by Carmen Van Kerckhove
Winehouse answers that question by digging deep for scraps of authenticity. In addition to foregrounding her knowledge of R&B history in her lyrics, she mines her personal experiences for material, naming names, keeping those names in the news, and in the process, all but eliminates the barrier between biography and artistic expression, tabloid and Billboard. Only a complete novice could wonder what her songs mean, to which events they refer, or about whom they are written. Meanwhile, she acts out and “keeps it real” by defending her drug and alcohol addictions, and by standing by her jailed ne’er-do-well husband. The whole package smells like a bizarre simulation of a familiar black stereotype.
Wha? This is why I love Lauren – check out what she wrote in response:
To me, she’s not simulating some familiar black stereotype, she is the embodiment of a familiar white one. But I guess I’m wrong.
Winehouse’s musical influences are black, so her sad, sad behavior can be boiled down to her being a little Jewish girl embracing drugs and rejecting her culture in a desperate-but-failed attempt to “keep it real.” Because white people, let alone famous (Jewish) ones, never engage in harmful drug use or marry ne’er-do-wells. If they did, white people like Amy Winehouse and Pete Doherty and Lindsay Lohan would be criticized just as much as black hip hop stars for being terrible influences on the children who love their movies and music. Instead, they get pass after pass and often sympathy for what is seen as some isolated problem instead of what it really is, which is flat-out criminal behavior of the sort that non-famous people, particularly non-famous black people (or famous black people, for that matter) actually get sent to prison for.
But go read the rest here.