Crazy From The Heat: The End Of Summer TV Roundup

Glee1

By Special Correspondent Arturo R. García

These have truly been depressing days. Bad enough that the past few weeks of summer television hasn’t given us anything to rave about. But not even the bad stuff was inspiring – there was nothing that brought out the sweet, bileful taste of anger.

So thank you, Fox, for bringing Glee back into my life.

Like the Tea Party protests its’ parent network supported, this show is an astroturf “grassroots phenomenon” – not just a rip-off of both every other high school comedy you’ve ever seen but every recent musical Disney and Nickelodeon have shoved down our throats, but the new pet cause of a fanbase that can’t wait for Randy, Ryan and Simon to drive your parent’s pop hits further into the ground.

The series’ rise to prominence is especially disturbing when its’ characters of color make Long Duk Dong look nuanced. Mercedes (Amber Riley) is not small, calls co-protagonist Finn (Cory Monteith) “white boy” and “Justin Timberlake” compares herself to Beyonce – what the hell is wrong with Kelly Rowland? – and sings Aretha at her audition. Tina (Jenna Ushkowitz) is Asian, Hollywood “gothy” and … well, that’s about it. At least she has hope for development in the future. And Principal Figgins is a relentless cheapskate, which I normally wouldn’t worry about except for the role being played by Iqbal Theba, who was born in Pakistan. But hey, at least Figgins isn’t driving a cab.

I really don’t want to be this skeptical, but when every character on the show is a damn caricature, and presumptive “hero” Will (Matthew Morrison) is an irresponsible manipulative wuss (he cons Finn into joining the team; he’s willing to leave his job without having another one lined up, despite his being a father-to-be), that’s the kind of reaction this show inspires – if you can’t root for your protagonist, you can’t trust your characters.

The musical selections are almost as played-out as the character types. The first episode’s finale, set to Don’t Stop Believin’, was bad enough in that it sacrificed what could have been good underdog stories about these kids learning to be a real choir for the sake of iTunes. But what really chops my hide is what’s to come: renditions of “Gold Digger” and “Push It” where Finn appears to get “funky.” You have been warned. And I’m rooting for Jane Lynch and the Jocks.

Man, that felt great. Let’s see, what else has been on?

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* Bollywood Hero could’ve been fun, if it had really been about Chris Kattan, rather than “Chris Kattan.” Instead of CK honestly making a go of it in the Indian film market, though, we get a fish-out-of-water comedy about a B-lister in the sun. Bollywood is positioned as the Other Industry, and though Neha Dhupia, Pooja Kapur and Ali Fazal acquit themselves best (Rachna Shah, alas, gets turned into a “spiritual being”), this mini-series was surprisingly mundane for something shown on IFC.

* I don’t know what The T.O. Show was supposed to be, but it ended up being
unintentional (?) comedy gold. From Terrell Owens’ introduction every episode (“the most unstoppable force in football”? HAHAHAHAHAHA!) to the premise (How to re-humble a historically unfocused locker-room cancer? Move to L.A.!) to the “surprises” (Ex-girlfriend #whatever shows up at the wedding? No Way!), this show proves Owens would be better off competing with Mario Lopez than Larry Fitzgerald. At least in a dressing room mirror T.O. can see someone he loves every day. But, not ’til this season’s done – I drafted him for my fantasy football team. Go 4-points-per-reception stat-padding!

* Dating In The Dark offered a cringe-worthy moment in its’ fourth episode, when two POC contestants, Amit and Misty, reacted unfavorably to each other: Amit seemed to have a “Wow, you’re black!” moment, but in the end, his lack of height was too much for Misty to overcome. Interesting stat: apparently the women did more rejecting than the men by a wide margin.

* Now, here’s some good news: The Comic’s Comic reports that Tehran native Nasim Pedrad, a UCLA grad and member of the Upright Citizens Brigade comedy troupe, has been named to the cast of Saturday Night Live. Whether that means good characters for her remains to be seen. And, as you might have seen advertised on TV, George Lopez has his own talk show on TBS, debuting Nov. 9. As someone who’s watched the rise of Jimmy Fallon in horror, I can’t help but wonder if Lopez’s show will serve as a litmus test for future POC late-night hosts.

