last night, “Parks & Recreation” lost me for good. Because I can’t relax and laugh in the face of the dehumanization of women.
by Carmen Van Kerckhove Addicted to Race is our weekly talk show podcast about all…
By Guest Contributor Angry Asian Man, originally published at Angry Asian Man
I apologize that this took so long… At long last, here’s the final winner from our Secret Identities Superhero Contest, where readers were asked to submit their own original idea for an Asian American superhero. We would have posted this sooner, but understandably, superstar comic book artist Bernard Chang is a busy man. So without further ado, here is Hush by Juli Martin, as rendered above by Bernard Chang.
We apologize for the long delay, but we were set on having Bernard Chang, the superstar artist behind Greg Pak’s THE CITIZEN in SECRET IDENTITIES, bring this last winning hero to life–in part because he also happens to be the artist for DC’s WONDER WOMAN, making him the perfect guy to visualize this powerful female hero. Unfortunately, as you might guess, Bernard’s a busy guy!
As for why we picked Hush as a winner in our contest: We loved the uniqueness of Hush’s background–how many other lesbian, transracially adopted superheroines are there in comics? Not enough!–and the rich emotions at play in her characterization. We did end up editing aspects of her power and origin, however, both to make her code name make sense and to bring her power away from that of other characters.
We also liked the notion of turning a vulnerability into a power: In this edit, Jane goes from self-imposed isolation and emotional repression to becoming superhumanly empathic; we thought that it was really interesting that such an ability would turn her into a formidable opponent. Think about it: If you could instantly read a person’s emotions and responses, and react with exactly the right physical or verbal cue, you’d be both a killer hand-to-hand combat artist and a devastating manipulator, wouldn’t you?
All in all, a great character, like the other three we discovered through this contest. With any luck, this won’t be the last we’ve heard of any of them!
Abandoned as a newborn, Jane was adopted from Korea by a wealthy white couple at four months. After unexpectedly having two biological children, Jane’s adoptive parents feel they have no use for her, and when she comes out as bisexual at age 13, they kick her out. She is shuffled through the foster care system until aging out, at which point she moves to The Center, a cooperative home for homeless LGBTQ youth. Abandoned so many times, she now calls herself “Jane Doe.”
Jane is a queer femme woman, slim build, 20. Her black hair is cut choppy and asymmetrical, streaked with electric blue. Her style is edgy and futuristic, in black, gray and blue. Read the Post Secret Identities Superhero Contest Winner: Hush
Making queer Chicana experience comedic affirms our pains and glories – hijole, just the fact…