Pink is for Tween Muslimah

by Guest Contributor Alicia, originally published at Muslimah Media Watch

It had to happen sooner or later. With Barbie and now Hannah Montana merchandise dominating the tween to early teenage market in Malaysia, products for young Muslim women in hijab are starting to appear, particularly on the bookshelves. And they look very pink.

The increasing pinkness of girl’s books can be directly connected to the uninterrupted rise of a global consumerist culture that worships Hollywood celebrity culture in Malaysia; from businesses that name themselves after American cities for prestige to the local edition of Cosmopolitan magazine that represents the arbiter of modern Malaysian female sexuality. And by following the lead of Barbie and Hello Kitty manufacturers’ lucrative use of the color pink, local book publishers do the same to gain a monopoly on young female readers.

Of course pinkness would not be complete without princesses. I’d like to point out here that although princesses have long been present in Malaysia, both in reality and in legend, none looks strikingly similar to a Disney princess as the female protagonist in Azian Aiman’s Sayalah Puteri Raja! (I’m the Princess Here!). Causing the most concern for me is its depiction of princesses as celebrities and objects of female envy, as revealed on the back of the book:

Zara steps out of the car and waves to a crowd that screams her name.

“Princess Zara! Princess Zara!”
“Oh, how beautiful she is! How wonderful it would be to be just like you, your highness!”
“I want to be like Princess Zara!”

A cacophony of screams fill the already chaotic air. Is she witnessing a mass hysteria? Zara cannot hide her excitement at being the object of worship.

Now, I’m not the only one here who thinks that princesses make one of the worst kinds of role models. They’re expected to be beautiful, rescued by Prince Charming, and either acquire or inherit wealth and royal status patrilineally. But then, stories of princesses and other beautiful heroines make an obvious progression towards the Malay novel’s main theme: romance. The contemporary romance novel is pretty much the only form of Malay fiction writing one can read today. So pervasive is the Malay romance novel that it’s even taught in schools as ‘Malay literature’.

The stylish repackaging of the young adult novel is part and parcel of the mainstreaming of ‘Islamic culture’ aimed to reach out to younger Muslim Malaysians, but the appropriation of religious language in a narrative that celebrates fame and beauty needs to be seriously questioned especially when one is entitled, Saya Mahu Saiz S or “I want a Size S” by Ain Maisarah which is about, you guessed it, dieting and being thin. Also designed in pink, Saya Mahu Saiz S is written for a young readership and already it’s sending out narrow definitions of what is beautiful, acceptable, and feminine.

In Malaysia, there is no end to the litany of anti-Western sentiment aimed at the pop culture-loving Muslim youth. But none of this is directed at criticising the subtle and insidious world of Western-style consumerism that is slowly reshaping the definition of femininity. It’s not enough putting a hijab on a fair-skinned Disney princess-lookalike and say it’s uniquely Malaysian or even Islamic. This is something we’ve failed to be critical about. There is an unsettling undercurrent of hypocrisy and self-hatred that fuels the aspirations and consumption patterns in this country, and it’s high time that those are taken seriously.

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Comments

  1. Andi wrote:

    It doesn’t suprise me that people are trying to capitalize on something like this. I grew up around Barbies and the unrealistic representation of a woman that she portrayed. Not only is this doll coming with a body image of dieting and being thin but also the princess role model. I think its fine for a little girl to have princess dolls but it shouldn’t be the only thing she has to look up to. The princess role model creates a vision of wealth and the ideal man in prince charming that most young girls will never find in real life. The fact that they have made this doll light skinned is absolutley wrong. It just shows these young ladies someone that does not look like them and someone they can’t relate to. I hope they understand that this is all fictional and have a real life role model of a woman to look up to.

  2. Jha wrote:

    *nods firmly* I’ve always found the anti-American, anti-liberal bent in Malaysia to be rather biased towards, well, actually useful ideas that would simply free people up to be able to have more fun.

    Anti-fun wingnuts are an international faction.

  3. RCHOUDH wrote:

    This princess merchandising in Malaysia is wrong on so many levels. It’s basically aping the American consumer obsession with everything “princessy” but adding on an “Islamic” flavor on its product to make it “halaal” somehow. In a way I’d rather they take out the “Islamic” flavor and sell the doll as is, so Malaysian Muslims who would have otherwise been duped into consuming it would then start avoiding it.

  4. Restructure! wrote:

    There was a recent study that is somewhat related: Disney Elevates Heterosexuality To Powerful, Magical Heights

    In the world of Disney, falling in heterosexual love can break a spell, save Christmas, change laws, stop wars and even, in the case of The Little Mermaid, cause an individual to give up her personal identity.

    While such dramatic plot twists may keep kids glued to television and movie theater screens, they send a memorable message to impressionable young viewers that heterosexual love is not only the norm, but that it is also exceptional, powerful, transformative and magical, concludes a new analysis of top-grossing G-rated children’s films.

    The findings, published in a paper in the latest issue of Gender & Society, challenge the notion that such movies are without sexual content. The determinations could even help to explain why multiple prior ethnographic studies suggest children understand the normativity of heterosexuality by the time they enter elementary school, relegating homosexuality to the abnormal, unusual and unexpected, necessitating explanation.

    [...]

    The analysis found the films “depict a rich and pervasive heterosexual landscape,” despite the assumption that children’s media are free of sexual content. The movies repeatedly mark relationships between opposite sex lead characters as special and magical.

    “Characters in love are surrounded by music, flowers, candles, magic, fire, balloons, fancy dresses, dim lights, dancing and elaborate dinners,” the researchers observed. “Fireflies, butterflies, sunsets, wind and the beauty and power of nature often provide the setting for—and a link to the naturalness of—hetero-romantic love.”

    The analysis of the films further determined heterosexuality is construed through depictions of overtly feminized women and masculine males, with the male characters spending much of their time longingly gazing at the former. Toys and other products tied to the films later reinforce the images.