* And one final note for fans of the Roundtable: Heroes returns Sept. 21. That sound you hear is the sharpening of snark.

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Trackbacks & Pings

  1. don’t stop the music! « Molecular Shyness on 16 Sep 2009 at 11:26 pm

    [...] all that said, it should be no surprise that I love Glee.  I do.  Comments have been made about inappropriate musical choices and cheesy, awful stereotypes – and I get that.  I [...]

Comments

  1. jmn wrote:

    I’m glad you guys are watching Heroes, so I don’t have to. Your roundtables are way more entertaining than the show itself. Having said that, I can’t wait to see what’s next.

  2. LadyOfSpring wrote:

    I’ m so happy someone finally said what I couldn’t about Glee. I watched it last night when I found out Nip/Tuck’s creator made this as well. It was cute but if I see one more sassy black girl on TV I’ll go crazy.

    Why couldn’t she be the over achiever or the clean freak instead?

  3. Betty Chambers wrote:

    I watched the first ten minutes of Glee, and that was enough. I’d never watch it again. I’ve had enough of the sassy fat black chicks who can sing and dance. The show wasn’t funny either.

  4. 7thangel wrote:

    finally, someone that isn’t blinded by the overhyped ‘glee’ and it’s suspect writing.

    it’s getting harder and harder to watch these shows.

  5. Katarin wrote:

    I agree with you completely on Glee. It’s bad enough that the poc characters are stereotypes, shoved into the background but on top of that all of the women are horrible stereotypes, set up to act as foils for our white hero’s REAL love interest. Gag me. It’s a shame too because ordinarily I’d LOVE a show about glee club.

  6. jen* wrote:

    Mundane is *totally* the right word for BH. I was expecting a lot more than I got, but I agreed with them in one regard – I did like Corky Romano.

    As for Glee – I love this show. I mean, I hate the lead teacher fellow, but I love the girl lead and the music. I *really* love the soundtrack of the show, with all the choir-done sound effects. Give me a show with singing and dancing and I’ll probably watch it. This goes for movies, too. I heart musicals in a big way.

    As for the Heroes comeback, commercials and clips haven’t done anything to get me excited for its return. In fact, I’ve started getting a sinking feeling that last season wasn’t the lowest they could go. And yet – the dvr is set. Here’s hoping!

  7. Colleen Beach wrote:

    I want to want to watch George Lopez but the commercials TBS is airing are PAINFULLY unfunny.

  8. Antonio wrote:

    I haven’t watched Glee, but I noticed in the pic that the Asian and black girls are on the edges of the screen. One guy appears to be a PoC (maybe Hispanic) and a little closer to the center. I remember another blogger pointed out a similar thing with a Heroes promotional photo.

  9. Lyn wrote:

    I’m glad someone is saying what you are about Glee. From Mercedes name to her mannerisms and speech, she is caricature without real depth. She got a little more time than stuttering, goth, possibly lesbian Asian Tina. Maybe we’ll get more depth in time with the characters, but I’m not holding my breath.

    I also wish someone was saying something about the fact that they have the kid in the wheelchair being played by a kid who can actually walk and is not handicapped. But then I always get peeved anytime there is a role requiring a person in a wheelchair and it is not filled by an actual person restricted to a wheelchair. I understand Glee required their actors to be able to sing and act, but I’m sure out there somewhere is a kid in a wheelchair who can sing and act.

  10. Jenny wrote:

    We like “reality TV” better. And glee looks like that crazy mis-match of personalities that work pretty much works on TV in a producers mind.

    America isnt into this anymore. I would be hard pressed to find anymore teen shows that get half the attention as dawsons greek, seventh heaven, buffy the vampire slayer, charmed, That 70’s show or …Gilmore Girls.

