Michael Eric Dyson rocks!
by Carmen Van Kerckhove
I just had to throw a quote from him up here on Racialicious. This is his take on the blame hip hop direction that the Don Imus media circus has taken, from Salon’s Audiofile blog:
So the big point really isn’t to score rap for its vicious sexism — if that were the case the mainstream white media would have been on the bandwagon a long time ago. It is to partially exonerate a racist and bigoted representative of its own ranks, in part to exonerate all those other white journalists who either appeared on his show or stood by in silence while he had his way with whatever vulnerable group he chose to attack that day. The white media has to scapegoat rap now to cleanse its hands of the blood — and to wipe clean its conscience — of the suffering of citizens, like black women, it never cared enough to oppose before Imus put his foot in his mouth. Black women are a footnote — and an afterthought — to the controversy.
Thus, all the hand-wringing and feigned horror over how young black males could ever speak about their women in such hateful tones is the delayed reaction of the partially guilty — not through active discourses of assault as with Imus, but through the passive indifference to the plight of women they didn’t care enough about either to learn their condition or to cry out over it on their airwaves. As we’ve seen in the last week, when white media elites are so inclined, they can use the airwaves to tell stories of black life with far more time and resources in one week than they’re used to spending in a year. If black women matter, they can’t just matter when white men mess up.
It is typical of a media that ignores black life that it also ignores the outrage black folk have felt about rappers spitting invective toward its women since the early ’90s. And it’s equally apparent that the white media has no interest in the fierce debate raging within hip-hop about its future and soul. Hundreds of “conscious” rappers who extol the virtues of black female identity — and who indict the materialism and misogyny of rap — can’t get a word in edgewise on white or black media outlets, from radio to television. There’s a blackout of conscience-driven, racially astute, politically motivated rap that contains progressive gender messages, in large part because such rap also contains poignant and prophetic indictments of white supremacy and social injustice, themes that even ostensibly liberal white media is not ready to hear, air or acknowledge. So it closes the mouths of such progressive artists, with the consequence that the women-hating harangues of hip-hop artists drown out the considerable complexity of conscious artists. It does so with the complicity of the very media machine that now wants to point fingers at only half the equation — the rap artists who pour acid on the heads of black women — while failing to self-critically indict its very participation in this unseemly affair. That is utter and naked hypocrisy.
Carmen Van Kerckhove is co-founder and president of 
femtique.net » Michael Eric Dyson on Rap Music & the IMUS Incident on 24 Apr 2007 at 12:26 am
[…] from Racialicious. Thanks Carmen! Please pass this to all your friends and help them see the truth. So the big point […]
COSELLOUT: Tellin’ It Like It Is when the “Cosellouts” Won’t » Blog Archive » The Nine Lives of Don Imus: A Study in American Denial on 01 Aug 2007 at 4:30 pm
[…] as a scapegoat or perverted pretext to justify or minimize the behavior of Imus. That would be wrong, dishonest, and hypocrytical. The media’s racial “script-flipping” was not limited to Imus defenses. Journalists from Pat […]