    I miss the 90’s like trouble…..

  11. miss.k wrote:

    Sad. I really *liked* the Glee pilot. I admit, I was mostly just hypnotized by the dancing. I don’t have cable, so it’s rare to get that.

    Oh well.

  12. L wrote:

    Glee demonstrated a fluency with the types of things the show’s writer’s imagine black and asian people would say. I’d honestly prefer Hollywood types to forgo depicting people of color altogether when it’s so bone-jarringly obvious that their interactions with non-whites are limited to NBA on TNT and the Sammy Davis Jr. episode of “All in the Family”.

  13. Mammith wrote:

    I think Glee has potential and wouldn’t write it off so easily. me and a friend both thought that each episode would probably have a focus on a specific character, I can’t see them completely relegating the POC characters to the sidelines.

    Of course I could be wrong but I’m not going to make a real judgment til about 4 episodes in.

    I have to admit I loved the pilot, also because of the singing and dancing and the whole ‘metaphors are important’ thing had me in stitches.

    @Antonio; I’ve noticed quite a few shows do that in their promotional artwork even if the characters in the show itself are full fledged mains. I’d blame a marketing department that thinks a show can’t sell unless all the white leads are front and center rather than the writers.

    Though I’m not defending heroes and it’s crappy treatment of their POC members of the cast.

  14. L wrote:

    @ Mammoth; you may be right but history has shown more often than not what I like to call Issac from Love Boat syndrome. Wherein there was the one episode per season when Issac does something other than facilitate another character’s next line of dialogue. It was either the Leslie Uggams or Jayne Kennedy who would appear in the opening credits as Issac’s love interest signaling such an occasion. I don’t think it’s racist or malicious it’s just typical that POC are an afterthought and thus get the short narrative shrift as it were. I’ll try and keep an open mind.

  15. Clara wrote:

    I enjoyed the Glee pilot at first, because I thought it had the potential to be a good HSM parody…until the minorities came. It really bothered me that in the last scene (the “Don’t Stop Believing” scene) literally ALL the minority characters (the black girl, the Asian girl, the gay boy, and the boy in the wheelchair) were BACKUP singers. As though none of them were worthy of being leads. Literally, the white characters were in the forefront. I remember thinking, if that doesn’t show what the show’s priorities are, then I don’t know what to say.

    Then again, maybe the show will get better as the episodes progress. We’ll see I guess.

  16. mahsino wrote:

    @miss.k. I’m right there with you. the snazzy song and dance numbers make me plant it in the West Side Story part of my brain that allows me to partially ignore the problems till the peppiness wears off.

  17. urbia wrote:

    @Clara

    Wow, that’s disgusting. It kind of reminds me of the multicultural-themed posters I saw in certain academic settings. Consistently, when you saw portraits of people from different races, the one of the white male would always be situated at the top. It’s subtle positioning in the image that constantly reinforces the notion of white supremacy, even when everyone is wearing happy smiling faces. It wouldn’t be as much of an issue if it didn’t happen every single time. It’s almost obnoxious.

  18. Regina wrote:

    For the most part, I agree with you about Glee–it does relegate its PoC characters to the sidelines in the most obvious way. However, there is one scene in the pilot which made me think it might get more interesting. The main girl (Rachel?) is talking about how she has two dads, and we get to see a picture of them: one’s white and one’s black. And Rachel says that they mixed their sperm together so that they wouldn’t know who was the biological father. I think the show probably meant it as a throw-away joke (”Haha, Rachel’s clearly white, these guys are stupid”), but it didn’t seem impossible to me that Rachel might actually be mixed. And wouldn’t that be interesting?

  19. Titanis walleri wrote:

    “We like “reality TV” better.”
    More importantly, the networks do because they’re cheaper to make…

  20. mute wrote:

    i enjoyed Dating in the Dark and yes, I saw that Misty and Amit episode. What made it more annoying was watching him try to talk around his real issue with her appearance: “She’s..uh…just not my normal type…yadda yadda yadda…”

    I’m going to hold back from judging Glee just yet. You’re right, the black girl is a bunch of stereotypes and not *that* funny, but for whatever reason, I still found her likable. I’ll give them a chance to flesh out the characters a little more before I decide to ride with or write off.

  21. Melanie wrote:

    When I first heard about Glee, the theater geek in me was elated! I had to watch it; I was BORN to watch it.

    Then I watched it. From the humor that relies on lame misogynistic stereotypes to making the POC characters thin caricatures, I was over it nearly as soon as it ended. Between this and the upcoming “Fame” remake, I may have to break up with the musical comedy genre until it gets its act together.

  22. Medusa wrote:

    I agree about Glee to an extent…it annoyed the crap out of me that the black character had to be a large, sassy girl with a belting voice. I did like that they had a South Asian principal (because they’re ususally never in power) and I thought the character was pretty likable. I liked him, anyway. And I also liked that the Asian character was neither a math geek nor a sex geek, but just your average awkward mid-western teenager. I hope that they will give her more character development as the show progresses.

  23. Brigitte wrote:

    As soon as I saw the sassy overweight singing black girl in the promos for “Glee” I knew I wouldn’t be watching, no matter how much everyone seems to be raving about it. I’m just over it.

  24. Medusa wrote:

    Erm, sex kitten. I have no clue what a “sex geek” is.

  25. Alta wrote:

    Bless you for sticking with Heroes. I am so done with the show. I have two more episodes to watch from the third season, and I’m not going to watch them. The show is boring now. It just seems like the story just keeps going in circles (the world’s in danger! Let’s created a NEW Company! Sylar’s still here! Ali Larter is STILL here!). Yeah. I’m out.

  26. LBell wrote:

    Co-signing Brigitte…I made myself sit through the pilot, but I knew I wouldn’t watch the show.

    I also saw that Dating in the Dark episode with Misty and Amit as well as the one where, after the six people had their first “meeting” in the dark, one of the guys said, “I think ___ is a very light-skinned black woman.” Definitely a WTF?? moment: So now one’s VOICE can signal whether a black person is light or dark?

  27. eli wrote:

    Well, I had been looking forward to Glee. But the sassy, fat black girl stereotype turns me right off.

    I’ll probably still give it a chance though. But really, I am so very, very tired, of this tired, tired, stereotype.

    And if they make her into a junior mammy character who has sassy black advice for a thin white girl’s romantic woes, while never getting to have any romance herself, I will weep.

  28. Angel wrote:

    I love Glee! Please don’t put it on the do-not-watch, must protest list.

  29. Ange wrote:

    L: No you didn’t evoke the Jayne Kennedy/Leslie Uggums CLAUSE. ::dead::

    I watched the first ten minutes of Glee, and that was enough. I’d never watch it again. I’ve had enough of the sassy fat black chicks who can sing and dance. The show wasn’t funny either.

    200 x yes. I am so tired of the sassy, fat, neck snapping, desexualized black chick trope. How is that even hip, refreshing and worthy of discussion.

    shame shame shame.

  30. Jem wrote:

    I just have to say thanks for the review on Glee!
    Basically everything that you said was right on (to me). I had heard from quite a few different places(including Colbert Report…weird?) about Glee, so I made a mental note to watch it when I saw that it was going to be/is on. Which I did probably the same time you musta saw it because I think I first saw this post like a day or two afterward(sorry I haven’t commented sooner). Anyways, I just wanted to let you know that I %100 agree with you on it. Theres this one part where the lead jock guy(he is the one the teacher pressured to join and whose Mom dated the weird grass painter with the mullet-which btw is so boring and overdone,”look hes’ white-trash!”) “saves ” the “kid in the wheelchair” which wow, makes him such a nice guy… Maybe with that part I am being too critical, but really, to me it just looks like another overhyped show, “Where the brave leading white hopes save the POC and PWD!” among alot of dumb stereotypes and just non-sensical crap they have to be pulling out of a hat.